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Images, UC QuakeStudies

A photograph submitted by Andrew Panckhurst to the QuakeStories website. The description reads, "Peter Symms being cared for shortly after being rescued by Mike Ryan (with blooddy jacket) from the Regent Building in Cathedral Square on 22 February 2011. Originally posted on the CHCH EQ Photos Facebook page".

Images, UC QuakeStudies

A montage of photographs of the creation of the installation 'Tonic'. The installation is part of the LUXCITY event. Tutors: Annabel Pretty, Cesar Wagner, Peter McPherson

Images, UC QuakeStudies

A photograph captioned by BeckerFraserPhotos, "A view from Cambridge Terrace towards Cathedral Square. The partially deconstructed Hotel Grand Chancellor no longer dominates the sky line. Here it appears between the PricewaterhouseCoopers building on the left and the Novotel Hotel on the right".

Images, UC QuakeStudies

Looking across an empty site on the corner of Colombo and Hereford Streets where several buildings have been demolished, the Ibis Hotel and ANZ building are visible in the background. Taken on a day when a walkway was opened up between Re:Start Mall and Cathedral Square to allow temporary public access.

Research papers, University of Canterbury Library

This is an ethnographic case study, tracking the course of arguments about the future of a city’s central iconic building, damaged following a major earthquake sequence. The thesis plots this as a social drama and examines the central discourses of the controversy. The focus of the drama is the Anglican neo-Gothic Christ Church Cathedral, which stands in the central square of Christchurch, New Zealand. A series of major earthquakes in 2010/2011 devastated much of the inner city, destroying many heritage-listed buildings. The Cathedral was severely damaged and was declared by Government officials in 2011 to be a dangerous building, which needed to be demolished. The owners are the Church Property Trustees, chaired by Bishop Victoria Matthews, a Canadian appointed in 2008. In March 2012 Matthews announced that the Cathedral, because of safety and economic factors, would be deconstructed. Important artefacts were to be salvaged and a new Cathedral built, incorporating the old and new. This decision provoked a major controversy, led by those who claimed that the building could and should be restored. Discourses of history and heritage, memory, place and identity, ownership, economics and power are all identified, along with the various actors, because of their significance. However, the thesis is primarily concerned with the differing meanings given to the Cathedral. The major argument centres on the symbolic interaction between material objects and human subjects and the various ways these are interpreted. At the end of the research period, December 2015, the Christ Church Cathedral stands as a deteriorating wreck, inhabited by pigeons and rats and shielded by protective, colourfully decorated wooden fences. The decision about its future remains unresolved at the time of writing.

Videos, UC QuakeStudies

A video of journalist Charlie Gates introducing the 2014 World Buskers Festival. Gates revisits the performance venues for former festivals to show how the central city has changed since the 2010 and 2011 earthquakes.

Images, UC QuakeStudies

Workers eat lunch at an outdoor table next to the Gap Filler Community Chess Set on Colombo Street. The Chess Set was a collaboration between Gap Filler and students at the University of Canterbury. The project aimed to restore the iconic Christchurch Chess Set that used to be played in Cathedral Square.

Images, UC QuakeStudies

A photograph captioned by BeckerFraserPhotos, "A view from Cambridge Terrace towards Cathedral Square. The partially deconstructed Hotel Grand Chancellor no longer dominates the sky line. Here it appears between the PricewaterhouseCoopers building on the left and the Novotel Hotel on the right".

Images, UC QuakeStudies

People look through the cordon fence at the corner of Colombo and Hereford Streets. On the left is the former site of Camera House, and on the right is the ANZ building, with its ground floor windows boarded up. Taken on a day when a walkway was opened up between Re:Start Mall and Cathedral Square to allow temporary public access.

Images, UC QuakeStudies

People stand beside the cordon fence on the Worcester Street bridge. The photographer comments, "This was some of the many people waiting for the White Lights of Hope to be turned on, but when they were we hardly noticed. Sadly it was a big disappointment".

Images, UC QuakeStudies

A photograph of an alleyway between Gloucester Street and Cathedral Square. There is a pile of rubble near the end of the alleyway, fallen from the earthquake-damaged Base Backpackers building, behind the former Canterbury Times building on Gloucester Street. Scaffolding has also been constructed up the side of Base Backpackers.

Images, UC QuakeStudies

A photograph captioned by BeckerFraserPhotos, "Pieces of iron fretwork from the entrance to the Warners Hotel carefully laid on the ground in front of the building. Thisshows the careful salvaging which has taken place during the demolistion of many heritage building in order to be able to re-use significant pieces later".

Images, UC QuakeStudies

An aerial photograph of the Christchurch central city. The photograph has been captioned by BeckerFraserPhotos, "This photograph shows nearly all of the CBD. The two streets which are prominent in this photograph are Manchester Street on the left and Colombo Street on the right of the photograph. This photograph is from the north, looking towards the southern part of the city. Cathedral Square is about half way up, towards the right. It shows the extent of demolition that has happened already close to the river and near the Manchester/Gloucester Street intersection where there is a lot of bare land surrounding Radio Network House".

Images, UC QuakeStudies

A photograph of the large-scale puppets titled The Scholar and The Wife of Bath. The puppets are in Cathedral Square. Lying on the left are heads and hands of The Friars. The puppets were part of the Canterbury Tales procession. Canterbury Tales was created by Free Theatre Christchurch, and was the main event of FESTA 2013.

Images, UC QuakeStudies

A pile of rubble from a demolished building on Worcester Street. In the background, the partially demolished Warners Hotel can be seen as well as the Novotel and the PricewaterhouseCoopers Building in the distance. A digger and long-reach excavator can also be seen.

Videos, UC QuakeStudies

A video about members of the Irish rugby team touring the Christchurch central city Red Zone. The team is in Christchurch for a test match against the All Blacks at the new Christchurch Stadium. The video includes interviews with scrum coach Greg Feek and coach Declan Kidney. It also includes footage of Irish construction workers meeting the team in Cathedral Square.

Videos, NZ On Screen

This 1974 end of year special for music show Popco features cover songs performed in the studio and around Christchurch. Presenting and singing are Rob Guest (before musicals fame), Steve Gilpin (before he founded Mi-Sex) and Hayden Wood. Joining them are Space Waltz (in their glam rock glory), Annie Whittle (on the banks of the Avon), show regulars the Maggie Burke Dancers in Cathedral Square, Mark Williams (sparkling in green lurex), Bunny Walters and Claire Raine, Rockinghorse (featuring 'Nature' composer Wayne Mason), Drut (complete with flaming guitar) and Beaver (in the finale).

Images, UC QuakeStudies

A photograph of Mike Hewson's installation, 'Government Life Suspension', on the wall of the Chancery Arcade building. The artwork depicts a reflection of the Government Life building which is visible behind the Chancery Arcade. The installation is part of a series titled 'Homage to the Lost Spaces'. The Government Life and Chancery Arcade buildings were demolished in 2014.

Images, UC QuakeStudies

A photograph of Mike Hewson's installation, 'Government Life Suspension', on the wall of the Chancery Arcade building. The artwork depicts a reflection of the Government Life building which is visible behind the Chancery Arcade. The installation is part of a series titled 'Homage to the Lost Spaces'. The Government Life and Chancery Arcade buildings were demolished in 2014.

Images, UC QuakeStudies

A photograph of Mike Hewson's installation, 'Government Life Suspension', on the wall of the Chancery Arcade building. The artwork depicts a reflection of the Government Life building which is visible behind the Chancery Arcade. The installation is part of a series titled 'Homage to the Lost Spaces'. The Government Life and Chancery Arcade buildings were demolished in 2014.

Images, UC QuakeStudies

A photograph of Mike Hewson's installation, 'Government Life Suspension', on the wall of the Chancery Arcade building. The artwork depicts a reflection of the Government Life building which is visible behind the Chancery Arcade. The installation is part of a series titled 'Homage to the Lost Spaces'. The Government Life and Chancery Arcade buildings were demolished in 2014.

Images, UC QuakeStudies

A photograph of Mike Hewson's installation, 'Government Life Suspension', on the wall of the Chancery Arcade building. The artwork depicts a reflection of the Government Life building which is visible behind the Chancery Arcade. The installation is part of a series titled 'Homage to the Lost Spaces'. The Government Life and Chancery Arcade buildings were demolished in 2014.

Audio, Radio New Zealand

Little is known about The Wizard of New Zealand who took centre stage in Christchurch's Cathedral Square from the 70s until the Christchurch earthquakes in 2011, which saw the city in a state of disrepair. A man who challenged political, social and cultural ideology, The Wizard posed provocative questions in this public space, much to the delight, and sometimes dismay, of passersby. But the background to why The Wizard was there in the first place has been something of a mystery... until now. Sonia Yee finds out more in this episode of Eyewitness.