A photograph of people watching a musician perform at the Lyttelton Petanque Club.
A photograph of people painting wooden pallets, to be used for the Lyttelton Pentanque Club.
A PDF copy of pages 96-97 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Samo Lyttelton Cafe'. Photo: Tessa Peach
A photograph of bricks laid as a pathway in Churchill Park. Each brick has a message written on it.
A photograph of students from the Student Volunteer Army and Entré on the site of Christchurch: A Board Game.
A photograph of bricks laid as a pathway in Churchill Park. Each brick has a message written on it.
A photograph of a volunteer wearing an In Our Backyard competition shirt. The shirt lists supporters and sponsors of the competition.
A photograph of Coralie Winn standing next to a Lyttelton resident at the Lyttelton Petanque Club.
A photograph of children cycling on the Fulton Hogan BMX Pump Track.
A photograph of a sign describing the Fulton Hogan BMX Pump Track.
A PDF copy of pages 260-261 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Light Inspiration for Lyttelton'. Photos: Alan Povall
A PDF copy of pages 348-349 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Thinking Outside the Square'. Photos: Gap Filler
A photograph of a mural depicting ChristChurch Cathedral. The mural is attached to the fence on the site of Christchurch: A Board Game.
A photograph of a street football arena built by Student Volunteer Army volunteers. The walls of the arena are built from recycled timber.
A PDF copy of pages 172-173 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Community Chess'. Photos: Gap Filler
A photograph of a sign describing St Luke's Labyrinth.
A photograph of volunteers who contributed to building a BMX track on an empty site on Colombo Street.
A photograph of the Fulton Hogan BMX Pump Track. A mural on the wall reads, 'Pump it!'.
A PDF copy of pages 280-281 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Temporary Housing'. Photos: Tessa Peach
A PDF copy of pages 368-369 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Transitional City Audio Tour (The People's Perspective)'. Photos: Ryan Reynolds
A pdf copy of the second introductory panel of Guy Frederick's 'The Space Between Words' exhibition. The panel includes a collection of Guy Frederick's memories of the 2010 and 2011 Canterbury earthquakes, as well as discussion on how people experience change.
A pdf copy of the first introductory panel of Guy Frederick's 'The Space Between Words' exhibition. The panel includes a collection of Guy Frederick's memories of the 2010 and 2011 Canterbury earthquakes, as well as discussion on how people experience change.
A PDF copy of pages 234-235 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'SVA - The Concert'. Photos: Peter Walker, Three Chairs Photography. With permission from Volunteer Army Foundation.
A PDF copy of pages 208-209 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Street Football'. Photos: Eugenio Boidi
A photograph of bricks stacked to spell out the word 'Lyttelton'. Behind the letters, plant pots have been laid out to form a temporary garden.
A photograph of a labyrinth laid out in bricks on the former site of St Luke's church.
A photograph of volunteers laying bricks to create a labyrinth on the former site of St Luke's church.
A pdf copy of panel 14 of Guy Frederick's 'The Space Between Words' exhibition. The panel includes text from an interview with Gerard Smythe about his experiences of the 2010 and 2011 Canterbury earthquakes. Above this is an image of Smythe sitting outside the Cathedral of the Blessed Sacrament.
Seismic retrofitting of unreinforced masonry buildings using posttensioning has been the topic of many recent experimental research projects. However, the performance of such retrofit designs in actual design level earthquakes has previously been poorly documented. In 1984 two stone masonry buildings within The Arts Centre of Christchurch received posttensioned seismic retrofits, which were subsequently subjected to design level seismic loads during the 2010/2011 Canterbury earthquake sequence. These 26 year old retrofits were part of a global scheme to strengthen and secure the historic building complex and were subject to considerable budgetary constraints. Given the limited resources available at the time of construction and the current degraded state of the steel posttension tendons, the posttensioned retrofits performed well in preventing major damage to the overall structure of the two buildings in the Canterbury earthquakes. When compared to other similar unretrofitted structures within The Arts Centre, it is demonstrated that the posttensioning significantly improved the in-plane and out-of-plane wall strength and the ability to limit residual wall displacements. The history of The Arts Centre buildings and the details of the Canterbury earthquakes is discussed, followed by examination of the performance of the posttension retrofits and the suitability of this technique for future retrofitting of other historic unreinforced masonry buildings. http://www.aees.org.au/downloads/conference-papers/2013-2/
A photograph of bricks forming a playing square of Christchurch: A Board Game. The bricks show a picture of ChristChurch Cathedral, and read, "ChristChurch Cathedral. Skip church, move to Ferry Rd".