
A photograph of a paste-up on the wall of the earthquake-damaged Knox Church. The paste-up depicts a bandaid with a speech bubble reading, "I'll kiss it better".
A photograph of a paste-up on the wall of the earthquake-damaged Knox Church. The paste-up depicts a bandaid with a speech bubble reading, "I'll kiss it better".
A photograph of a paste-up on the wall of the earthquake-damaged Knox Church. The paste-up depicts a bandaid with a speech bubble reading, "I'll kiss it better".
A photograph of a paste-up on the wall of the earthquake-damaged Knox Church. The paste-up depicts a bandaid with a speech bubble reading, "I'll kiss it better".
A PDF copy of pages 60-61 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Port-A-Loos Sumner'. Photos: Katherine C'Ailceta
A PDF copy of pages 84-85 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'I Am...'. Photo: Harry Tranter
A photograph of Gaby Montejo's Milk Fight - a dairy-fuelled urban food fight, which was part of FESTA 2014. Milk Fight was held on the former Convention Centre site at 100 Peterborough Street.
An artist's impression of the installation 'Etch-a-Sketch', created as part of the LUXCITY event. Tutors: Anna Tong, Chris Holmes
A photograph of Gaby Montejo's Milk Fight - a dairy-fuelled urban food fight, which was part of FESTA 2014. Milk Fight was held on the former Convention Centre site at 100 Peterborough Street.
A photograph of Gaby Montejo's Milk Fight - a dairy-fuelled urban food fight, which was part of FESTA 2014. Milk Fight was held on the former Convention Centre site at 100 Peterborough Street.
185 Chairs, an art installation by artist Peter Majendie, which is a memorial to those who died as a result of the 22 February 2011 earthquake.
185 Chairs, an art installation by artist Peter Majendie, which is a memorial to those who died as a result of the 22 February 2011 earthquake.
A PDF copy of pages 68-69 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Why is This Real Not That?'. Photo: Reuben Woods
Photograph captioned by BeckerFraserPhotos, "Decorated road cones at the intersection of Cambridge Terrace and Cashel Street".
Taken soon after the 6.3 magnatude quake hit Christchurch 22 February 2011. Done in HDR to capture some of the "feeling" of what I felt.
A PDF copy of pages 372-373 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Container Love (Container Cosy)'. Photos: Barnaby Bennett
A photograph of USAR codes spray-painted on the front door of the Art Gallery Apartments on Gloucester Street. A red sticker has been taped to the door, indicating that the building is unsafe to enter.
Photographs of the Brick Art unveiling, Greening the Rubble, on the former Asko site - corner of Victoria and Salisbury Streets, Christchurch 8 February 2011 From the collection of Christchurch City Libraries CCL-Brickart-2011-IMG_2523
Photograph captioned by Fairfax, "Civil Defence centre has now moved from the Christchurch Art Gallery to the new civil offices in Hereford Street. Christchurch mayor Bob Parker talks to the media".
A photograph of large wooden flowers erected on an empty site in Kaiapoi.
A photograph of large wooden flowers erected on an empty site in Kaiapoi.
A view down Montreal Street with the Christchurch Art Gallery on the left. On the gallery forecourt is the sculpture "Reasons for Voyaging", a collaboration between Canterbury sculptor, Graham Bennett and architect, David Cole.
View down Worcester Street, with Christchurch Art Gallery in the back, and next to it is Worcester Chambers, which house the Languages International Christchurch. Part of the Harley's building is visible on the right.
A photograph of a colourful brick wall and a spiral pattern on the ground at New Brighton Mall. There is also a red and black rug rolled up and laid down on the ground.
A photograph of a vacant site on Gloucester Street next to Cathedral Junction. The site is to be the location for 'Sound Cone', a performance space which is part of LUXCITY.
A photograph of vacant sites on either side of Gloucester Street. Across the road in the distance, students are installing In Your Face, which is part of LUXCITY.
A photograph of a fenced-off vacant site on Gloucester Street. The site is to be the location for Silhouette Carnival, a large-scale installation which is part of LUXCITY.
A photograph of the illuminated Silhouette Carnival installation at on Gloucester Street. Part of In Your Face can also be seen on the left. The installations are part of LUXCITY.
A photograph of vacant sites on either side of Gloucester Street. Across the road in the distance, students are installing In Your Face, which is part of LUXCITY.
A photograph of a fenced-off vacant site on Gloucester Street. The site is to be the location for Silhouette Carnival, a large-scale installation which is part of LUXCITY.