Building Record Form for former Canterbury Public Library, 1900s and 1920s section, 109 Cambridge Terrace, Christchurch
Damage to the Repertory Theatre building. Part of the facade has collapsed onto the awning below, and bricks and masonry have spilled across the street. The building is cordoned off with road cones and police tape.
A building on St Asaph Street has been demolished, exposing the interior structure of the adjoining building. The photographer comments, "The building that this one was part of has been demolished and the join looks very much like the exterior walls of an Anglo-Saxon house. It has been exposed due to the demolition of damaged buildings after the Christchurch earthquake".
An entry from Ruth Gardner's blog for 2 October 2012 entitled, "Building Brought to Light".
A piece of carved stonework fallen from a heritage building.
As building archaeologists we record and analyse the form, structure and ornamentation of 19th century dwellings to learn about the lives led by past occupants. The Victorian era was a time of invention and achievement. Society was dominated by middle-class morality as they … Continue readi...
Broken windows in the Design and Arts College building in Worcester Street.
Anna Crighton, Chairperson, Canterbury Earthquake Heritage Building Trust Board.
A graphic showing demolished heritage buildings.
A video of Dr Ann McEwan, architectural historian and heritage consultant, talking about the architectural details and significance of heritage buildings in Christchurch. The video includes discussion of the Provincial Chambers buildings, the MedLab building, and Eliza's Manor.
"Heritage Buildings, Earthquake Strengthening and Damage: the Canterbury earthquakes September 2010 - January 2012", a report submitted by the then New Zealand Historic Places Trust to the Canterbury Earthquakes Royal Commission. The report was written by Robert McClean.
Building Record Form for Holy Trinity Church (Anglican), 122 Avonside Drive, Linwood, Christchurch
A 152-year-old Christchurch building damaged by an earthquake and then an arson attack is to be restored to its former glory.
A graphic describing the status of heritage buildings.
A map showing the location of heritage buildings.
The clock on New Regent Street. A crack runs down the edge of the parapet, showing how the buildings have moved. The clock has stopped at the time of the earthquake.
A digitally manipulated image of a broken window. The photographer comments, "There is hardly anything left of Christchurch's proud heritage buildings. Most older buildings were made of brick and though they should have had improvements to make them withstand a medium earthquake most did not. They were badly damaged when hit with a series of earthquakes that were up to 2.2g at the epicentre and 1.88g in the City".
The heritage sector says the earthquake recovery minister shouldn't be hasty when it comes to heritage buildings in Christchurch.
A photograph of a earthquake-damaged building on the corner of Tuam and High Streets. The outer-corner of the wall has collapsed leaving the inside of the building exposed.
The Christchurch City Council says it needs Government money to help repair its earthquake damaged heritage and character buildings.
Heritage buildings are an important element of our urban environments, representing the hope and aspirations of a generation gone, reminding us of our achievements and our identity. When heritage buildings suffer damage, or fall into disrepair they are either met by one of two extremes; a bulldozer or painstaking repair. If the decision to conserve defeats the bulldozer, current heritage practice favours restoration into a mausoleum-type monument to yesteryear. But what if, rather than becoming a museum, these heritage buildings could live on and become a palimpsest of history? What if the damage was embraced and embodied in the repair? The Cathedral of the Blessed Sacrament on Barbadoes Street, Christchurch is the case study building for this thesis. Suffering damage in the Canterbury earthquakes of 2010 and 2011, the Cathedral sits in ruin waiting for decisions to be made around how it can be retained for future generations. This thesis will propose a reconstruction for the Cathedral through the analysis of precedent examples of reconstructing damaged heritage buildings and guided by a heritage framework proposed in this thesis. The employed process will be documented as an alternative method for reconstructing other damaged heritage buildings.
After being largely shut off to the public since the earthquakes, Christchurch's iconic Arts Centre is set to reopen its Great Hall to the public tonight.
Damage to the Westende Jewellers building. The upper storey facade has collapsed, and rubble covers the road. The area has been cordoned off with road cones and police tape, and fire service personnel are inspecting the damage from the basket of a fire engine's ladder.
Damage to the Westende Jewellers building. The upper storey facade has collapsed, and rubble covers the road. The area has been cordoned off with road cones and police tape, and fire service personnel are inspecting the damage from the basket of a fire engine's ladder.
<b>In the late 1960s the Wellington City Council surveyed all the commercial buildings in the city and marked nearly 200 as earthquake prone. The owners were given 15 years to either strengthen or demolish their buildings. The end result was mass demolition throughout the seventies and eighties.¹ Prompted by the Christchurch earthquakes, once again the council has published a list of over 630 earthquake prone buildings that need to be strengthened or demolished by 2030.²Of these earthquake prone buildings, the majority were built between 1880 and 1930, with 125 buildings appearing on the Wellington City Council Heritage Building List.³ This list accounts for a significant proportion of character buildings in the city. There is a danger that the aesthetic integrity of our city will be further damaged due to the urgent need to strengthen these buildings. Many of the building owners are resistant because of the high cost. By adapting these buildings to house co-workspaces, we can gain more than just the retention of the building’s heritage. The seismic upgrade provides the opportunity for the office space to be redesigned to suit changes in the ways we work. Through a design-based research approach this thesis proposes a framework that clarifies the process of adapting Wellington’s earthquake prone heritage buildings to accommodate co-working. This framework deals with the key concepts of program, structure and heritage. The framework is tested on one of Wellington’s earthquake prone heritage buildings, the Wellington Working Men’s Club, in order to demonstrate what can be gained from this strengthening process. ¹ Reid, J., “Hometown Boomtown,” in NZ On Screen (Wellington, 1983).</b> ² Wellington City Council, List of Earthquake Prone Buildings as at 06/03/2017. (Wellington: Absolutely Positively Wellington. 2017). ³ ibid.
The David and Goliath battle over a heritage building sitting in the way of a planned $473 million dollar, multi-use arena for Christchurch has ended up in court. The 25,000-seated, roofed arena is the final anchor project for the Christchurch rebuild and will be designed to host everything from All Blacks tests to big concerts. But sitting on the edge of the site, at 212 Madras Street, is the NG Building, a 115-year old warehouse that's home to a number of creative businesses. It escaped the worst of the 2011 earthquake and was strengthened by its owners: Roland Logan and Sharon Ng. They say they were told in 2013 the building could be incorporated into the arena's design, and are at loggerheads over its compulsory acquisition. Last week they were at the High Court seeking an injunction that would allow them to temporarily maintain ownership of the building, and that decision was released yesterday - and upheld. Roland joins Kathryn to discuss why they hope the building can be saved.
Some Christchurch building owners say a bulldozer's the best option, despite the city council calling for government help to rebuild heritage buildings damaged by the earthquake.
A map showing the status of heritage buildings in Christchurch and Lyttelton.
A night-time photograph of the Cranmer Court building on the corner of Kilmore and Montreal Streets. The building has been lit up from below. The octagonal section on the corner of the building was the part occupied by Plato Creative from March 2008 to November 2009. Although designed to house a book depot, this section was used as the principal's office while Christchurch Normal School was operating from the building.
A black and white, night-time photograph of the Cranmer Court building on the corner of Kilmore and Montreal Streets. The building has been lit up from below. The octagonal section on the corner of the building was the part occupied by Plato Creative from March 2008 to November 2009. Although designed to house a book depot, this section was used as the principal's office while Christchurch Normal School was operating from the building.