Photograph of Gap Filler project 3 (66)

Images, UC QuakeStudies

Gap Filler's "Film in the Gap!" project in Beckenham. Fairy lights have been used to decorate a fence made of old metal bed heads around the site.

Photograph of Gap Filler project 3 (45)

Images, UC QuakeStudies

Gap Filler Creative Director, Coralie Winn, at Gap Filler's "Film in the Gap!" project in Beckenham. The red Southern Espresso Rescue van can be seen in the background, selling coffee to the audience.

Photograph of Gap Filler project 3 (85)

Images, UC QuakeStudies

Members of the audience at Gap Filler's "Film in the Gap!" project in Beckenham. Gap Filler has decorated the site with bunting, fairy lights and a fence made from old metal bed heads.

Photograph of Gap Filler project 3 (75)

Images, UC QuakeStudies

Members of the audience at Gap Filler's "Film in the Gap!" project in Beckenham. Gap Filler has decorated the site with bunting, fairy lights and a fence made from old metal bed heads.

Photograph of Gap Filler project 3 (53)

Images, UC QuakeStudies

Lyttelton band, Runaround Sue, performing at Gap Filler's "Film in the Gap!" project in Beckenham. Gap Filler have enclosed one side of the site with a fence made of old metal bed heads.

Photograph of Gap Filler project 3 (12)

Images, UC QuakeStudies

Decorative bunting blowing in the wind above local band Plasticine Heroes as they perform at Gap Filler's "Film in the Gap!" project in Beckenham. In front of the band is a leather bag labelled "Koha".

Photograph of Gap Filler project 3 (76)

Images, UC QuakeStudies

Members of the audience at Gap Filler's "Film in the Gap!" project in Beckenham. Gap Filler has decorated the site with bunting, fairy lights and a fence made from old metal bed heads.

Photograph of Gap Filler project 3 (49)

Images, UC QuakeStudies

The audience taking their seats at Gap Filler's "Film the in Gap!" project in Beckenham. Gap Filler have enclosed one side of the site with a fence made of old metal bed heads.

Photograph of Gap Filler project 3 (71)

Images, UC QuakeStudies

Members of the public listening to Lyttelton band, Runaround Sue, perform at Gap Filler's "Film in the Gap!" project. Gap Filler has provided old beds and garden swing seats as seating.

Photograph of Gap Filler project 3 (46)

Images, UC QuakeStudies

Gap Filler Creative Director, Coralie Winn, at Gap Filler's "Film in the Gap!" project in Beckenham. The red Southern Espresso Rescue van can be seen in the background, selling coffee to the audience.

Photograph of Gap Filler project 3 (77)

Images, UC QuakeStudies

Members of the audience at Gap Filler's "Film in the Gap!" project in Beckenham. Gap Filler has decorated the site with bunting, fairy lights and a fence made from old metal bed heads.

Rebekah Rogers WEMO Photograph 054

Images, UC QuakeStudies

A photograph of a film crew recording outside the Christchurch Art Gallery on Montreal Street. The Art Gallery was used as the temporary headquarters for Civil Defence after the 22 February 2011 earthquake.

Photograph of Gap Filler project 3 (54)

Images, UC QuakeStudies

Gap Filler's "Film in the Gap!" project in Beckenham. Fairy lights have been used to decorate a fence made of old metal bed heads around the site. In the background, the Southern Espresso Rescue van can be seen.

Photograph of Gap Filler project 3 (55)

Images, UC QuakeStudies

Gap Filler's "Film in the Gap!" project in Beckenham. Fairy lights have been used to decorate a fence made of old metal bed heads around the site. In the background, the Southern Espresso Rescue van can be seen.

Photograph of Gap Filler project 3 (56)

Images, UC QuakeStudies

Gap Filler's "Film in the Gap!" project in Beckenham. Fairy lights have been used to decorate a fence made of old metal bed heads around the site. In the background, the Southern Espresso Rescue van can be seen.

Photograph of Gap Filler project 3 (99)

Images, UC QuakeStudies

Local musician, Lyndon Puffin, performing at Gap Filler's "Film in the Gap!" project in Beckenham. In the foreground of the photograph is a leather bag labelled "Koha", the Reo Maori word for gift, or in this case, donations.

Photograph of Gap Filler project 3 (74)

Images, UC QuakeStudies

Members of the public at Gap Filler's "Film in the Gap!" project in Beckenham. Gap Filler has provided old beds and garden swing seats as seating. In the background, the red Southern Espresso Rescue van can be seen.

Photograph of Gap Filler project 3 (81)

Images, UC QuakeStudies

Members of the public watching Lyttelton band, Runaround Sue, perform at Gap Filler's "Film in the Gap!" project in Beckenham. In the foreground is one end of a fence made of old metal bed heads and decorated with fairy lights.

Photograph of Gap Filler project 3 (72)

Images, UC QuakeStudies

Lyttelton band, Runaround Sue, performing at Gap Filler's "Film in the Gap!" project in Beckenham. Gap Filler have enclosed one side of the site with a fence made of old metal bed heads. The fence has been decorated with fairy lights. Other decorations to the project sight includes the brightly coloured bunting above the audience, which is attached to the wall of Beckenham's Mitre 10.

Photograph of Gap Filler project 3 (63)

Images, UC QuakeStudies

Fences made from old metal bed heads enclosing the space of Gap Filler's "Film in the Gap" project in Beckenham. The audience are seated on folding chairs, garden swing seats and an antique bed as they watch Lyttelton band, Runaround Sue, perform. In the background, a yellow porta-loo provides sanitary facilities for the audience.

Photograph of Gap Filler project 3 (48)

Images, UC QuakeStudies

The red Southern Espresso Rescue van serving coffee to the audience at Gap Filler's "Film the in Gap!" project. Gap Filler has arranged a variety of seating options for the audience, including an old bed and garden swing seats.

Photograph of Gap Filler project 3 (73)

Images, UC QuakeStudies

Lyttelton band, Runaround Sue, perform at Gap Filler's "Film in the Gap!" project in Beckenham. Gap Filler have enclosed one side of their project's site with a fence made of old metal bed heads. The fence has been decorated with fairy lights.

Photograph of Gap Filler project 1 (28)

Images, UC QuakeStudies

The partially demolished Himalayas Indian restaurant on Colombo Street, next to Gap Filler's first project at 832 Colombo Street.

Photograph of Gap Filler project 1 (27)

Images, UC QuakeStudies

An exposed bathroom in the partially demolished Himalayas Indian restaurant. A digger can be seen out front.

Photograph of Gap Filler project 3 (100)

Images, UC QuakeStudies

The opening credits of "Draquila - Italy Trembles" at Gap Filler's "Film in the Gap!" project. "Draquila - Italy Trembles" is a documentary that examines the Berlusconi government's corruption and abuse of power during the aftermath of the 2009 earthquake in L'Aquila, Italy. It was directed by Sabina Guzzanti.

Program for Dancing Through Impermanent Spaces

Articles, UC QuakeStudies

A copy of the program for the screenings of Elizabeth Guthrey's film series 'Dancing Through Impermanent Spaces'. The films are a creative response to the earthquakes in Christchurch and were shown as part of the Christchurch Body Festival 2014.

Poster for Dancing Through Impermanent Spaces

Images, UC QuakeStudies

A copy of the poster used to advertise screenings of Elizabeth Guthrey's film series 'Dancing Through Impermanent Spaces'. The films are a creative response to the earthquakes in Christchurch and were shown as part of the Christchurch Body Festival 2014.

Sailors house

Images, eqnz.chch.2010

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Christchurch Press Infographic: 21 February 2012 (2)

Images, UC QuakeStudies

A graph showing revenue for the film, "When a City Falls".

The architectural revolutionaries who shaped Christchurch

Audio, Radio New Zealand

Sir Miles Warren and Maurice Mahoney were architectural revolutionaries who built a legendary partnership spanning 37 years. A new film currently in production aims to celebrate their incredible legacy and document the bitter fight to save their most iconic building - the Christchurch Town Hall - from demolition after the 2011 earthquake. Co-director and Maurice's daughter Jane Mahoney talks to Mark Leisham about the pairs legacy and the process of making the film.