Photograph captioned by BeckerFraserPhotos, "The future of Calendar Girls is uncertain, because although it survived the earthquakes well, it is now within the zone called 'The Frame' and may not be deemed to be a suitable use for that zone".
A plan which outlines how timely and accurate information relating to estimating, actual project costs, future commitments and total forecast cost will be managed and reported for each project phase in the programme. The first version of this plan was produced on 24 June 2011.
In the wake of the Canterbury earthquakes, one of the biggest threats to our heritage buildings is the risk of earthquakes and the associated drive to strengthen or demolish buildings. Can Small Town NZ balance the requirements of the EQPB legislation and economic realities of their places? The government’s priority is on safety of building occupants and citizens in the streets. However, maintaining and strengthening privately-owned heritage buildings is often cost prohibitive. Hence, heritage regulation has frequently been perceived as interfering with private property rights, especially when heritage buildings occupy a special place in the community becoming an important place for people (i.e. public benefits are larger than private). We investigate several case studies where building owners have been given green light to demolish heritage listed buildings to make way for modern developments. In two of the case studies developers provided evidence of unaffordable strengthening costs. A new trend that has emerged is a voluntary offer of contributing to an incentive fund to assist with heritage preservation of other buildings. This is a unique example where private owners offer incentives (via council controlled organisations) instead of it being purely the domain of the central or local governments.
On 15 August 1868, a great earthquake struck off the coast of the Chile-Peru border generating a tsunami that travelled across the Pacific. Wharekauri-Rekohu-Chatham Islands, located 800 km east of Christchurch, Aotearoa-New Zealand (A-NZ) was one of the worst affected locations in A-NZ. Tsunami waves, including three over 6 metres high, injured and killed people, destroyed buildings and infrastructure, and impacted the environment, economy and communities. While experience of disasters, and advancements in disaster risk reduction systems and technology have all significantly advanced A-NZ’s capacity to be ready for and respond to future earthquakes and tsunami, social memory of this event and other tsunamis during our history has diminished. In 2018, a team of scientists, emergency managers and communication specialists collaborated to organise a memorial event on the Chatham Islands and co-ordinate a multi-agency media campaign to commemorate the 150th anniversary of the 1868 Arica tsunami. The purpose was to raise awareness of the disaster and to encourage preparedness for future tsunami. Press releases and science stories were distributed widely by different media outlets and many attended the memorial event indicating public interest for commemorating historical disasters. We highlight the importance of commemorating disaster anniversaries through memorial events, to raise awareness of historical disasters and increase community preparedness for future events – “lest we forget and let us learn.”
A photograph captioned by BeckerFraserPhotos, "The Christchurch Chinese Methodist Church on Papanui Road. The steeple was removed after the September earthquake. The future of church is unclear, but the church hall has been demolished".
A photograph captioned by BeckerFraserPhotos, "The Christchurch Chinese Methodist Church on Papanui Road. The steeple was removed after the September earthquake. The future of church is unclear, but the church hall has been demolished".
A photograph of a musician performing at Something Super during FESTA 2013. The event was held at ArtBox and included food, music, art, animation and talks about ArtBox, BeatBox and the future of Christchurch.
A photograph of Barnaby Bennett giving a talk at Something Super during FESTA 2013. The event was held at ArtBox and included food, music, art, animation and talks about ArtBox, BeatBox and the future of Christchurch.
A photograph of Barnaby Bennett giving a talk at Something Super during FESTA 2013. The event was held at ArtBox and included food, music, art, animation and talks about ArtBox, BeatBox and the future of Christchurch.
A photograph of the inside of ArtBox gallery, which was the venue for Something Super. This event was part of FESTA 2013 and included food, music, art, animation and talks about ArtBox, BeatBox and the future of Christchurch.
A photograph of the inside of ArtBox gallery, where people are gathered for Something Super. This event was part of FESTA 2013 and included food, music, art, animation and talks about ArtBox, BeatBox and the future of Christchurch.
A photograph of the inside of ArtBox gallery, which was the venue for Something Super. This event was part of FESTA 2013 and included food, music, art, animation and talks about ArtBox, BeatBox and the future of Christchurch.
A photograph of the inside of ArtBox gallery, which was the venue for Something Super. This event was part of FESTA 2013 and included food, music, art, animation and talks about ArtBox, BeatBox and the future of Christchurch.
An image used as a cover photo on the All Right? Facebook page. The image reads, "Three years on... It's all right to be excited about our future." All Right? posted the image on their Facebook page on 18 February 2014 at 3:06pm.
A photograph of cakes made by Cakes by Anna, on a table outside ArtBox. The cakes are for Something Super, which was part of FESTA 2013. The event included food, music, art, animation and talks about ArtBox, BeatBox and the future of Christchurch.
A photograph of Architect Pippin Wright-Stow from F3 Design giving a talk at Something Super during FESTA 2013. The event was held at ArtBox and included food, music, art, animation and talks about ArtBox, BeatBox and the future of Christchurch.
A photograph of Pippin Wright-Stow and Martin Trusttum from F3 Design giving a talk at Something Super during FESTA 2013. The event was held at ArtBox and included food, music, art, animation and talks about ArtBox, BeatBox and the future of Christchurch.
A photograph of two large signs that are part of Signs of Things to Come. This was a wayfinding project by Generation Zero and Diadem, for FESTA 2014. The signage gives directions to key central city and FESTA locations, and compares the current and future potential of transport in Christchurch.
A photograph of Architect Pippin Wright-Stow from F3 Design giving a talk at Something Super during FESTA 2013. The event was held at ArtBox and included food, music, art, animation and talks about ArtBox, BeatBox and the future of Christchurch.
A photograph of Pippin Wright-Stow and Martin Trusttum from F3 Design giving a talk at Something Super during FESTA 2013. The event was held at ArtBox and included food, music, art, animation and talks about ArtBox, BeatBox and the future of Christchurch.
A photograph of Pippin Wright-Stow and Martin Trusttum from F3 Design giving a talk at Something Super during FESTA 2013. The event was held at ArtBox and included food, music, art, animation and talks about ArtBox, BeatBox and the future of Christchurch.
A photograph of Pippin Wright-Stow and Martin Trusttum from F3 Design giving a talk at Something Super during FESTA 2013. The event was held at ArtBox and included food, music, art, animation and talks about ArtBox, BeatBox and the future of Christchurch.
A photograph of Architect Pippin Wright-Stow from F3 Design giving a talk at Something Super during FESTA 2013. The event was held at ArtBox and included food, music, art, animation and talks about ArtBox, BeatBox and the future of Christchurch.
The increase in urban population has required cities to rethink their strategies for minimising greenhouse gas impacts and adapting to climate change. While urban design and planning policy have been guided by principles such as walkability (to reduce the dependence on cars) and green infrastructure (to enhance the quality of open spaces to support conservation and human values), there have been conflicting views on what spatial strategies will best prepare cities for a challenging future. Researchers supporting compact cities based upon public Transit Oriented Development have claimed that walkability, higher density and mixed-uses make cities more sustainable (Owen, 2009) and that, while green spaces in cities are necessary, they are dull in comparison with shopfronts and street vendors (Speck, 2012, p 250). Other researchers claim that green infrastructure is fundamental to improving urban sustainability and attracting public space users with improved urban comfort, consequently encouraging walkability (Pitman and Ely, 2013). Landscape architects tend to assume that ‘the greener the better’; however, the efficiency of urban greenery in relation to urban comfort and urbanity depends on its density, distribution and the services provided. Green infrastructure can take many forms (from urban forests to street trees) and provide varied services (amended microclimate, aesthetics, ecology and so forth). In this paper, we evaluate the relevance of current policy in Christchurch regarding both best practice in green infrastructure and urban comfort (Tavares, 2015). We focus on the Christchurch Blueprint for rebuilding the central city, and critically examine the post-earthquake paths the city is following regarding its green and grey infrastructures and the resulting urban environment. We discuss the performance and appropriateness of the current Blueprint in post-earthquake Christchurch, particularly as it relates to the challenges that climate change is creating for cities worldwide.
A photograph of signs on the corner of Colombo and Hereford Streets that are part of Signs of Things to Come. This was a wayfinding project by Generation Zero and Diadem, for FESTA 2014. The signage gives directions to key central city and FESTA locations, and compares the current and future potential of transport in Christchurch.
A photograph of a large sign at Agropolis that is part of Signs of Things to Come. This was a wayfinding project by Generation Zero and Diadem, for FESTA 2014. The signage gives directions to key central city and FESTA locations, and compares the current and future potential of transport in Christchurch.
A photograph of a large sign at Agropolis that is part of Signs of Things to Come. This was a wayfinding project by Generation Zero and Diadem, for FESTA 2014. The signage gives directions to key central city and FESTA locations, and compares the current and future potential of transport in Christchurch.
A photograph of people walking past two large signs that are part of Signs of Things to Come. This was a wayfinding project by Generation Zero and Diadem, for FESTA 2014. The signage gives directions to key central city and FESTA locations, and compares the current and future potential of transport in Christchurch.
A photograph of signs on the corner of Manchester and Hereford Streets that are part of Signs of Things to Come. This was a wayfinding project by Generation Zero and Diadem, for FESTA 2014. The signage gives directions to key central city and FESTA locations, and compares the current and future potential of transport in Christchurch.
A photograph of signs on the corner of Colombo and Hereford Streets that are part of Signs of Things to Come. This was a wayfinding project by Generation Zero and Diadem, for FESTA 2014. The signage gives directions to key central city and FESTA locations, and compares the current and future potential of transport in Christchurch.