A photograph of a woman reading poetry to an audience. She is standing in front of the Poetica Urban Poetry wall.
A photograph of people watching a performance during Gap Filler's first project.
A PDF copy of pages 314-315 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'The New Zealand Institute of Architects Exhibition Pavilion'. Photo: Soo Ryu, Jasmax and NZIA
A PDF copy of pages 342-343 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Christchurch: See Through My Eyes (UNICEF Children's Photographs)'. UNICEF Children's Photos as supplied by Canterbury Museum and Jacqui Southey
A photograph of a shipping container being used as a temporary dairy.
A PDF copy of pages 188-189 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Dairy and Container Colombo Street'. Photos: Coralie Winn
A short story by Shirley Eng titled, "Man in a Boat".
A photograph of The Brewery on Garlands Road.
Food, in all its myriad forms, can be one of the most intrinsic and expressive aspects of culture and society – throughout time and across the world. From the customs surrounding the preparation and consumption of food to the ingredients … Continue reading →
The word archaeology comes from the Greek archaia (“ancient things”) and logos (“theory” or “science”). So, archaeologists study past societies through the material culture. In other words, we write the history analysing what people threw away or left behind. That’s … Continue reading →
We have published previously on the importance of buildings, be they residential or commercial, as an artefact in understanding 19th century culture in New Zealand. While it’s easy to overlook the humble cottage as a source of archaeological data, houses … Continue reading →
A photograph of a decorated fence at Gap Filler's first project.
A photograph of a band performing at Gap Filler's first project.
A photograph of a customer sitting in the Porthole temporary bar in Lyttelton.
A photograph of customers sitting outside the Porthole temporary bar in Lyttelton.
A photograph of customers sitting in the Porthole temporary bar in Lyttelton.
A photograph of a garden area on Colombo Street.
A photograph of a garden area on Colombo Street.
A photograph of the exterior of the Porthole temporary bar in Lyttelton.
A photograph of dancers performing in Stand Your Ground. A film is being projected onto the wall behind the dancers.
A PDF copy of pages 252-253 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Udder'. Photos: Trent Hiles
A PDF copy of pages 162-163 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Stand Your Ground'. Photos: Gap Filler
A PDF copy of pages 264-265 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Knit Happens'. Photos: Jen McBride
A photograph of a shipping container wrapped in a large knitted and crocheted cover.
A PDF copy of pages 372-373 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Container Love (Container Cosy)'. Photos: Barnaby Bennett
A photograph of scarecrows leaning against a shed at the Gap Filler Butterfly Gap site.
A photograph of painted fence palings at the Gap Filler Butterfly Gap site.
A PDF copy of pages 192-193 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Butterfly Gap'. Photos: Gap Filler
A photograph of the Gap Filler Butterfly Gap, created on an empty site on Barbadoes Street.
A photograph of volunteers creating objects out of clay for the Gap Filler Butterfly Gap project.