Gap Filler Creative Director, Coralie Winn, at Gap Filler's "Film in the Gap!" project in Beckenham. The red Southern Espresso Rescue van can be seen in the background, selling coffee to the audience.
Members of the audience at Gap Filler's "Film in the Gap!" project in Beckenham. Gap Filler has decorated the site with bunting, fairy lights and a fence made from old metal bed heads.
Members of the audience at Gap Filler's "Film in the Gap!" project in Beckenham. Gap Filler has decorated the site with bunting, fairy lights and a fence made from old metal bed heads.
Lyttelton band, Runaround Sue, performing at Gap Filler's "Film in the Gap!" project in Beckenham. Gap Filler have enclosed one side of the site with a fence made of old metal bed heads.
Decorative bunting blowing in the wind above local band Plasticine Heroes as they perform at Gap Filler's "Film in the Gap!" project in Beckenham. In front of the band is a leather bag labelled "Koha".
Members of the audience at Gap Filler's "Film in the Gap!" project in Beckenham. Gap Filler has decorated the site with bunting, fairy lights and a fence made from old metal bed heads.
The audience taking their seats at Gap Filler's "Film the in Gap!" project in Beckenham. Gap Filler have enclosed one side of the site with a fence made of old metal bed heads.
Members of the public listening to Lyttelton band, Runaround Sue, perform at Gap Filler's "Film in the Gap!" project. Gap Filler has provided old beds and garden swing seats as seating.
Gap Filler Creative Director, Coralie Winn, at Gap Filler's "Film in the Gap!" project in Beckenham. The red Southern Espresso Rescue van can be seen in the background, selling coffee to the audience.
Members of the audience at Gap Filler's "Film in the Gap!" project in Beckenham. Gap Filler has decorated the site with bunting, fairy lights and a fence made from old metal bed heads.
This research is a creative exploration of transmedia’s ability to offer up a model of distribution and audience engagement for political documentary. Transmedia, as is well known, is a fluid concept. It is not restricted to the activities of the entertainment industry and its principles also reverberate in the practice of political and activist documentary projects. This practice-led research draws on data derived from the production and circulation of Obrero, an independent transmedia documentary. The project explores the conditions and context of the Filipino rebuild workers who migrated to Christchurch, New Zealand after the earthquake in 2011. Obrero began as a film festival documentary that co-exists with two other new media iterations, each reaching its respective target audience: a web documentary, and a Facebook-native documentary. This study argues that relocating the documentary across new media spaces not only expands the narrative but also extends the fieldwork and investigation, forms like-minded publics, and affords the creation of an organised hub of information for researchers, academics and the general public. Treating documentary as research can represent a novel pathway to knowledge generation and the present case study, overall, provides an innovative model for future scholarship.
A photograph of a film crew recording outside the Christchurch Art Gallery on Montreal Street. The Art Gallery was used as the temporary headquarters for Civil Defence after the 22 February 2011 earthquake.
Gap Filler's "Film in the Gap!" project in Beckenham. Fairy lights have been used to decorate a fence made of old metal bed heads around the site. In the background, the Southern Espresso Rescue van can be seen.
Gap Filler's "Film in the Gap!" project in Beckenham. Fairy lights have been used to decorate a fence made of old metal bed heads around the site. In the background, the Southern Espresso Rescue van can be seen.
Gap Filler's "Film in the Gap!" project in Beckenham. Fairy lights have been used to decorate a fence made of old metal bed heads around the site. In the background, the Southern Espresso Rescue van can be seen.
Local musician, Lyndon Puffin, performing at Gap Filler's "Film in the Gap!" project in Beckenham. In the foreground of the photograph is a leather bag labelled "Koha", the Reo Maori word for gift, or in this case, donations.
Members of the public at Gap Filler's "Film in the Gap!" project in Beckenham. Gap Filler has provided old beds and garden swing seats as seating. In the background, the red Southern Espresso Rescue van can be seen.
Members of the public watching Lyttelton band, Runaround Sue, perform at Gap Filler's "Film in the Gap!" project in Beckenham. In the foreground is one end of a fence made of old metal bed heads and decorated with fairy lights.
Lyttelton band, Runaround Sue, performing at Gap Filler's "Film in the Gap!" project in Beckenham. Gap Filler have enclosed one side of the site with a fence made of old metal bed heads. The fence has been decorated with fairy lights. Other decorations to the project sight includes the brightly coloured bunting above the audience, which is attached to the wall of Beckenham's Mitre 10.
Fences made from old metal bed heads enclosing the space of Gap Filler's "Film in the Gap" project in Beckenham. The audience are seated on folding chairs, garden swing seats and an antique bed as they watch Lyttelton band, Runaround Sue, perform. In the background, a yellow porta-loo provides sanitary facilities for the audience.
The red Southern Espresso Rescue van serving coffee to the audience at Gap Filler's "Film the in Gap!" project. Gap Filler has arranged a variety of seating options for the audience, including an old bed and garden swing seats.
Lyttelton band, Runaround Sue, perform at Gap Filler's "Film in the Gap!" project in Beckenham. Gap Filler have enclosed one side of their project's site with a fence made of old metal bed heads. The fence has been decorated with fairy lights.
The partially demolished Himalayas Indian restaurant on Colombo Street, next to Gap Filler's first project at 832 Colombo Street.
An exposed bathroom in the partially demolished Himalayas Indian restaurant. A digger can be seen out front.
The opening credits of "Draquila - Italy Trembles" at Gap Filler's "Film in the Gap!" project. "Draquila - Italy Trembles" is a documentary that examines the Berlusconi government's corruption and abuse of power during the aftermath of the 2009 earthquake in L'Aquila, Italy. It was directed by Sabina Guzzanti.
A copy of the program for the screenings of Elizabeth Guthrey's film series 'Dancing Through Impermanent Spaces'. The films are a creative response to the earthquakes in Christchurch and were shown as part of the Christchurch Body Festival 2014.
A copy of the poster used to advertise screenings of Elizabeth Guthrey's film series 'Dancing Through Impermanent Spaces'. The films are a creative response to the earthquakes in Christchurch and were shown as part of the Christchurch Body Festival 2014.
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A graph showing revenue for the film, "When a City Falls".
Sir Miles Warren and Maurice Mahoney were architectural revolutionaries who built a legendary partnership spanning 37 years. A new film currently in production aims to celebrate their incredible legacy and document the bitter fight to save their most iconic building - the Christchurch Town Hall - from demolition after the 2011 earthquake. Co-director and Maurice's daughter Jane Mahoney talks to Mark Leisham about the pairs legacy and the process of making the film.