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Research papers, University of Canterbury Library

This thesis considers the presence and potential readings of graffiti and street art as part of the wider creative public landscape of Christchurch in the wake of the series of earthquakes that significantly disrupted the city physically and socially. While documenting a specific and unprecedented period of time in the city’s history, the prominence of graffiti and street art throughout the constantly changing landscape has also highlighted their popularity as increasingly entrenched additions to urban and suburban settings across the globe. In post-quake Christchurch, graffiti and street art have often displayed established tactics, techniques and styles while exploring and exposing the unique issues confronting this disrupted environment, illustrating both a transposable nature and the entwined relationship with the surrounding landscape evident in the conception of these art forms. The post-quake city has afforded graffiti and street art the opportunity to engage with a range of concepts: from the re-activation and re-population of the empty and abandoned spaces of the city, to commentaries on specific social and political issues, both angry and humorous, and notably the reconsideration of entrenched and evolving traditions, including the distinction between guerrilla and sanctioned work. The examples of graffiti and street art within this work range from the more immediate post-quake appearance of art in a group of affected suburbs, including the increasingly empty residential red-zone, to the use of the undefined spaces sweeping the central city, and even inside the Canterbury Museum, which housed the significant street art exhibition Rise in 2013-2014. These settings expose a number of themes, both distinctive and shared, that relate to both the post-disaster landscape and the concerns of graffiti and street art as art movements unavoidably entangled with public space.

Audio, Radio New Zealand

Christchurch artist Mike Beer creates miniature models of Christchurch buildings that were lost in the Canterbury earthquakes. Through these tiny models Mike hopes to remind people of the buildings that once shaped the city - and bring back the feelings and memories associated with them. Mike, who goes by the name Ghostcat, says It's all about the connections people have with a time, and place. His models are to be displayed at Fiksate Gallery in Christchuch from April 9.

Videos, UC QuakeStudies

A video of a tour through the Christchurch central city Red Zone in July 2011. The video includes footage of Colombo Street, Gloucester Street, the ChristChurch Cathedral, Worcester Street, the Press Building, the Whitcoulls Building, Cashel Mall, and High Street. It also includes an interview with Earthquake Recovery Minister Gerry Brownlee.

Videos, UC QuakeStudies

A video of the Christchurch central city covered in snow. The video includes footage of the ChristChurch Cathedral, Gloucester Street, New Regent Street, Manchester Street, Latimer Square, Centennial Pool, Armagh Street, McLeans Mansion, Hagley Park, Rolleston Avenue, Worcester Street, the Peacock Fountain in the Botanic Gardens, and Dyers Pass Road.

Research papers, Victoria University of Wellington

Christchurch was struck by a 6.3 magnitude earthquake on the 22 February 2011. The quake devastated the city, taking lives and causing widespread damage to the inner city and suburban homes. The central city lost over half its buildings and over 7000 homes were condemned throughout Christchurch. The loss of such a great number of homes has created the requirement for new housing to replace those that were lost. Many of which were located in the eastern, less affluent, suburbs.  The response to the housing shortage is the planned creation of large scale subdivisions on the outskirts of the city. Whilst this provides the required housing it creates additional sprawl to a city that does not need it. The extension of Christchurch’s existing suburban sprawl puts pressure on roading and pushes residents further out of the city, creating a disconnection between them.  Christchurch’s central city had a very small residential population prior to the earthquakes with very few options for dense inner city living. The proposed rebuild of the inner city calls for a new ‘dense, vibrant and diverse central hub’. Proposing the introduction of new residential units within the central city. However the placement of the low-rise housing in a key attribute of the rebuild, the eastern green ‘Frame’, diminishes its value as open green space. The proposed housing will also be restrictive in its target market and therefore the idea of a ‘vibrant’ inner city is difficult to achieve.  This thesis acts as response to the planned rebuild of inner Christchurch. Proposing the creation of a model for inner city housing which provides an alternative option to the proposed housing and existing and ongoing suburban sprawl. The design options were explored through a design-led process were the options were critiqued and developed.  The ‘final’ proposal is comprises of three tall towers, aptly named the Triple Towers, which condense the proposed low-rise housing from an 11000 square metre footprint to combined footprint of 1500 square metres. The result is an expansion of the publicly available green space along the proposed eastern frame of the city. The height of the project challenges the height restrictions and is provocative in its proposal and placement. The design explores the relationships between the occupants, the building, the ‘Frame’ and the central city.  The project is discussed through an exploration of the architecture of Rem Koolhaas, Renzo Piano and Oscar Niemeyer. Rather than their architecture being taken as a direct influence on which the design is based the discussion revolves around how and why each piece of comparative architecture is relevant to the designs desired outcome.

Audio, Radio New Zealand

It's hoped a new art installation in Ōtautahi Christchurch can help people talk their worries away through a series of telephones by the riverside. Twelve telephones have popped up across sites commemorating the city's devastating 2011 earthquakes. The group behind the project is Flourish Kia Puawai. Its associate director Sharon Torstonson spoke to Corin Dann.

Images, UC QuakeStudies

Photograph captioned by Fairfax, "Prime Minister John Key, right, visited Christchurch after its 7.1 magnitude earthquake at 04:35 Saturday morning. Mayor Bob Parker, left, took him on a tour of the city which was punctuated by a fire breaking out in a building on Worcester Street. The tour party watches the fire".

Images, UC QuakeStudies

Photograph captioned by Fairfax, "Prime Minister John Key, left, visited Christchurch after its 7.1 magnitude earthquake at 04:35 Saturday morning. Mayor Bob Parker, centre, took him on a tour of the city which was punctuated by a fire breaking out in a building on Worcester Street. The tour party watches the fire".

Images, UC QuakeStudies

Photograph captioned by Fairfax, "Prime Minister John Key, centre, visited Christchurch after its 7.1 magnitude earthquake at 04:35 Saturday morning. Mayor Bob Parker, at right, took him on a tour of the city which was punctuated by a fire breaking out in a building on Worcester Street. MP John Carter, front left".

Images, UC QuakeStudies

Photograph captioned by Fairfax, "Aftermath of the earthquake in Christchurch where the cleanup has begun. Shoreham Courts, City Council owned flats on Admirals Way in New Brighton are an island of isolation with no water or sewerage although all around them have. Lorraine Burrows, left, her son, Jamie, 8, right, and Charllisa Sutton-Taylor, centre".

Research Papers, Lincoln University

New Zealand is one of the most highly urbanised countries in the world with well over 87 per cent of us living in 138 recognised urban centres, yet the number of people residing in inner city areas is proportionally very low. Householders have been exercising their preference for suburban or rural areas by opting for low density suburban environments. It is widely agreed that productivity and sustainability increase when people aggregate in the inner city, however there is a perceived trade-off between the density and liveability of an area. Achieving liveability in the inner city is concerned with reducing the pressures which emerge from higher population densities. Promoting inclusive societies, revitalising underutilised cityscapes, ensuring accessibility and fostering sense of place, are all elements essential to achieving liveable communities. The rebuild following the 2010 and 2011 Canterbury earthquakes provides Christchurch with an opportunity to shape a more environmentally sustainable, economically vibrant and liveable city. This research involves undertaking a case study of current inner city liveability measures and those provided for through the rebuild. A cross-case analysis with two of the world’s most liveable cities, Melbourne and Vancouver, exposes Christchurch’s potential shortcomings and reveals practical measures the city could implement in order to promote liveability.

Images, eqnz.chch.2010

20140522_8951_EOS M-22 Demolition Of what many in Christchurch know as the Millers building, but for many recent years was the home to the Christchurch City Council, till just a week or two before the first earthquake of 2010. Now, in mid-2014 it is finally being demolished after nearly 45 months empty. A bus is leaving the new (temporary) bu...

Research papers, University of Canterbury Library

This thesis is about many things, not least of all the September 4th 2010 and February 22nd 2011 earthquakes that shook Christchurch, New Zealand. A city was shaken, events which worked to lay open the normally invisible yet vital objects, processes and technologies which are the focus of inquiry: the sewers, pipes, pumps, the digital technologies, the land and politics which constitute the Christchurch wastewater networks. The thesis is an eclectic mix drawing together methods and concepts from Bruno Latour, John Law, Giles Deleuze and Felix Guattari, Nigel Thrift, Donna Haraway and Patrick Joyce. It is an exploration of how the technologies and objects of sanitation perform the city, and how such things which are normally hidden and obscured, are made visible. The question of visibility is also turned toward the research itself: how does one observe, and describe? How are sociological visibilities constructed? Through the research, the encountering of objects in the field, the processes of method, the pedagogy of concepts, and the construction of risk, the thesis comes to be understood as a particular kind of social scientific artefact which assembles four different accounts: the first regards the construction of visibility; the second explores Christchurch city from the control room where the urban sanitary infrastructures are monitored; the third chapter looks at the formatted and embodied practices which emerge with the correlation of the city and sanitation; the fourth looks at the changing politics of a city grappling with severely damaged essential services, land and structures. The final chapter considers how the differences between romantic and baroque sensibilities mean that these four accounts elicit knowing not through smoothness or uniformity, but in partiality and non-coherence. This thesis is about pipes, pump stations, and treatment plants; about the effluent of a city; about the messiness of social science when confronted by the equally messy world of wastewater.

Videos, UC QuakeStudies

A video about the Christchurch central city in the days after the 4 September 2010 earthquake. The video includes footage of empty streets, and New Zealand Police and Army members guarding the cordons. It also includes footage of engineers checking the safety of buildings.

Research papers, University of Canterbury Library

The September 2010 Canterbury and February 2011 Christchurch earthquakes and associated aftershocks have shown that the isolator displacement in Christchurch Women's Hospital (Christchurch City's only base-isolated structure) was significantly less than expected. Occupant accounts of the events have also indicated that the accelerations within the hospital superstructure were larger than would usually be expected within a base-isolated structure and that residual low-level shaking lasts for a longer period of time following the strong-motion of an event than for non-isolated structures.

Videos, UC QuakeStudies

A video of journalist Charlie Gates introducing the 2014 World Buskers Festival. Gates visits former festival venues in the Christchurch central city and the new performance venues for the 2014 festival, to show how the city has changed since the 2010 and 2011 earthquakes.

Images, UC QuakeStudies

Photograph captioned by Fairfax, "Prime Minister John Key, right, visited Christchurch after its 7.1 magnitude earthquake at 04:35 Saturday morning. Mayor Bob Parker, at front left, took him on a tour of the city which was punctuated by a fire breaking out in a building on Worcester Street. The tour party watches the fire".

Images, UC QuakeStudies

Photograph captioned by Fairfax, "Prime Minister John Key, right, visited Christchurch after its 7.1 magnitude earthquake at 04:35 Saturday morning. Mayor Bob Parker, at front left, took him on a tour of the city which was punctuated by a fire breaking out in a building on Worcester Street. The tour party watches the fire".

Images, UC QuakeStudies

Photograph captioned by Fairfax, "Aftermath of the earthquake in Christchurch where the cleanup has begun. Shoreham Courts, City Council owned flats on Admirals Way in New Brighton are an island of isolation with no water or sewerage although all around them have. Lorraine Burrows, centre left, her son, Jamie, 8, left, Charllisa Sutton-Taylor and Oceana Rawiri at right".

Images, UC QuakeStudies

Photograph captioned by Fairfax, "Prime Minister John Key, centre, visited Christchurch after its 7.1 magnitude earthquake at 04:35 Saturday morning. Mayor Bob Parker took him on a tour of the city which was punctuated by a fire breaking out in a building on Worcester Street. MP John Carter, and Key look at the damage".

Audio, Radio New Zealand

Christchurch has its own social superhero and he's gone cap in hand to the council for funding. The self-styled lycra-clad superhero, known only at 'Flat Man', has been dropping care packages to people since the 2011 Canterbury earthquake. He also wants to be able to help schoolkids and anxious and stressed residents through their troubles. And to do this, he's now asking the Christchurch City Council for funding. He joins us now, and says "a cape is a must".