
Photograph captioned by Fairfax, "A crane lifts the turret of the top of the Great Hall at The Arts Centre for repairs after the earthquake".
Photograph captioned by Fairfax, "A crane lifts the turret off the top of the Great Hall at The Arts Centre for repairs after the earthquake".
An audio documentary created by Kris Vavasour about the multitude of challenge the musicians, performers and venue owners in Lyttelton face in the aftermath of the Canterbury earthquakes. All songs are from the 'Harbour Union' album (2011), in alphabetical order: 'Even Keel' (Lindon Puffin); 'Ghost of this Town' (Marlon Williams); 'How Lucky You Are' (Delaney Davidson & Marlon Williams); 'Human Enough' (Lindon Puffin); 'It's So Good' (Delaney Davidson); 'Little Mountain Town' (Marlon Williams); 'Rocking Bell' (Adam McGrath); 'The Waterside' (Adam McGrath).
After being largely shut off to the public since the earthquakes, Christchurch's iconic Arts Centre is set to reopen its Great Hall to the public tonight.
A PDF copy of pages 370-371 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Orange Tree'. Photos, except sewing, by Joyce Majendie. Sewing photo by Pete Majendie.
A PDF copy of pages 316-317 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Art Beat'. Photos of stage and graffiti works fledge.co.nz. Photos of building and loss adjusters courtesy of the social.
A world class centre for music and the arts has opened in Christchurch, after The Music Centre of Christchurch was damaged beyond repair in the 2011 earthquakes.
A video of an interview with Sean Duxfield, the exhibitions and collections team leader at the Christchurch Art Gallery, about installing Michael Parekowhai's bull sculpture, 'On First Looking into Chapman's Homer', in the Christchurch Arts Centre market square. The sculpture was installed in secret on a patch of grass.
A short story by Shirley Eng titled, "Resolutions".
Presentation by Dr Julie Mackey (School of Literacies and Arts in Education) on "Implementing Blended E-Learning Strategies in Disaster Response Mode and Beyond: Stories from teacher education".
The Earthquake Recovery Minister says the Christchurch City Council has wasted an opportunity in deciding to save the Town Hall, instead of building a new performing arts precinct.
Context of the project: On 4 September 2010, 22 February 2011, 13 June 2011 and 23 December 2011 Christchurch suffered major earthquakes and aftershocks (well over 10,000) that have left the central city in ruins and many of the eastern suburbs barely habitable even now. The earthquakes on 22 February caused catastrophic loss of life with 185 people killed. The toll this has taken on the residents of Christchurch has been considerable, not least of all for the significant psychological impact and disruption it has had on the children. As the process of rebuilding the city commenced, it became clear that the arts would play a key role in maintaining our quality of life during difficult times. For me, this started with the children and the most expressive of all the art forms – music.
The NMIT Arts & Media Building is the first in a new generation of multistorey timber structures. It employs an advanced damage avoidance earthquake design that is a world first for a timber building. Aurecon structural engineers are the first to use this revolutionary Pres-Lam technology developed at the University of Canterbury. This technology marks a fundamental change in design philosophy. Conventional seismic design of multi-storey structures typically depends on member ductility and the acceptance of a certain amount of damage to beams, columns and walls. The NMIT seismic system relies on pairs of coupled LVL shear walls that incorporate high strength steel tendons post-tensioned through a central duct. The walls are centrally fixed allowing them to rock during a seismic event. A series of U-shaped steel plates placed between the walls form a coupling mechanism, and act as dissipators to absorb seismic energy. The design allows the primary structure to remain essentially undamaged while readily replaceable connections act as plastic fuses. In this era where sustainability is becoming a key focus, the extensive use of timber and engineered-wood products such as LVL make use of a natural resource all grown and manufactured within a 100km radius of Nelson. This project demonstrates that there are now cost effective, sustainable and innovative solutions for multi-story timber buildings with potential applications for building owners in seismic areas around the world.
A copy of an 'animated painting', created from painted portraits of 50 people from the Christchurch arts community. The video was part of Julia Holden's exhibition 'its like now'.
A short story by Shirley Eng titled, "Stage Fright".
A short story by Jane Seaford titled, "Shaken Apart".
A short story by Shirley Eng titled, "Haruka's Cranes".
A video of an address by Andre Lovatt, CEO of the Arts Centre, at the 2014 Seismics and the City forum. This talk was part of the Building Innovation section.
A short story by Shirley Eng titled, "Tears and Hugs".
Slides from the presentation by Dr Julie Mackey (School of Literacies and Arts in Education) on "Implementing Blended E-Learning Strategies in Disaster Response Mode and Beyond: Stories from teacher education".
A photograph of the Poetica Urban Poetry wall.
A short story by Jane Seaford titled, "Finding the Way Home".
A photograph of the entrance to the Re:Entry event.
A photograph of volunteers painting a mural in Kaiapoi.
A short story by Shirley Eng titled, "Man in a Boat".
The tower on the Great Hall at the Arts Centre has recently been lowered to the ground for safety - and decorated for Christmas. It must be the most unusual Christmas tree ever.
A photograph of The Brewery on Garlands Road.
A photograph of a musician performing at the Re:Entry event.
A PDF copy of pages 326-327 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Sanctioned Graffiti Across the City'. Photos: Reuben Woods, Wongi FREAK Wilson (Deadpool Production, Graffalaphabet, BDS Full Production).
A PDF copy of pages 122-123 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'We Love Pop Up'. Photo with permission: SHAC