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Audio, Radio New Zealand

From the ashes of the earthquakes which have destroyed so much of Christchurch over the past year, are starting to rise new venues and new opportunities for artisits.

Audio, Radio New Zealand

Intricate and imaginative are the knits which are pearled and planed away in an exhibition at the Dowse in Lower Hutt. Artist and Christchurch earthquake refugee Jacquelyn Greenbank talks to Lynn about her wonderful and whimsical contribution from her new home in Tauranga.

Audio, Radio New Zealand

Part of the Kiwi brain drain to Australia, Christchurch artist Mike Hewson prepares to show his new countrymen the impact of the earthquakes on his hometown and his art.

Audio, Radio New Zealand

Christchurch poet Jeffrey Paparoa Holman whose new collection Shaken Down 6.3 looks at the impacts and aftermath of the Christchurch earthquakes. It's published by Canterbury University Press.

Audio, Radio New Zealand

Professor Andrew Barrie discusses an exhibition that comes up with ways to keep Christchurch communities together after the loss of so many earthquake damaged parish churches.

Audio, Radio New Zealand

The Temple for Christchurch is an enormous work, representing the seismic wave of the February 22 earthquake. Made mostly from salvaged wood it's taken a team of volunteers two years to build. But it will meet a fiery end on Saturday night when it is deliberately set alight. Justin Gregory meets the designer and his volunteers with two weeks left until burn day. But when he gets there, none are to be found.

Audio, Radio New Zealand

Poetica is a series of large-scale paintings of 20 different poems in twenty different languages, paying tribute to the different nationalities lost in the Christchurch earthquake.

Audio, Radio New Zealand

Earthquakes are one of the few natural disasters Australia seldom experiences. We find out from curator Felicity Milburn how our neighbours have responded to an exhibition of earthquake related art direct from Christchurch. Tomorrow will be the same (but not as this is), on show in Mandurah in Western Australia.

Research papers, University of Canterbury Library

Paper 090 The NMIT Arts & Media Building is the first in a new generation of multistorey timber structures. It employs an advanced damage avoidance earthquake design that is a world first for a timber building. Aurecon structural engineers are the first to use this revolutionary Pres-Lam technology developed at the University of Canterbury. This technology marks a fundamental change in design philosophy. Conventional seismic design of multi-storey structures typically depends on member ductility and the acceptance of a certain amount of damage to beams, columns and walls. The NMIT seismic system relies on pairs of coupled LVL shear walls that incorporate high strength steel tendons post-tensioned through a central duct. The walls are centrally fixed allowing them to rock during a seismic event. A series of U-shaped steel plates placed between the walls form a coupling mechanism, and act as dissipators to absorb seismic energy. The design allows the primary structure to remain essentially undamaged while readily replaceable connections act as plastic fuses. In this era where sustainability is becoming a key focus, the extensive use of timber and engineered-wood products such as LVL make use of a natural resource all grown and manufactured within a 100km radius of Nelson. This project demonstrates that there are now cost effective, sustainable and innovative solutions for multi-story timber buildings with potential applications for building owners in seismic areas around the world.

Research papers, University of Canterbury Library

Context of the project: On 4 September 2010, 22 February 2011, 13 June 2011 and 23 December 2011 Christchurch suffered major earthquakes and aftershocks (well over 10,000) that have left the central city in ruins and many of the eastern suburbs barely habitable even now. The earthquakes on 22 February caused catastrophic loss of life with 185 people killed. The toll this has taken on the residents of Christchurch has been considerable, not least of all for the significant psychological impact and disruption it has had on the children. As the process of rebuilding the city commenced, it became clear that the arts would play a key role in maintaining our quality of life during difficult times. For me, this started with the children and the most expressive of all the art forms – music.

Images, eqnz.chch.2010

The tower on the Great Hall at the Arts Centre has recently been lowered to the ground for safety - and decorated for Christmas. It must be the most unusual Christmas tree ever.