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Photograph by Jennifer Middendorf 415
Images, UC QuakeStudies
Members of the UC CEISMIC team, Han Li and Lucy-Jane Walsh, find the correct position to view Mike Hewson's installation "Deconstruction" from. This artwork gives the illusion that the walkway has been removed.
Paul and Sam Corliss's Street Art Photograph (2013:05:03 14:35:20)
Images, UC QuakeStudies
A photograph of street art on the side of the Victoria Mansions building. The artwork is part of the "Roger Sutton/Man About Town" paste-up series created by Nathan Ingram and Jemma Brown.
Photograph by Jennifer Middendorf 411
Images, UC QuakeStudies
People walk down the newly re-opened Colombo Street. In the distance, Mike Hewson's installation "Deconstruction" can be seen on the walkway between Ballantynes and The Crossing. This artwork gives the illusion that the walkway has been removed.
Photograph by Jennifer Middendorf 410
Images, UC QuakeStudies
People walk down the newly re-opened Colombo Street. In the distance, Mike Hewson's installation "Deconstruction" can be seen on the walkway between Ballantynes and The Crossing. This artwork gives the illusion that the walkway has been removed.
Photograph by Jennifer Middendorf 413
Images, UC QuakeStudies
People walk down the newly re-opened Colombo Street. In the distance, Mike Hewson's installation "Deconstruction" can be seen on the walkway between Ballantynes and The Crossing. This artwork gives the illusion that the walkway has been removed.
Julia Holden's 2013 Photographs 050
Images, UC QuakeStudies
A photograph taken near the intersection of Manchester Street, Lichfield Street and High Street. A mural has been painted on a brick wall. Behind this, the old Post Office building which now houses C1 Espresso can be seen with Ronnie Van Hout's sculpture on the roof.
Julia Holden's 2013 Photographs 047
Images, UC QuakeStudies
A photograph taken near the intersection of Manchester Street, Lichfield Street and High Street. A mural has been painted on a brick wall. Behind this is the old Post Office building (now C1 Espresso). There is a sculpture by Ronnie Van Hout on the roof.
We Lived Here: Oxford Terrace Photograph 151
Images, UC QuakeStudies
A photograph of Doug Sexton holding a memento created by artist Sarah Brown for the Shared Lines Sendai/Christchurch Art Exchange. Brown used found objects from Doug Sexton's house to create this artwork in a tobacco tin.
Deconstruction Photograph 3
Images, UC QuakeStudies
A photograph of Mike Hewson's artwork, 'Deconstruction', on the walkway between Ballantyne's and the former bus exchange building. The photograph is taken from beneath the walkway, so that the distorted perspective which enables the illusion can be seen.
We Lived Here: Oxford Terrace Photograph 055
Images, UC QuakeStudies
A photograph of a painting in Donna Allfrey's house at 406 Oxford Terrace. The painting depicts heritage buildings which were demolished in Christchurch, as well as the year or era in which they were built.
All Right? Social Media: Facebook Timeline Image 49
Images, UC QuakeStudies
A photograph of an artwork detail of an All Right? poster. The close-up depicts two 'All Righties' and is part of a set of advertisements which asks a question of the viewer, related to their mental health and wellbeing.
Julia Holden's 2013 Photographs 049
Images, UC QuakeStudies
A photograph taken near the intersection of Manchester Street, Lichfield Street and High Street. The old Post Office building, now housing C1 Espresso, can be seen in the distance with Ronnie Van Hout's sculpture on the roof. Coloured shipping containers support the remaining front facade of the Excelsior Hotel building.
Julia Holden's 2013 Photographs 048
Images, UC QuakeStudies
A photograph taken near the intersection of Manchester Street, Lichfield Street and High Street. The old Post Office building, now housing C1 Espresso, can be seen in the distance with Ronnie Van Hout's sculpture on the roof. Coloured shipping containers support the remaining front facade of the Excelsior Hotel building.
We Lived Here: Oxford Terrace Photograph 152
Images, UC QuakeStudies
A photograph of Doug Sexton holding a memento of his house at 378 Oxford Terrace. The memento was created by artist Sarah Brown for the Shared Lines Sendai/Christchurch Art Exchange. Brown used found objects from Doug Sexton's house to create this artwork in a tobacco tin.
Small Rooms for Open Spaces Photograph 2013:10:26 15:27:39
Images, UC QuakeStudies
A photograph of artist Julia Morison at the event Small Rooms for Open Spaces, which was part of FESTA 2013. The event was an opportunity for the public to hear more about Morison's work Tree Houses for Swamp Dwellers and took place on the site of the artwork.
COCA Window Projects
Other, National Library of New Zealand
An intermittent collaboration between the Centre of Contemporary Art and a series of local artists looking to present new work which explores the realities of the post-earthquake cultural landscape in Christchurch. The artworks by Ed Lust, Sam Eng, and Robyn Wester each utilise the empty window space of the window and carport of the damaged COCA building which is awaiting repair.
Paul and Sam Corliss's Street Art Photograph (2013:09:06 14:07:19)
Images, UC QuakeStudies
A photograph of a mural by Chris Finlayson and Dean Blundell on the side of the Manchester Street car park. The artwork gives the illusion that unconventional vehicles are parked in the parking building. The vehicles include an aeroplane, steam train, helicopter, tractor, steamroller, excavator, and two old-fashioned cars.
Small Rooms for Open Spaces Photograph 2013:10:26 15:25:00
Images, UC QuakeStudies
A photograph of artist Julia Morison talking to another woman at the event Small Rooms for Open Spaces, which was part of FESTA 2013. The event was an opportunity for the public to hear more about Morison's work Tree Houses for Swamp Dwellers and took place on the site of the artwork.
Small Rooms for Open Spaces Photograph 2013:10:26 15:41:01
Images, UC QuakeStudies
A photograph of FESTA director Jessica Halliday (left) and artist Julia Morison at the event Small Rooms for Open Spaces, which was part of FESTA 2013. The event was an opportunity for the public to hear more about Morison's work Tree Houses for Swamp Dwellers and took place on the site of the artwork.
Small Rooms for Open Spaces Photograph 2013:10:26 15:40:33
Images, UC QuakeStudies
A photograph of FESTA director Jessica Halliday (left) and artist Julia Morison at the event Small Rooms for Open Spaces, which was part of FESTA 2013. The event was an opportunity for the public to hear more about Morison's work Tree Houses for Swamp Dwellers and took place on the site of the artwork.
Photograph of Gap Filler Project 30 (5)
Images, UC QuakeStudies
A photograph of students participating in a Youthtown workshop at Eastgate Mall. The students are painting rocks for the Rock on Eastside outdoor lounge and art space which is facilitated by Gap Filler and Youthtown. The rocks will be used to create artworks on the site on the corner of Aldwins Road and Linwood Avenue.
Paul and Sam Corliss's Street Art Photograph (2013:01:25 14:32:13)
Images, UC QuakeStudies
A photograph of Mike Hewson's installation, 'Government Life Suspension', on the wall of the Chancery Arcade building. The artwork depicts a reflection of the Government Life building which is visible behind the Chancery Arcade. The installation is part of a series titled 'Homage to the Lost Spaces'. The Government Life and Chancery Arcade buildings were demolished in 2014.
Paul and Sam Corliss's Street Art Photograph (2013:01:25 14:33:41)
Images, UC QuakeStudies
A photograph of Mike Hewson's installation, 'Government Life Suspension', on the wall of the Chancery Arcade building. The artwork depicts a reflection of the Government Life building which is visible behind the Chancery Arcade. The installation is part of a series titled 'Homage to the Lost Spaces'. The Government Life and Chancery Arcade buildings were demolished in 2014.
Paul and Sam Corliss's Street Art Photograph (2013:01:25 14:33:39)
Images, UC QuakeStudies
A photograph of Mike Hewson's installation, 'Government Life Suspension', on the wall of the Chancery Arcade building. The artwork depicts a reflection of the Government Life building which is visible behind the Chancery Arcade. The installation is part of a series titled 'Homage to the Lost Spaces'. The Government Life and Chancery Arcade buildings were demolished in 2014.
Paul and Sam Corliss's Street Art Photograph (2013:01:25 14:34:43)
Images, UC QuakeStudies
A photograph of Mike Hewson's installation, 'Government Life Suspension', on the wall of the Chancery Arcade building. The artwork depicts a reflection of the Government Life building which is visible behind the Chancery Arcade. The installation is part of a series titled 'Homage to the Lost Spaces'. The Government Life and Chancery Arcade buildings were demolished in 2014.
Paul and Sam Corliss's Street Art Photograph (2013:01:25 14:35:28)
Images, UC QuakeStudies
A photograph of Mike Hewson's installation, 'Government Life Suspension', on the wall of the Chancery Arcade building. The artwork depicts a reflection of the Government Life building which is visible behind the Chancery Arcade. The installation is part of a series titled 'Homage to the Lost Spaces'. The Government Life and Chancery Arcade buildings were demolished in 2014.
Fairfax Video, September 2011 (2)
Videos, UC QuakeStudies
A video of an interview with Julia Morison, a Christchurch-based artist, about her sculptures in a vacant site on the Christchurch central city. The artwork, titled 'Tree Houses for Swamp Dwellers', took over a year to make and will act as a centrepiece for the Scape Public Art festival, which begins on 27 September 2013. The sculpture was designed to provide a playground for children and a shady spot for workers on their lunch breaks. Morison also talks about how the sculpture was designed to be relocated and reconfigured so that it can be moved to a new location when construction begins on the vacant site.
Fairfax Video, August 2013 (2)
Videos, UC QuakeStudies
A video about the restoration of the dome of the Isaac Theatre Royal. The video includes an interview with Vanessa Carswell, Associate at Warren and Mahoney, about the dimensions of the dome. Because the dome is not a perfect circle, the dome and the canvas that cover it have to be reinstalled in exactly the same way, and the dimensions have to be measured accurately so that the new steelwork fits correctly. The video also includes an interview with art restorer Carolina Izzo about restoring the canvas covering of the dome. Izzo says that the theatre lights have burnt the edges of the canvas, and some patches have been affected by mould. She also explains the process for cleaning the artwork.