A photograph of street art on a building between Brighton Mall and Beresford Street. The artwork depicts a woman's face. There is a wire cordon fence in front of the wall.
A photograph of a section of a piece of street art on the side of a building between Brighton Mall and Hawke Street. This section of the artwork depicts Winnie the Pooh.
A photograph of a section of a piece of street art on the side of a building between Brighton Mall and Hawke Street. This section of the artwork has been painted around a sign which warns that the building is under electronic surveillance. It also includes the Japanese characters for "mother" and "child".
A photograph of street art on the public toilets on Shaw Avenue. The artwork depicts three albatrosses.
A photograph of street art on the public toilets on Shaw Avenue. The artwork depicts three albatrosses. Above them is written: "Everyone needs to pee!".
A photograph of a section of a piece of street art on the side of a building between Brighton Mall and Hawke Street. This section of the artwork depicts cartoon characters in bubbles.
One turned wooden box shaped like a teardrop, made from rimu. Inset brass and pewter strips curve around the base in a Celtic knot shape. The box is in two parts.
One artwork in the shape of a stag's head, made from recycled copper and flattened corrugated iron. The item could be used as a coat hook.
A photograph of a section of a mural on one side of the Shoreline Fitness Centre on Hawke Street. This section of the mural contains bubbles with artworks painted inside.
A photograph of a section of a piece of street art on the wall of a building between Brighton Mall and Hawke Street. The section depicts the video game character Sonic the Hedgehog and is captioned, "Sonic by Rei".
A photograph of street art on the public toilets on Shaw Avenue. The artwork is signed by 'Minx'.
A photograph of street art on the public toilets on Shaw Avenue. The photograph believes that the artwork was created by the artist 'Minx'.
A photograph of street art on the public toilets on Shaw Avenue. The artwork is signed by 'Minx'.
A photograph of a mural on one side of the Shoreline Fitness Centre on Hawke Street. The title of the mural is, "Occupy Equality Street".
A photograph of street art on the public toilets on Shaw Avenue. The artwork is signed by 'Minx'.
A photograph of street art on the side of a building between Brighton Mall and Hawke Street. At the base of the artwork is a block with the message "Sign of the Kiwi" painted on it.
A photograph of a section of a mural on one side of the Shoreline Fitness Centre on Hawke Street. A message painted in this section reads, "Everyone is special. Occupy Equality Street".
A photograph of a section of a mural on one side of the Shoreline Fitness Centre on Hawke Street. A message painted in this section reads, "No one is superior. Everyone is special. Occupy Equality Street".
A photograph of a section of a mural on one side of the Shoreline Fitness Centre on Hawke Street. A message painted in this section reads, "No one is superior. Everyone is special. Occupy Equality Street".
A photograph of a mural on one side of the Shoreline Fitness Centre on Hawke Street. The title of the mural is, "Occupy Equality Street".
A photograph of street art on a wall facing onto a car park off Hawke Street. The artwork depicts a woman, and is signed, "Merry Xmas, from Stefan".
A photograph of street art on the public toilets on Shaw Avenue.
A photograph of street art on the public toilets on Shaw Avenue. The artwork is signed by 'Minx'.
There is a now a rich literature on the connections between digital media, networked computing, and the shaping of urban material cultures. Much less has addressed the post-disaster context, like we face in Christchurch, where it is more a case of re-build rather than re-new. In what follows I suggest that Lev Manovich’s well-known distinction between narrative and database as distinct but related cultural forms is a useful framework for thinking about the Christchurch rebuild, and perhaps urbanism more generally.
A photograph of street art on the side of a building between Brighton Mall and Hawke Street. The artwork depicts images and messages in bubbles.
A photograph of street art on a building between Brighton Mall and Beresford Street. The artwork depicts a woman's face, and the silhouette of a suffragette wearing a jester's cap. There is a wire cordon fence in front of the wall.
A photograph of section of a mural on the side of the Shoreline Fitness Centre on Hawke Street. This section contains a large bubble with the message, "Space. Occupy Equality Street", inside. Next to this is another bubble with the message, "Love", painted inside.
This paper summarizes the development of a high-resolution surficial shear wave velocity model based on the combination of the large high-spatial-density database of cone penetration test (CPT) logs in and around Christchurch, New Zealand and a recently-developed Christchurch-specific empirical correlation between soil shear wave velocity and CPT. This near-surface shear wave velocity model has applications for site characterization efforts via the development of maps of time-averaged shear wave velocities over specific depths, as well as use in site response analysis and ground motion simulation.
This paper summarizes the development of a region-wide surficial shear wave velocity model based on the combination of the large high-spatial-density database of cone penetration test (CPT) logs in and around Christchurch, New Zealand and a recently-developed Christchurch-specific empirical correlation between soil shear wave velocity and CPT. The ongoing development of this near-surface shear wave velocity model has applications for site characterization efforts via the development of maps of time-averaged shear wave velocities over specific depths, and the identification of regional similarities and differences in soil shear stiffness.
A photograph of street art on the side of the A1 Small Goods building located between Brighton Mall and Hawke Street.