A photograph of a wooden cross erected on an empty site in Lyttelton. The cross is numbered 42, and is part of the Crux project.
A photograph of a wooden cross erected on an empty site in Lyttelton. The cross is numbered 44, and is part of the Crux project.
A photograph of a film being projected on the side of a building. The outdoor cinema was part of Gap Filler's first project.
A photograph of the exterior of the Village Grape, a wine shop constructed in a shipping container in Sumner.
A photograph of the interior of the Village Grape. The wine bar area has been set up in a marquee.
A photograph of Jennie Cooper serving lunch for the Crack'd for Christchurch team. The team are working on their armchair artwork.
A photograph of a woman reading poetry to an audience. She is standing in front of the Poetica Urban Poetry wall.
A photograph of graffiti by JOTER on a fence in New Brighton Road, Burwood.
A photograph of seating for Gap Filler's temporary outdoor cinema. The seating is stacked in a workshop.
A photograph of seating for Gap Filler's temporary outdoor cinema. The seating is stacked in a workshop.
A photograph of a poster above the staircase at The Auricle Sonic Arts Gallery on New Regent Street. The poster is advertising the Sound Sky exhibition. The exhibition was part of FESTA 2014, and presented layers of stories, sounds and speculative futures for Christchurch.
A photograph of The Auricle Sonic Arts Gallery before the opening of an exhibition of stories, sounds and speculative futures for Christchurch. The exhibition was presented by Sound Sky - a geo-located audioscape and mobile phone app - as part of FESTA 2014.
A photograph of a computer monitor and tablet mounted to the wall at The Auricle Sonic Arts Gallery, during the Sound Sky exhibition. The exhibition was part of FESTA 2014, and presented layers of stories, sounds and speculative futures for Christchurch.
A photograph of people dancing on the Gap Filler Dance-O-Mat during Dance-O-Rama. This event was part of FESTA 2014.
A photograph of the interior of the Samo Lyttelton cafe. Shelves hold childrens' books and toys, a tray of condiments, and other items.
A photograph of wooden planks used in the construction of Gap Filler's temporary outdoor cinema. The boards have a crown logo painted on them.
A photograph of people dancing on the Gap Filler Dance-O-Mat during Dance-O-Rama. This event was part of FESTA 2014.
A photograph of a working bee at Agropolis urban farm on the corner of High Street and Tuam Street. The working bee was part of FESTA 2014.
A photograph of a working bee at Agropolis urban farm on the corner of High Street and Tuam Street. The working bee was part of FESTA 2014.
A photograph of a woman applying filler to a concrete-block wall, in preparation for painting it to become the Poetica Urban Poetry wall.
A photograph of a customer in the seating area of the Samo Lyttelton cafe. On the walls of the cafe are posters advertising local events.
A photograph of people watching a film projected on the side of a building. The outdoor cinema was part of Gap Filler's first project.
A technical drawing of Crack'd for Christchurch's armchair artwork. The drawing includes height and width measurements for the back of the chair.
A photograph of members of Crack'd for Christchurch in the crowd during the launch of the Green Room on Colombo Street.
A video montage of LUXCITY, a city of lights that existed for one night on Saturday 20 October 2012. LUXCITY was the main event of FESTA 2012 and included 16 interactive installations, designed and fabricated by architecture and design students from across New Zealand. The film depicts the construction and set up, through to the public event on Saturday night.
A PDF copy of page 132 of the book Christchurch: The Transitional City Pt IV. The page documents the transitional project 'Hunters & Collectors Building'. Note that images have been removed from the page for copyright reasons.
A photograph of pieces of broken china laid on a mosaic design.Crack'd for Christchurch comments, "Marie begins the very first flower. It is so difficult and time consuming that we are all in despair. Will this take forever? No-one is getting paid and we all have jobs and lives in some chaos thanks to the earthquakes."
A photograph of visitors to CityUps playing with a large inflatable ball. The ball is part of an installation titled CHCH2061, created by architecture students from the University of Auckland. CityUps was a 'city of the future for one night only', and the main event of FESTA 2014.
A photograph of four people playing with a large inflatable ball at CityUps. CityUps was a 'city of the future for one night only', and the main event of FESTA 2014.
A PDF copy of pages 68-69 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Why is This Real Not That?'. Photo: Reuben Woods