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Images for do not demolish; more images...

Images, UC QuakeStudies

An image of an email signature from All Right?'s 'Take a Breather' campaign. The design depicts a plethora of everyday items and activities, including traffic, roadworks, work and leisure activities, and images from phase 2 of the All Right? campaign. In the centre are the words, "Take a breather... Canterbury's a busy place. What could you do to recharge?".

Articles, UC QuakeStudies

A PDF copy of a two posters from All Right?'s 'Take a Breather' campaign. Each poster features a plethora of everyday images, including traffic, roadworks, work and leisure activities. Images from phase 2 of the All Right? campaign and Christmas-themed images are also included. In the centre are the words, "Take a breather... Canterbury's a busy place. What could you do to recharge?".

Images, UC QuakeStudies

Furniture spray-painted with drawings and words by members of the public as part of the Words of Hope project. Messages can be seen, such as, "Hope", "Something for everyone", "Equality street", "Food garden", "Opportunity from disaster", "We can do this Chch", "Chch = home", "Love", "Share the land", "Always time for change", "Life is beautiful", and "Sorry folks, this one is too much high rise!".

Images, UC QuakeStudies

A photograph of participants in the walk to celebrate Chinese National Day and the Moon Festival. In the foreground, there are two performers doing a lion dance. The walk was held at the Upper Riccarton Library in September 2015. It was organised by the Canterbury Migrants Centre (formerly the Christchurch Migrants Centre) and was part of the Christchurch City Council's Walking Festival.

Articles, UC QuakeStudies

A PDF copy of two bus back designs from All Right?'s 'Take a Breather' campaign. The design features a plethora of everyday images, including roadworks, construction, work and leisure activities. An image from phase 2 of the All Right? campaign and Christmas-themed images are also included. In the centre are the words, "Take a breather... Canterbury's a busy place. What could you do to recharge?".

Articles, UC QuakeStudies

A PDF copy of two bus back designs from All Right?'s 'Take a Breather' campaign. The design features a plethora of everyday images, including roadworks, construction, work and leisure activities. Images from phase 2 of the All Right? campaign and Christmas-themed images are also included. In the centre are the words, "Take a breather... Canterbury's a busy place. What could you do to recharge?".

Articles, UC QuakeStudies

A PDF copy of eight postcards from phase 1 of the All Right? campaign. The front of each postcard is an image beginning with the phrase, "It's All Right...". On the reverse is a short discussion of the specific emotion that the card seeks to normalise, and a space for writing ideas about what the reader can do to improve their wellbeing in relation to that emotion.

Images, UC QuakeStudies

Director of Gap Filler, Coralie Winn, setting up a sign in front of 832 Colombo Street. The sign reads, "Welcome! This site was home to South of the Border (Mexican Restaurant) and Denis Moore, Auto Electrician. Please keep your shoes on! Please be aware that the ground is uneven. Local by-laws applies - no alcohol on the street. For safety, we cannot over-crowd the site. ROAR. Please do buy a coffee, a cake and bring a picnic to enjoy. Thanks. Gap Filler".

Images, UC QuakeStudies

A photograph of an 'All Rightie' hugging a teacher at the Winter Survival Kit launch at Shirley Intermediate School. The teacher and the others in the photograph are just received their own Winter Survival Kit and a bouquet of Moffatt's flowers. All Right? posted the photograph on their Facebook Timeline on 25 July 2014 at 4:02pm with the caption, "Give them flowers to say thanks for the incredible job they've been doing".

Articles, UC QuakeStudies

A PDF copy of a Christmas card from 'Take a Breather', featuring a message by CDHB Chief Executive David Meates. The front design features a plethora of everyday and Christmas-themed images surrounding the words, "Take a breather... Canterbury's a busy place. What could you do to recharge?". The inside reads, "Merry Christmas. Meri Kirihimete." It also includes a message from David Meates encouraging the recipient to take a breather and have a safe and enjoyable holiday season.

Articles, UC QuakeStudies

A PDF copy of a Christmas card from 'Take a Breather', featuring a message by CDHB Chief Executive David Meates. The front design features a plethora of everyday and Christmas-themed images surrounding the words, "Take a breather... Canterbury's a busy place. What could you do to recharge?". The inside reads, "Merry Christmas. Meri Kirihimete." It also includes a message from David Meates encouraging the recipient to take a breather and have a safe and enjoyable holiday season.

Images, UC QuakeStudies

A photograph of the photocopy template for the Christchurch City Council's yellow sticker. The sticker was used by the Civil Defence after the 2010 and 2011 earthquakes to indicate that a building had been inspected and that structural damage or other safety hazards had been found. The sticker states that there should be no entry to the building, 'except on essential business'. It also states that 'earthquake aftershocks present danger' and that people who enter must do so at their own risk.

Images, UC QuakeStudies

An image from All Right? that reads, "Holy Hospitals Batman! What are you and the gang doing in Canterbury?!" The image was created to promote the video for the 'Outrageous Burst of All Right: Superhero Surprise', in which people dressed in superhero costumes surprised and entertained children at Christchurch Hospital. All Right? also posted the image to their Facebook Timeline on 29 June 2014. The post included a link to The Press article which featured the video, along with the hashtag #sharethepostandsharethelove.

Videos, UC QuakeStudies

A video of Si and Gary (Simon Barnett and Gary McCormick) from MORE FM promoting the Five Ways to Wellbeing. In this video they talk about the importance of giving, and suggest ways to give. The closing frames read, "When did you last share a little love? The simple things we do often mean the most. For more tips on what makes us feel good, visit allright.org.nz."

Articles, UC QuakeStudies

A PDF copy of four hoarding designs for Christchurch Hospital. The images read, "Noticed anything awesome lately? Heads up... a helipad is coming!", "Good things are happening here. A new Emergency Department is on its way", "Moving your body can move your mood. Making you strong inside and out - just like our new buildings!" and "What could you do to recharge? Connecting with others can be a real pick-me-up whether you're at work or enjoying a well-earned catch up".

Images, UC QuakeStudies

An image used as a profile picture on the All Right? Facebook page. The image reads, "Holy Hospitals Batman! What are you and the gang doing in Canterbury?!" The image was promoting the video for the Outrageous Burst of All Right: Superhero Surprise, in which people dressed in superhero costumes entertained children at Christchurch Hospital. The image was posted with a link to the video on Stuff. All Right? posted the image on their Facebook page on 29 June 2014 at 6:46pm.

Images, UC QuakeStudies

A photograph of a sign from the Christchurch City Council, ECan and the Canterbury District Health Board warning people over the contamination in the rivers after the September earthquake. The sign reads, "Warning, contaminated water. Due to sewage overflows this water is unsafe for human contact and activity and is a Public Health Risk. Please keep all people and pets out of contact with the water and do not consume any seafood or shellfish collected from this area". In the background, workers from Treetech clean up wood and leaves from felled trees.

Images, UC QuakeStudies

A photograph of paper hearts pegged on the cordon fence around the Chinese Methodist Church on Papanui Road. Quotes on the hearts read, "'Even though I walk through the valley of the shadow of death, I will fear no evil for you are with me.' Psalm 23", "'We can do no great things; only small things with great love.' Mother Teresa, and, "'Peace begins with a smile,' Mother Teresa". In the background, the earthquake damage to the Christchurch Chinese Methodist Church can be seen. The wall of the gable has crumbled, the bricks spilling onto the grass below.

Research papers, The University of Auckland Library

This paper analyses the city of Christchurch, New Zealand, which has been through dramatic changes since it was struck by a series of earthquakes of different intensities between 2010 and 2011. The objective is to develop a deeper understanding of resilience by looking at changes in green and grey infrastructures. The study can be helpful to reveal a way of doing comparative analysis using resilience as a theoretical framework. In this way, it might be possible to assess the blueprint of future master plans by considering how important the interplay between green and grey infrastructure is for the resilience capacity of cities.

Images, UC QuakeStudies

A yellow sticker on the door of a house in Worcester Street reading, "Restricted use. No entry except on essential business. Warning: This building has been damaged and its structural safety is questionable. Earthquake aftershocks present danger. Enter only at own risk. Subsequent events may result in increased damage and danger, changing this assessment. Reinspection may be required. The damage is as described below: partial collapse of longitudinal walls". Following on from this are the specific conditions that must be complied with to enable entry into the property, the inspector's identification details, and the date and time the building was inspected. At the bottom the form reads, "Do not remove this placard. Placed by order of the territorial authority Christchurch City Council".

Images, UC QuakeStudies

A photograph of components of a model of the ChristChurch Cathedral being built from LEGO by Sam Butcher. Sam comments "Fixing a large variety of bits that were wrong/annoying/cheating (not purist) about the last model. The new one is set AFTER the Feb 22 earthquake. This newer, and much stronger model is also completely modular for easier transport. Obviously still a WIP, I'm currently waiting for a pretty large bricklink order at the moment, and will probably need to place a couple more after that too. Here you can see a couple of aspects of how the model is put together. The technique used proved - from what I tried - to be the best and strongest way to do it".

Images, UC QuakeStudies

A photograph of components of a model of the ChristChurch Cathedral being built from LEGO by Sam Butcher. Sam comments "Fixing a large variety of bits that were wrong/annoying/cheating (not purist) about the last model. The new one is set AFTER the Feb 22 earthquake. This newer, and much stronger model is also completely modular for easier transport. Obviously still a WIP, I'm currently waiting for a pretty large bricklink order at the moment, and will probably need to place a couple more after that too. Here you can see a couple of aspects of how the model is put together. The technique used proved - from what I tried - to be the best and strongest way to do it".

Images, UC QuakeStudies

A photograph of components of a model of the ChristChurch Cathedral being built from LEGO by Sam Butcher. Sam comments "Fixing a large variety of bits that were wrong/annoying/cheating (not purist) about the last model. The new one is set AFTER the Feb 22 earthquake. This newer, and much stronger model is also completely modular for easier transport. Obviously still a WIP, I'm currently waiting for a pretty large bricklink order at the moment, and will probably need to place a couple more after that too. Here you can see a couple of aspects of how the model is put together. The technique used proved - from what I tried - to be the best and strongest way to do it".

Research papers, University of Canterbury Library

A large number of businesses that used to be in the centre of Christchurch relocated after the earthquakes. Are they satisfied with their new locations and do they intend to return to the central city? We questioned 209 relocated businesses about their relocation history, present circumstances and future intentions. Many businesses were content with their new premises, despite having encountered a range of problems; those businesses that were questioned later in our survey period were more content. The average business in our sample rated the chances of moving back to the central city as around 50 %, but this varies with the type of business. Building height did not emerge as a major issue, but rents may be. The mix of types of business is likely to be different in the new city centre.

Research papers, University of Canterbury Library

Earthquake-triggered soil liquefaction caused extensive damage and heavy economic losses in Christchurch during the 2010-2011 Canterbury earthquakes. The most severe manifestations of liquefaction were associated with the presence of natural deposits of clean sands and silty sands of fluvial origin. However, liquefaction resistance of fines-containing sands is commonly inferred from empirical relationships based on clean sands (i.e. sands with less than 5% fines). Hence, existing evaluation methods have poor accuracy when applied to silty sands. Also, existing methods do not quantify appropriately the influence on liquefaction resistance of soil fabric and structure, which are unique to a specific depositional environment. This study looks at the influence of fines content, soil fabric (i.e. arrangement of soil particles) and structure (e.g. layering, segregation) on the undrained cyclic behaviour and liquefaction resistance of fines-containing sandy soils from Christchurch using Direct Simple Shear (DSS) tests on soil specimens reconstituted in the laboratory with the water sedimentation technique. The poster describes experimental procedures and presents early test results on two sands retrieved at two different sites in Christchurch.

Research papers, The University of Auckland Library

While societal messages can encourage an unhealthy strive for perfection, the notion of embracing individual flaws and openly displaying vulnerabilities can appear foreign and outlandish. However, when fallibility is acknowledged and imperfection embraced, intimate relationships built on foundations of acceptance, trust and understanding can be established. In an architectural context, similar deep-rooted connections can be formed between a people and a place through the retention of layers of historical identity. When a building is allowed to age with blemishes laid bare for all to see, an architectural work can exhibit a sense of 'humanising vulnerability' where the bruises and scars it bears are able to visually communicate its contextual narrative. This thesis explores the notion of designing to capitalise on past decay through revitalisation of the former Wood Brothers Flour Mill in Addington, Christchurch (1891). Known as one of the city's last great industrial buildings, the 130-year-old structure remains hugely impressive due to its sheer size and scale despite being abandoned and subject to vandalism for a number of years. Its condition of obsolescence ensured the retention of visible signs of wear and tear in addition to the extensive damage caused by the 2010-12 Canterbury earthquakes. In offering a challenge to renovation and reconstruction as a means of conservation, this thesis asks if 'doing less' has the potential to 'do more'. How can an understanding of architecture as an ongoing process inform a design approach to celebrate ageing and patina? While the complex is undergoing redevelopment at the time of writing, the design project embraces the condition of the historic buildings in the immediate aftermath of the earthquakes and builds upon the patina of the mill and adjacent flour and grain store in developing a design for their adaptation as a micro-distillery. Research into the traditional Japanese ideology of wabi-sabi and its practical applications form the basis for a regenerative design approach which finds value in imperfection, impermanence and incompleteness. The thesis combines a literature review, precedent review and site analysis together with a design proposal. This thesis shows that adaptive reuse projects can benefit from an active collaboration with the processes of decay. Instead of a mindset where an architectural work is considered the finished article upon completion of construction, an empathetic and sensitive design philosophy is employed in which careful thought is given to the continued preservation and evolution of a structure with the recognition that evidence of past wear, tear, patina and weathering can all contribute positively to a building's future. In this fashion, rather than simply remaining as relics of the past, buildings can allow the landscape of their urban context to shape and mould them to ensure that their architectural experience can continue to be enjoyed by generations to come.

Research papers, The University of Auckland Library

The Canterbury earthquake sequence of 2010-2011 wrought ruptures in not only the physical landscape of Canterbury and Christchurch’s material form, but also in its social, economic, and political fabrics and the lives of Christchurch inhabitants. In the years that followed, the widespread demolition of the CBD that followed the earthquakes produced a bleak landscape of grey rubble punctuated by damaged, abandoned buildings. It was into this post-earthquake landscape that Gap Filler and other ‘transitional’ organisations inserted playful, creative, experimental projects to bring life and energy back into the CBD. This thesis examines those interventions and the development of the ‘Transitional Movement’ between July 2013 and June 2015 via the methods of walking interviews and participant observation. This critical period in Christchurch’s recovery serves as an example of what happens when do-it-yourself (DIY) urbanism is done at scale across the CBD and what urban experimentation can offer city-making. Through an understanding of space as produced, informed by Lefebvre’s thinking, I explore how these creative urban interventions manifested a different temporality to orthodox planning and demonstrate how the ‘soft’ politics of these interventions contain the potential for gentrification and also a more radical politics of the city, by creating an opening space for difference.

Research Papers, Lincoln University

Creativity that is driven by a need for physical or economic survival, which disasters are likely to inspire, raises the question of whether such creativity fits with conventional theories and perspectives of creativity. In this paper we use the opportunity afforded by the 2010-2013 Christchurch, New Zealand earthquakes to follow and assess the creative practices and responses of a number of groups and individuals. We use in-depth interviews to tease out motivations and read these against a range of theoretical propositions about creativity. In particular, we focus on the construct of “elite panic” and the degree to which this appeared to be evident in the Christchurch earthquakes context. Bureaucratic attempts to control or limit creativity were present but they did not produce a completely blanket dampening effect. Certain individuals and groups seemed to be pre-equipped to navigate or ignore potential blocks to creativity. We argue, using Geir Kaufmann’s novelty-creativity matrix and aspects of Teresa Amabile’s and Michael G. Pratt’s revised componential theory of creativity that a special form of disaster creativity does exist.

Research papers, University of Canterbury Library

Natural catastrophes are increasing worldwide. They are becoming more frequent but also more severe and impactful on our built environment leading to extensive damage and losses. Earthquake events account for the smallest part of natural events; nevertheless seismic damage led to the most fatalities and significant losses over the period 1981-2016 (Munich Re). Damage prediction is helpful for emergency management and the development of earthquake risk mitigation projects. Recent design efforts focused on the application of performance-based design engineering where damage estimation methodologies use fragility and vulnerability functions. However, the approach does not explicitly specify the essential criteria leading to economic losses. There is thus a need for an improved methodology that finds the critical building elements related to significant losses. The here presented methodology uses data science techniques to identify key building features that contribute to the bulk of losses. It uses empirical data collected on site during earthquake reconnaissance mission to train a machine learning model that can further be used for the estimation of building damage post-earthquake. The first model is developed for Christchurch. Empirical building damage data from the 2010-2011 earthquake events is analysed to find the building features that contributed the most to damage. Once processed, the data is used to train a machine-learning model that can be applied to estimate losses in future earthquake events.