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Videos, UC QuakeStudies

A video of an interview with Andreas Duenser, research scientist at the Human Interface Technology Laboratory, about an earthquake simulator at the University of Canterbury. The simulator was developed to help treat people suffering from post-traumatic stress disorder after the 2010 and 2011 Canterbury earthquakes. It allows people to relive their earthquake experiences in a safe environment to help them overcome their ordeals.

Research Papers, Lincoln University

"Prior to the devastating 2010-2011 Canterbury earthquakes, the city of Christchurch was already exhibiting signs of a housing affordability crisis. The causes and symptoms were similar to those being experienced in Auckland, but the substantial damage to the housing stock caused by the earthquakes added new dimensions and impetus to the problem. Large swathes of the most affordable housing stock in the east of the city were effectively destroyed by the earthquakes. In itself this would have pushed the mean house price upwards, but compounding problems exacerbated the situation. These include the price effects of reduced supply of both rented and owned housing and increased demand from both displaced residents and an influx of rebuild workers. The need for additional temporary housing while repairs were undertaken and the associated insurance pay-outs bidding up rents with improved rental returns leading to increased interest in property investment. Land supply constraints and consenting issues inhibiting the build of new housing and political infighting and uncertainty regarding the future of parts of the city leading to a flight of development activity to peripheral locations and adjoining local authorities. Concerns that the erosion of the city council rating base combined with inadequacy of insurance cover for infrastructure will lead to large rates increases, increased development costs and reduced amenities and services in future years. These and other issuers will be elaborated on in this paper with a view to exploring the way forward for affordable housing Christchurch City."

Images, eqnz.chch.2010

Damage to the Hotel Grand Chancellor can be seen in the middle. At the bottom left is the lift shaft (now fully demolished) of the CTV building which claimed over 100 lives when it collapsed in the earthquake. Taken during a scenic flight over Christchurch, New Zealand, 3 months after the deadly earthquake of 22 February, 2011. Much of the inn...

Images, eqnz.chch.2010

Taken during a scenic flight over Christchurch, New Zealand, 3 months after the deadly earthquake of 22 February, 2011. Much of the inner city CBD is still cordoned off and will be for some time. About 900 buildings are set for demolition. Taken aboard the Southern DC3 www.so...

Images, eqnz.chch.2010

Hotel Grand Chancellor - Leaning 1m to the east, demolition will start about mid June and is expected to take 10 months to complete at a cost of approx NZ$10m. It will be the biggest & tallest demolition project in New Zealand. Taken during a scenic flight over Christchurch, New Zealand, 3 months after the deadly earthquake of 22 February, ...

Images, eqnz.chch.2010

Taken during a scenic flight over Christchurch, New Zealand, 3 months after the deadly earthquake of 22 February, 2011. Much of the inner city CBD is still cordoned off and will be for some time. About 900 buildings are set for demolition. Taken aboard the Southern DC3 www.so...

Images, eqnz.chch.2010

Taken during a scenic flight over Christchurch, New Zealand, 3 months after the deadly earthquake of 22 February, 2011. Much of the inner city CBD is still cordoned off and will be for some time. About 900 buildings are set for demolition. Taken aboard the Southern DC3 www.so...

Images, eqnz.chch.2010

The current state of the Christchurch Cathedral can be seen in the middle. The spire collapsed as a result of the earthquake. Taken during a scenic flight over Christchurch, New Zealand, 3 months after the deadly earthquake of 22 February, 2011. Much of the inner city CBD is still cordoned off and will be for some time. About 900 buildings are ...

Images, eqnz.chch.2010

Taken during a scenic flight over Christchurch, New Zealand, 3 months after the deadly earthquake of 22 February, 2011. Much of the inner city CBD is still cordoned off and will be for some time. About 900 buildings are set for demolition. Taken aboard the Southern DC3 www.so...

Research Papers, Lincoln University

This research investigates creativity in a post-disaster setting. The data explore creativity at the intersection of the affected community of Christchurch, New Zealand and the social processes that followed the earthquakes of 2010 - 2012. Personal and contextual influences on creative ideas implemented for community or commercial benefit are also examined. Viewed as creative, unique approaches to post-disaster problem solving were celebrated locally, nationally and internationally (Bergman, 2014; Wesener, 2015; Cloke & Conradson, 2018). Much has been written about creativity, particularly creativity in organisations and in business. However, little is known with regards to who creates after a disaster, why individuals choose to do so and what impact the post-disaster context has on their creative activity. This exploratory study draws on the literature from the fields of creativity, disasters, psychology, sociology and entrepreneurship to interpret first-hand accounts of people who acted on creative ideas in a physically and socially altered environment. A mixed method - albeit predominantly qualitative - approach to data gathering was adopted that included interviews (n=45) with participants who had been the primary drivers of creative ideas implemented in Christchurch after September 2010 – the first major (7.1 magnitude) earthquake in a prolonged sequence of thousands of aftershocks. Key findings include that a specific type of creativity results from the ‘collision’ between individuals and social processes activated by a disaster situation. This type of creativity could be best categorised as ‘little c’ or socially adaptive and emerges through a prosocial filter. There is wide consensus amongst creativity researchers - principally social psychologists - that for output to be considered creative it must be both novel and useful (Runco & Jaegar, 2012). There is greater tolerance for the novelty component after a disaster as novelty itself has greater utility, either as a distraction or because alternatives are few. Existing creativity models show context as input – an additional component of the creative process – but after a disaster the event itself becomes the catalyst for social processes that result in the creativity seen. Most participants demonstrated characteristics commonly associated with creativity and could be categorised as either a ‘free thinker’ and/or an ‘opportunist’. Some appear preadapted to create and thrive in unstable circumstances. Findings from participants’ completion of a Ten Item Personality Inventory (TIPI) showed an apparent reduced need for extraversion in relation to implementing creative ventures in society. This factor, along with higher levels of agreeableness may indicate a potentially detrimental effect on the success of creative ideas established after a disaster, despite earnest intentions. Three new models are presented to illustrate the key findings of this study. The models imply that disasters enhance both the perceived value of creativity and the desire to act creatively for prosocial ends. The models also indicate that these disaster influenced changes are likely to be temporary.

Videos, UC QuakeStudies

A video of an interview with Andrew Wheely about the Whare store which has been operating from a garage since the 22 February 2011 earthquake. Wheely talks about how small businesses need flexible commercial leases to survive in the post-earthquake market. He also talks about the diploma in project management he has undertaken at the CPIT since the earthquakes.