A photograph of trailers and trucks stacked with salvaged items from people's homes leaving the central business district. The photograph was taken during the Residential Access Project which gave residents temporary access within the red-zone cordon in order to retrieve items from their homes.
A policeman and his dog stop outside a house wrecked in the Christchurch earthquake and phone for assistance saying 'Have found signs of low-life' because he can see 'Christchurch looting in progress'. Context - on 22 February 2011 a 6.3 magnitude earthquake struck in Christchurch, which has probably killed more than 200 people (at this point the number is still not known) and caused very severe damage. The courage, generosity and 'can do' attitude of the people has been wonderful apart from the antisocial behaviour of a few looters and others taking advantage of the situation. Quantity: 1 digital cartoon(s).
PurposeThe purpose of this research is to highlight the role of not-for-profit (NFP) organisations in enhancing disaster preparedness. The authors set out to understand their perspectives and practices in regard to disaster preparedness activities to support people who live precarious lives, especially those who live as single parents who are the least prepared for disasters.Design/methodology/approachThe research draws on in-depth, semi-structured interviews with 12 staff members, either in a group setting or individually, from seven NFP organisations, who were located in Ōtautahi (Christchurch) and Kaiapoi in Aotearoa New Zealand. These participants were interviewed eight years after the 2011 Christchurch earthquake.FindingsFour key narrative tropes or elements were drawn from across the interviews and were used to structure the research results. These included: “essential” support services for people living precarious lives; assisting people to be prepared; potential to support preparedness with the right materials and relationships; resourcing to supply emergency goods.Originality/valueThis research contributes to disaster risk reduction practices by advocating for ongoing resourcing of NFP groups due to their ability to build a sense of community and trust while working with precarious communities, such as single parents.
The question of whether forced relocation is beneficial or detrimental to the displaced households is a controversial and important policy question. After the 2011 earthquake in Christchurch, the government designated some of the worst affected areas as Residential Red Zones. Around 20,000 people were forced to move out of these Residential Red Zone areas, and were compensated for that. The objective of this paper is twofold. First, we aim to estimate the impact of relocation on the displaced households in terms of their income, employment, and their mental and physical health. Second, we evaluate whether the impact of relocation varies by the timing of to move, the destination (remaining within the Canterbury region or moving out of it) and demographic factors (gender, age, ethnicity). StatisticsNZ’s Integrated Data Infrastructure (IDI) from 2008 to 2017, which includes data on all households in Canterbury, and a difference-in-difference (DID) technique is used to answer these questions. We find that relocation has a negative impact on the income of the displaced household group. This adverse impact is more severe for later movers. Compared to the control group (that was not relocated), the income of relocated households was reduced by 3% for people who moved immediately after the earthquake in 2011, and 14% for people who moved much later in 2015.
We’ll never know why the thirteen people whose corpses were discovered in Pompeii’s Garden of the Fugitives hadn’t fled the city with the majority of the population when Vesuvius turned deadly in AD79. But surely, thanks to 21st century technology, we know just about everything there is to know about the experiences of the people who went through the Canterbury Earthquakes. Or has the ubiquity of digital technology, combined with seemingly massive online information flows and archives, created a false sense that Canterbury’s earthquake stories, images and media are being secured for posterity? In this paper Paul Millar makes reference to issues experienced while creating the CEISMIC Canterbury Earthquakes Digital Archive (www.ceismic.org.nz) to argue that rather than having preserved all the information needed to fully inform recovery, the record of the Canterbury earthquakes’ impacts, and the subsequent response, is incomplete and unrepresentative. While CEISMIC has collected and curated over a quarter of a million earthquake-related items, Millar is deeply concerned about the material being lost. Like Pompeii, this disaster has its nameless, faceless, silenced victims; people whose stories must be heard, and whose issues must be addressed, if recovery is to be meaningful.
Interviews with various people including radio reporters, the Christchurch mayor, police, and civil defence, on Saturday 4 Sept. 2010 after the Canterbury earthquake. Use Internet Explorer to listen to the archived MP3s. The streaming video (Ogg Vorbis) has not been archived.
A photograph looking west down Armagh Street towards the Forsyth Barr and PricewaterhouseCoopers buildings. A shipping container is situated on the left side of the road and two people in high-visibility vests and hard hats can be seen crossing the road.
A photograph of people gathered in the Christchurch Transitional Cathedral, otherwise known as the Cardboard Cathedral. Johnny McFarlane of Beca is talking about project management of transitional architecture. The talk was part of a tour of the Cathedral, during FESTA 2013.
A photograph of people gathered outside the Christchurch Transitional Cathedral, otherwise known as the Cardboard Cathedral. Johnny McFarlane of Beca is talking about project management of transitional architecture. The talk was part of a tour of the Cathedral, during FESTA 2013.
Photograph captioned by BeckerFraserPhotos, "185 Chairs, an art installation by Peter Majendie, as a memorial to those who died as a result of the 22 February 2011 earthquake. The chairs were chosen to reflect the variety of people who died".
Photograph captioned by Fairfax, "Mayor Rick Cooper has started a collection to benefit the victims of the Christchurch earthquake. Pictured is Councillor Doreen Blyth, Chair of Emergency Management. Mayor Cooper said he was already blown away at the generosity of Taupo people".
Emergency personnel using a crane to check the Forsyth Barr building for people trapped after the 22 February earthquake. On the intersection of Armagh Street and Colombo Street below, police and fire service personnel are gathered. The road below is severely warped.
A photograph of people working at Agropolis, an urban farm on the corner of High Street and Tuam Street. Organic waste from inner-city hospitality businesses is composted and used to grow food. Agropolis was the venue for several events throughout FESTA 2013.
A photograph of people working at Agropolis before the public launch event during FESTA 2013. Agropolis is an urban farm on the corner of High Street and Tuam Street. Organic waste from inner-city hospitality businesses is composted and used to grow food.
A photograph of people gathered at Agropolis, an urban farm on the corner of High Street and Tuam Street. Organic waste from inner-city hospitality businesses is composted and used to grow food. Agropolis was the venue for several events throughout FESTA 2013.
Video of an interview with Prue Taylor, the wife of Brian Taylor, on the first day of the CTV Building Coroners Inquest. Brian Taylor was one of 21 people who died when the CTV Building collapsed during the 22 February 2011 earthquake.
A photograph of people gathered in the Christchurch Transitional Cathedral, otherwise known as the Cardboard Cathedral. Johnny McFarlane of Beca is talking about project management of transitional architecture. The talk was part of a tour of the Cathedral, during FESTA 2013.
A photograph of people gathered in the Christchurch Transitional Cathedral, otherwise known as the Cardboard Cathedral. A tour of the Cathedral was part of FESTA 2013. The tour included a talk by Johnny McFarlane of Beca about project management of transitional architecture.
A photograph of people gathered in the Christchurch Transitional Cathedral, otherwise known as the Cardboard Cathedral. Johnny McFarlane of Beca is talking about project management of transitional architecture. The talk was part of a tour of the Cathedral, during FESTA 2013.
A photograph of two people standing on Oxford Terrace during FESTA 2013. On the right, George Parker from Free Theatre Christchurch is holding a megaphone. On the left, a woman is reading from a piece of paper and holding a hard hat.
A photograph of people walking beneath a temporary sculpture titled Illuminate, on a vacant site on Worcester Street. The sculpture was created by students from Unitec's Architecture department for Canterbury Tales - a carnivalesque procession which was the main event of FESTA 2013.
A photograph of people gathered outside the Christchurch Transitional Cathedral, otherwise known as the Cardboard Cathedral. Johnny McFarlane of Beca is talking about project management of transitional architecture. The talk was part of a tour of the Cathedral, during FESTA 2013.
A photograph of people gathered outside the Christchurch Transitional Cathedral, otherwise known as the Cardboard Cathedral. Johnny McFarlane of Beca is talking about project management of transitional architecture. The talk was part of a tour of the Cathedral, during FESTA 2013.
A photograph of people gathered in the Christchurch Transitional Cathedral, otherwise known as the Cardboard Cathedral. Johnny McFarlane of Beca is talking about project management of transitional architecture. The talk was part of a tour of the Cathedral, during FESTA 2013.
A photograph of people gathered in the Christchurch Transitional Cathedral, otherwise known as the Cardboard Cathedral. Johnny McFarlane of Beca is talking about project management of transitional architecture. The talk was part of a tour of the Cathedral, during FESTA 2013.
A photograph of people gathered in the Christchurch Transitional Cathedral, otherwise known as the Cardboard Cathedral. Johnny McFarlane of Beca is talking about project management of transitional architecture. The talk was part of a tour of the Cathedral, during FESTA 2013.
A photograph of people gathered in the Christchurch Transitional Cathedral, otherwise known as the Cardboard Cathedral. Johnny McFarlane of Beca is talking about project management of transitional architecture. The talk was part of a tour of the Cathedral, during FESTA 2013.
A photograph of people gathered outside the Christchurch Transitional Cathedral, otherwise known as the Cardboard Cathedral. Johnny McFarlane of Beca is talking about project management of transitional architecture. The talk was part of a tour of the Cathedral, during FESTA 2013.
A photograph of Jemma Syme and Ed Lust watching a film inside Picture House. Picture House is a mobile cinema for two people. It was created out of a billboard trailer by Tessa Peach and Heather Hayward of Makeshift, for FESTA 2013.
A photograph of people on Worcester Street during Canterbury Tales - a carnivalesque procession and the main event of FESTA 2013. In the distance is an installation titled Eye of the Storm, created from blue tarpaulin flags which have been strung across the bridge.