The Director of Gap Filler, Coralie Winn, at the opening of the Lyttelton Petanque Club.
A drawing of buildings and roads on a piece of furniture in the Words of Hope project.
A photograph of the Lyttelton Museum. A damaged section of roof and wall is protected by a large tarpaulin.
Gap Filler Creative Director, Coralie Winn, hanging bunting at the site of the "Film in the Gap!" project in Beckenham.
Members of the public bowl on the CPIT students' 1950s bowling alley in town.ing
A photograph of the Forsyth Barr building on the corner of Colombo and Armagh Streets, taken from Victoria Square.
The Rolleston Avenue side of the Arts Centre, cordoned off. The turret from one of the towers is on the ground to prevent further damage.
A man inspects damage to his garden. Liquefaction and cracking can be seen on the path and lawn. The photographer comments, "Lateral spreading and liquefaction".
A wheelbarrow sits on a liquefaction-covered lawn in front of a house. The photographer comments, "Liquefaction covers a lawn for the 2nd time in 6 months".
A photograph of a volunteer at the temporary emergency management offices at the Mainland Foundation Ball Park.
A felt heart sewn to the wire fencing in front of The Volcano Cafe in Lyttelton. It provides a bit of beauty and hope to an otherwise depressing scene.
Marcia, the baker of the cake at the Lyttelton Petanque Club where the stitching of felt hearts is taking place. The message on the cake says "still smiling".
A sign on the fence cordoning off High Street. It reads "Month 1, Month 2, Month 3, Month 4, Month 5, Month 6. When is the recovery starting?
A cordon check-point at the corner of Barbadoes and Lichfield Streets. Behind the cordon, a soldier sleeps on top of the cab of an army truck.
A colour photograph of detail on the Hotel Grand Chancellor showing broken windows, exposed pipes, and the lean of the building.
A photograph of signs on a cordon fence advising customers of the status of businesses. The photograph is captioned by Paul Corliss, "Ferry Road".
A photograph of a child digging liquefaction on a residential property. The photograph is captioned by Paul Corliss, "The block of Bexley and Pages Roads".
A photograph of a child digging liquefaction on a residential property. The photograph is captioned by Paul Corliss, "The block of Bexley and Pages Roads".
A photograph of liquefaction and flooding on a residential street. The photograph is captioned by Paul Corliss, "The block of Bexley and Pages Roads".
A photograph of liquefaction and flooding on a residential property. The photograph is captioned by Paul Corliss, "The block of Bexley and Pages Roads".
A photograph of liquefaction and flooding on a residential property. The photograph is captioned by Paul Corliss, "The block of Bexley and Pages Roads".
A photograph of liquefaction and flooding on a residential property. The photograph is captioned by Paul Corliss, "The block of Bexley and Pages Roads".
A photograph of liquefaction surrounding the base of a power pole. The photograph is captioned by Paul Corliss, "The block of Bexley and Pages Roads".
A photograph of liquefaction and flooding on a residential street. The photograph is captioned by Paul Corliss, "The block of Bexley and Pages Roads".
A digital copy of a pen and ink and watercolour painting by Raymond Morris, titled, 'Domo Store, 236 Tuam Street'.
A digital copy of a pen and ink and watercolour painting by Raymond Morris, titled, 'Cathedral of the Blessed Sacrament'.
A photograph of volunteers from The Wellington Emergency Management Office standing near a pile of rubble on Bealey Avenue.
Wayne Youle and volunteers painting his mural, 'I Seem to Have Temporarily Misplaced My Sense of Humour'.
A photograph of chalked messages on the side of a building in New Brighton. The messages read, "We are tough, eh." and, "Hug each other".
A photograph of a chalked message on the side of a building in New Brighton. The message reads, "From here, it can only get better".