An entry from Ruth Gardner's blog for 4 September 2010 entitled, "Our Earthquake".
Peter Marshall is managing director of architectural firm Warren and Mahoney, part of the team selected to carry out the task of the redesign of Christchurch after the earthquakes. (This version of the audio does not include music)
A photograph of wooden planks used in the construction of Gap Filler's temporary outdoor cinema. The boards have a crown logo painted on them.
An entry from Ruth Gardner's Blog for 08 January 2014 entitled, "Touring the Town".
An entry from Ruth Gardner's blog for 11 September 2010 entitled, "One Week After".
An entry from Ruth Gardner's blog for 21 November 2011 entitled, "Riding through the Red Zone".
A photograph of volunteers at the Info Gap temporary outdoor display space on the corner of Peterborough and Colombo Streets.
A photograph of volunteers constructing the Info Gap temporary outdoor display space on the corner of Peterborough and Colombo Streets.
The front page graphic for the Mainlander section of The Press, featuring an article titled, "Mega makeover".
Recording standing structures not only involves architectural drawings and photography, but can also be quite destructive. In an attempt to modernise an old house owners will often cover “old fashioned” features with new materials, plasterboard being the chief culprit. So, … Continue readin...
The "Lyttelton Review" newsletter for 29 August 2011, produced by the Lyttelton Harbour Information Centre.
The "Lyttelton Review" newsletter for 31 October 2011, produced by the Lyttelton Harbour Information Centre.
The "Lyttelton Review" newsletter for 28 May 2012, produced by the Lyttelton Harbour Information Centre.
The "Lyttelton Review" newsletter for 15 October 2012, produced by the Lyttelton Harbour Information Centre.
An entry from Ruth Gardner's Blog for 20 June 2014 entitled, "Doctor's Discussion".
Millions of urban residents around the world in the coming century will experience severe landscape change – including increased frequencies of flooding due to intensifying storm events and impacts from sea level rise. For cities, collisions of environmental change with mismatched cultural systems present a major threat to infrastructure systems that support urban living. Landscape architects who address these issues express a need to realign infrastructure with underlying natural systems, criticizing the lack of social and environmental considerations in engineering works. Our ability to manage both society and the landscapes we live in to better adapt to unpredictable events and landscape changes is essential if we are to sustain the health and safety of our families, neighbourhoods, and wider community networks. When extreme events like earthquakes or flooding occur in developed areas, the feasibility of returning the land to pre-disturbance use can be questioned. In Christchurch for example, a large expanse of land (630 hectares) within the city was severely damaged by the earthquakes and judged too impractical to repair in the short term. The central government now owns the land and is currently in the process of demolishing the mostly residential houses that formed the predominant land use. Furthermore, cascading impacts from the earthquakes have resulted in a general land subsidence of .5m over much of eastern Christchurch, causing disruptive and damaging flooding. Yet, although disasters can cause severe social and environmental distress, they also hold great potential as a catalyst to increasing adaption. But how might landscape architecture be better positioned to respond to the potential for transformation after disaster? This research asks two core questions: what roles can the discipline of landscape architecture play in improving the resilience of communities so they become more able to adapt to change? And what imaginative concepts could be designed for alternative forms of residential development that better empower residents to understand and adapt the infrastructure that supports them? Through design-directed inquiry, the research found landscape architecture theory to be well positioned to contribute to goals of social-ecological systems resilience. The discipline of landscape architecture could become influential in resilience-oriented multi disciplinary collaborations, with our particular strengths lying in six key areas: the integration of ecological and social processes, improving social capital, engaging with temporality, design-led innovation potential, increasing diversity and our ability to work across multiple scales. Furthermore, several innovative ideas were developed, through a site-based design exploration located within the residential red zone, that attempt to challenge conventional modes of urban living – concepts such as time-based land use, understanding roads as urban waterways, and landscape design and management strategies that increase community participation and awareness of the temporality in landscapes.
Purpose - The purpose of this paper is to identify through the application of Actor Network Theory (ANT) the issues and impediments to the implementation of mandatory seismic retrofitting policies proposed by the New Zealand Government. In particular the tension between the heritage protection objectives contained in the Resource Management Act 1991 and the earthquake mitigation measures contained in the Building Act 2004 are examined. Design/methodology/approach - The paper uses a case study approach based on the Harcourts Building in Wellington New Zealand and the case law relating to attempts to demolish this particular building. Use is made of ANT as a 'lens' to identify and study the controversies around mandatory seismic retrofitting of heritage buildings. The concept of translation is used to draw network diagrams.
A video about the preparation for the 2012 Ellerslie Flower Show in Hagley Park. The video includes interviews with Xiaohua Li, an Architecture and Landscape Design student at Lincoln University, Dave Mee, the Ellerslie Flower Show Managing Director, and Leona Murahidy.
A PDF copy of pages 150-151 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Bobo'. Drawings: Andrew Just, Jen McBride
A photograph of volunteers painting a pathway in Gap Filler's temporary outdoor cinema on the corner of Madras and St Asaph Streets.
A pdf transcript of Belle's earthquake story, captured by the UC QuakeBox project.
A photograph of volunteers setting up seating in Gap Filler's temporary outdoor cinema on the corner of Madras and St Asaph Streets.
A photograph of part of the display structure for the Info Gap temporary outdoor display space. The structure is sitting behind the Gap Filler headquarters in Sydenham.
A photograph of the empty site on the corner of Peterborough and Colombo Streets where the Info Gap temporary outdoor display space will be constructed.
A photograph of people looking at displays in the Info Gap temporary outdoor display space on the corner of Peterborough and Colombo Streets.
A photograph of people looking at displays in the Info Gap temporary outdoor display space on the corner of Peterborough and Colombo Streets.
A photograph of volunteers setting up seating in Gap Filler's temporary outdoor cinema on the corner of Madras and St Asaph Streets.
A photograph of volunteers painting a pathway in Gap Filler's temporary outdoor cinema on the corner of Madras and St Asaph Streets.
The "Lyttelton Review" newsletter for 14 November 2011, produced by the Lyttelton Harbour Information Centre.
The "Lyttelton Review" newsletter for 20 February 2012, produced by the Lyttelton Harbour Information Centre.