A photograph of artworks on the wall of a building between New Brighton Mall and Beresford Street. The artwork in the middle depicts a range of native birds. To the left, a section of another artwork shows a hei matau and a jester holding a sign that reads, "Nothing about us without us!". To the right there is a landscape with a message written over it.
A photograph of artworks on the wall of a building between New Brighton Mall and Beresford Street. The artwork in the middle depicts a range of native birds. To the left, a section of another artwork shows a hei matau and a jester holding a sign that reads, "Nothing about us without us!". To the right there is a landscape with a message written over it.
One landscape colour digital photograph taken on 19 November 2011 showing a temporary artwork on the site of the Albion Hotel/ Ground Delicatessen. After the demolition of the building the site was used for a Gap Filler initiative called the Lyttelton Petanque Club. The photograph shows a temporary artwork created from used bricks, probably from...
A mandala created as part of Gap Filler's "As Far as Eye Can See" artwork. This mandala is made out of denim and cloth as well as a paua shell.
A photograph of members of Crack'd for Christchurch attaching one of the flower mosaics to their armchair artwork.Crack'd for Christchurch comments, "Jennie Cooper and Jayne White."
A photograph of a dog in the garage where Crack'd for Christchurch are working on their armchair artwork.Crack'd for Christchurch comments, "Sharon's dog Bennie often spent the day with us."
A photograph of the partially-completed mosaic on the arm of Crack'd for Christchurch's armchair artwork.Crack'd for Christchurch comments, "Bit by bit the opus goes on."
A photograph of Helen Campbell next to Crack'd for Christchurch's partially-completed armchair artwork.Crack'd for Christchurch comments, "Bit by bit the opus goes on."
A photograph of Marie Hudson and Jonathan Hall helping to direct Crack'd for Christchurch's ottoman artwork as it is lowered onto a platform in the Green Room garden on Colombo Street.
A photograph of members of Crack'd for Christchurch polishing the flower mosaics on their armchair artwork.Crack'd for Christchurch comments, "From left: Jennie Cooper, Helen Campbell, and Jenny Cooper."
A photograph of street art on the wall of a building on Manchester Street. This section of the artwork depicts two elephants. The photograph believes that the artwork was created by the artist Owen Dippie.
A child's artwork hanging from the cordon fence on Gloucester Street.
A child's artwork hanging from the cordon fence on Gloucester Street.
A photograph of a section of a piece of street art on Manchester Street. This section of the artwork is of an elephant. The photograph believes that the artwork was created by the artist Owen Dippie.
A photograph of Julia Holden's Whittaker's Big Egg Hunt artwork on display at the Auckland Museum. The artwork was on display during a black tie auction where it was auctioned to raise money for the Starship Foundation.
A photograph of a flower mosaic on Crack'd for Christchurch's armchair artwork.Crack'd for Christchurch comments, "A lovely detail from the chair, with the opus outline but no grout yet."
A poster advertising the launch of Greening the Rubble's Green Room on Colombo Street. The poster also advertises the unveiling of Crack'd for Christchurch's armchair and ottoman artworks.
A photograph of the steel frame of Crack'd for Christchurch's ottoman artwork.Crack'd for Christchurch comments, "Mid September 2013. The ottoman frame was made by Bob Hamilton from Total Fabrications."
A photograph of Jennie Cooper polishing one of Crack'd for Christchurch's mosaic flowers. The flower has been attached to their armchair artwork.Crack'd for Christchurch comments, "And each flower is polished."
A photograph of a camera operator from TVNZ filming the placement of Crack'd for Christchurch's artwork ottoman onto a platform. The platform is in the Green Room garden on Colombo Street.
A photograph of Crack'd for Christchurch's armchair artwork being lowered onto a platform in the Green Room garden on Colombo Street. The armchair is wrapped in a tarpaulin.
A photograph of Crack'd for Christchurch's armchair artwork being lowered onto a platform in the Green Room garden on Colombo Street. The armchair is wrapped in a tarpaulin.
A photograph of Crack'd for Christchurch's ottoman artwork, wrapped in bubble wrap and tied with string and a bow. A sign under the bow reads, "To the city of Christchurch. From Crack'd for Christchurch."
A photograph of a Jonathan Hall transferring Crack'd for Christchurch's ottoman artwork onto a trailer.Crack'd for Christchurch comments, "Jonathan Hall getting Otto ready for his trip to meet Flora at their final destination."
A photograph of a flower mosaic on Crack'd for Christchurch's armchair artwork.Crack'd for Christchurch comments, "A lovely detail from the chair, with the opus outline but no grout yet."
A photograph of a flower mosaic on Crack'd for Christchurch's armchair artwork.Crack'd for Christchurch comments, "A lovely detail from the chair, with the opus outline but no grout yet."
A photograph of a flower mosaic on Crack'd for Christchurch's armchair artwork.Crack'd for Christchurch comments, "A lovely detail from the chair, with the opus outline but no grout yet."
A photograph of Crack'd for Christchurch's armchair artwork being lowered onto a platform in the Green Room garden on Colombo Street. The armchair is wrapped in a tarpaulin.
A photograph of Crack'd for Christchurch's armchair artwork being lowered onto a platform in the Green Room garden on Colombo Street. The armchair is wrapped in a tarpaulin.
A photograph of Crack'd for Christchurch's armchair artwork being lowered onto a platform in the Green Room garden on Colombo Street. The armchair is wrapped in a tarpaulin.