Building Record Form for the former Canterbury Times and Star Building, 134-140 Gloucester Street, Christchurch
A scanned copy of a completed application form for the Anglican Advocacy team (previously Anglican Life Social Justice Unit) Save Your Self Interest Free Lending Program, dated 30 April 2014. Personal information has been redacted.
A scanned copy of a completed application form for the Anglican Advocacy team (previously Anglican Life Social Justice Unit) Save Your Self Interest Free Lending Program, dated 20 November 2013. Personal information has been redacted.
Building Record Forms for Wesley Home for Aged (McKellar House), 138-148 Park Terrace, Christchurch.
Building Record Form for the New Zealand Loan and Mercantile Woolstore, 116-118 Durham Street, Christchurch.
Building Record Form for the Union Centre Building (formerly Armstrongs), Corner 91-107 Armagh Street and Colombo Street, Christchurch
Building Record Form for former Canterbury Public Library, 1900s and 1920s section, 109 Cambridge Terrace, Christchurch
A Civil Defence staff member talking on his cell phone, he is holding clipboard with a form titled 'Christchurch Eq rapid assessment form level 1'. The brickwork of the house has crumbled and the broken windows have been boarded up.
Information sheet and consent forms used on the Women's Voices project.
Concrete blocks form a temporary retaining wall on Dublin Street in Lyttelton.
Photograph captioned by BeckerFraserPhotos, "The Crossing viewed form the Ibis Hotel".
A photograph of a Christchurch City Council completed authorization form. This form was part of the Residential Access Project which gave residents temporary access within the red-zone cordon in order to retrieve items from their homes after the 22 February 2011 earthquake. Personal information has been removed from this photograph in order to protect the individual's privacy.
“One of the most basic and fundamental questions in urban master planning and building regulations is ‘how to secure common access to sun, light and fresh air?” (Stromann-Andersen & Sattrup, 2011). Daylighting and natural ventilation can have significant benefits in office buildings. Both of these ‘passive’ strategies have been found to reduce artificial lighting and air-conditioning energy consumption by as much as 80% (Ministry for the Environment, 2008); (Brager, et al., 2007). Access to daylight and fresh air can also be credited with improved occupant comfort and health, which can lead to a reduction of employee absenteeism and an increase of productivity (Sustainability Victoria, 2008). In the rebuild of Christchurch central city, following the earthquakes of 2010 and 2011, Cantabrians have expressed a desire for a low-rise, sustainable city, with open spaces and high performance buildings (Christchurch City Council, 2011). With over 80% of the central city being demolished, a unique opportunity to readdress urban form and create a city that provides all buildings with access to daylight and fresh air exists. But a major barrier to wide-spread adoption of passive buildings in New Zealand is their dependence on void space to deliver daylight and fresh air – void space which could otherwise be valuable built floor space. Currently, urban planning regulations in Christchurch prioritize density, allowing and even encouraging low performance compact buildings. Considering this issue of density, this thesis aimed to determine which urban form and building design changes would have the greatest effect on building performance in Central City Christchurch. The research proposed and parametrically tested modifications of the current compact urban form model, as well as passive building design elements. Proposed changes were assessed in three areas: energy consumption, indoor comfort and density. Three computer programs were used: EnergyPlus was the primary tool, simulating energy consumption and thermal comfort. Radiance/Daysim was used to provide robust daylighting calculations and analysis. UrbaWind enabled detailed consideration of the urban wind environment for reliable natural ventilation predictions. Results found that, through a porous urban form and utilization of daylight and fresh air via simple windows, energy consumption could be reduced as much as 50% in buildings. With automatic modulation of windows and lighting, thermal and visual comfort could be maintained naturally for the majority of the occupied year. Separation of buildings by as little as 2m enabled significant energy improvements while having only minimal impact on individual property and city densities. Findings indicated that with minor alterations to current urban planning laws, all buildings could have common access to daylight and fresh air, enabling them to operate naturally, increasing energy efficiency and resilience.
Photograph captioned by BeckerFraserPhotos, "New form of retaining wall in Winchester Street, Lyttelton".
Photographically reproduced postcard shows a semi-humorous illustration by J L Martin of the Provincial Government buildings in Christchurch, seen looking southeast from across the intersection of Durham and Armagh Streets, imagined as warped and twisting in the Murchison Earthquake of 1929. Speech bubbles come from the mouths of some small figures: "Women & children first", "Order please", "Oh for the wings of a dove", "Stop that jazzing up there", "Wheres my puff box". The title below the picture is: "The camera cannot lie". The artist J L Martin has handwritten a message on the verso. In 1928, this building was occupied by the Commissioner of Crown Lands, the Receiver of Land Revenue, the Registrar of Deeds, the Lands Transfer Office and the Lands & Survey Department (See Wises directory 1928, page 214) Other Titles - Christchurch, Christmas Inscriptions: Verso - centre - With kind remembrances / From yours sincerely / J L Martin Quantity: 1 Other printed ephemera item(s). Physical Description: Photograph on postcard, 88 x 137 mm. Provenance: Ms McLean was the granddaughter of Arthur John Wicks, the Chief Draughtsman, Head Office, New Zealand Lands & Survey Department. He had worked with Crown Lands in Blenheim before moving to Wellington in 1917. The artist J L Martin sent the card to Mr Wicks.
Photograph captioned by BeckerFraserPhotos, "Autumn leaves form a thick pile in front of the boarded-up door".
A photograph of sculptures by Shaun Gladwell titled 'Inflected Forms' on the corner of High Street and Cashel Street.
A photograph of the Hotel So building on Cashel, behind a cleared site where a large puddle has formed.
A tribute in the form of a pink wire and fabric butterfly attached by wire to a green stick.
A digital photograph in PDF form with caption. Taken from Kingsford St, looking East at 'the Gingerbread house' in Horseshoe Lake.
A public talk by Christchurch Mayor Bob Parker. This talk formed part of the Plenary One session, 'Looking forward - updates and perspectives'.
A photograph of a sculpture by Shaun Gladwell titled 'Inflected Forms' on the corner of High Street and Cashel Street.
A close-up photograph of Shaun Gladwell's sculpture titled 'Inflected Forms' on the corner of High Street and Cashel Street.
A close-up photograph of Shaun Gladwell's sculpture titled 'Inflected Forms' on the corner of High Street and Cashel Street.
A close-up photograph of Shaun Gladwell's sculpture titled 'Inflected Forms' on the corner of High Street and Cashel Street.
A photograph of a sculpture by Shaun Gladwell titled 'Inflected Forms' on the corner of High Street and Cashel Street.
A photograph of a sculpture by Shaun Gladwell titled 'Inflected Forms' on the corner of High Street and Cashel Street.
A public talk by Joanna Norris, Editor at The Press. This talk formed part of the Plenary One session, 'Looking forward - updates and perspectives'.
A public talk by Roger Sutton, CEO at the Canterbury Earthquake Recovery Authority. This talk formed part of the Plenary One session, 'Looking forward - updates and perspectives'.
Photograph captioned by BeckerFraserPhotos, "Corner of Gloucester and Colombo Streets - with the new form of the Cathedral on the left".