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Images, UC QuakeStudies

A digital copy of a poster from the Te Waioratanga project of the All Right? campaign. The poster features a black and white photographic portrait of kapa haka practitioners Puamiria Parata-Goodall and her mother Reihana (Aunty Do) Parata. The caption reads, "As a whānau, when we haka together, we learn together".

Images, Canterbury Museum

One portrait colour digital photograph taken on 19 November 2011 showing Shadbolt House prior to its demolition. Architect Lyttelton's tallest building before its demolition was built in 1961 as the offices of the Lyttelton Harbour Board. At the time it was demolished the building was known as Shadbolt House and was owned by Independent Fisherie...

Images, UC QuakeStudies

A photograph of Waimarie Rawson-Griffiths (left) and Karuna Thurlow (right) next to a billboard with Thurlow's portrait on it. The billboard is in Hagley Park for the 2015 Te Matatini National Kapa Haka festival, and is part of All Right?'s Te Waioratanga project. All Right? posted the photograph on their Facebook page on 10 March 2015.

Images, UC QuakeStudies

A digital copy of a poster from the Te Waioratanga project of the All Right? campaign. The poster features a black and white photographic portrait of kapa haka practitioner Te Mairiki Williams with his twins Ruruhira (left) and Te Kotuku (right). The caption reads, "Embrace the epitome of 'aukati'. Auahi, waipiro, taru, patu kore. To prolong and sustain life".

Images, UC QuakeStudies

A digital copy of a poster from the Te Waioratanga project of the All Right? campaign. The poster features a black and white photographic portrait of kapa haka practitioner Whaea Tihi Puanaki. The caption reads, "Kapa haka is wellbeing for the soul. Te kapa haka te oranga o te tinana, te wairua, te hinengaro, te katoa o te tinana".

Images, Canterbury Museum

One portrait colour digital photograph taken on 19 November 2011 showing a poster advertising the planned 2011 Census which was scheduled for Tuesday 8 March 2011. The census was abandoned because of the 22 February 2011 Earthquake. The poster was located in the window of the Lyttelton Information Centre on Oxford Street. The building was closed...

Images, Canterbury Museum

One portrait colour digital photograph taken on 1 December 2010 showing a chimney, dislodged by the 4 September 2010 earthquake, atop a 1972 Toyota Crown car. The car to Andrie Woodroffe of 82 Hartley Avenue, Strowan. Car belonged to The chimney that crushed this car in Strowan, Christchurch was thrown from the roof of the house behind it, showi...

Images, UC QuakeStudies

A photograph of Christchurch Central MP Nicky Wagner (left), Emma Rawson of All Right?, and Maori Party Co-leader Marama Fox standing next to a Te Waioratanga portrait at the 2015 Te Matatini National Kapa Haka festival. The festival was held in Hagley Park in March 2015. All Right? posted the photograph on their Facebook page on 10 March 2015 at 2:29pm.

Research papers, The University of Auckland Library

This exhibition, eight years in the planning, had the misfortune to open one week before the 22 February 2011 Christchurch earthquake; the exhibition was immediately taken down and never went up again – the Christchurch Art Gallery has still not reopened. Although in my book Fantastica: The World of Leo Bensemann (NRO1) I covered the whole of Bensemann’s career, in the exhibition I took responsibility for the paintings (portraits and landscapes) , while Dr. Noel Waite (University of Otago) looked after Bensemann’s graphic work, book design and printing. This was the most extensive exhibition of Bensemann’s work ever mounted and together with Fantastica will compel a major reassessment of his place in New Zealand culture. Art New Zealand wrote of it: ‘The exhibition (including more than 100 items) is significant in bringing together what has in the past appeared disparate and unrelated; here Bensemann's entire oeuvre - the output of a painter, illustrator, calligrapher, typographer, designer and publisher is given equal billing. Although this exhibition is an important re-assessment and valuable for a new generation unfamiliar with his work, a national touring show would have precipitated an even greater awareness’.