A scanned copy of a photograph of the garden of Di Madgin's former home in the Red Zone, taken before the earthquakes.
A photograph contributed by Erin Harrington, a participant in the Understanding Place research project.
A photograph of Julia Holden's painting 'ChristChurch Cathedral' displayed on a billboard on the corner of Station Road and Maurice Road in Auckland.
A photograph of Julia Holden's painting 'Cathedral' displayed on a billboard on Fitzgerald Avenue in Christchurch.
A photograph of Anton Tritt from the Buchan Group leading an architecture tour at Re:START mall. The event was part of FESTA 2012.
A photograph of a portrait of Sarah Anderson, painted by Julia Holden. The portrait was from a 'selfie' provided by Sarah, and was part of Julia Holden's exhibition, 'its like now'.
An image from a Navy Today April 2011 article titled, "Cordon Patrols in Lyttelton". In the image, members of the New Zealand Navy are speaking to a cyclist outside a cordon on London Street in Lyttelton.
A photograph of an 'All Rightie' pointing to the performance timetable at the 2014 SCIRT World Buskers Festival in Hagley Park.
A photograph of Erica Duthie and Struan Ashby from Tape Art NZ leading a workshop for Skillwise at St Mary's School. The photograph was taken at Street Talk, a Tape Art residency held from 6 - 9 March 2014. Street Talk was a collaborative project between All Right?, Healthy Christchurch and Tape Art NZ that had Christchurch communities create large tape art murals on the south wall of Community and Public Health.
A close-up photograph of a sculpture titled Illuminate, on a vacant site on Worcester Street. The sculpture was created by students from Unitec's Architecture department for Canterbury Tales - a carnivalesque procession which was the main event of FESTA 2013.
A photograph of fresh food in baskets at Agropolis, ready for Tunnel House Supper Club - a pop-up restaurant located at Agropolis. The restaurant existed for one night only, during FESTA 2014.
A photograph of an installation view of Julia Holden's exhibition, 'its like now'. The installation was exhibited at the ArtBox gallery on the corner of Madras and St Asaph Streets.
A video created in celebration of New Zealand Sign Language Week. The video was part of a series that taught simple sentences in Sign Language and invited people to win a prize by guessing the words being signed. The videos were posted by All Right? to their Facebook Timeline on 16 May 2014 at 10:55am, and to their YouTube account on 15 May 2014.
A photograph of an All Right? corflute sign decorating a cordon fence in Oxford. The All Right? corflute sign is from phase 2 of the All Right? campaign, which sought to promote the 'Five Ways To Wellbeing' by asking simple, open-ended questions related to wellbeing. The Oxford Town Hall is in the background. All Right? posted the photograph on their Facebook page on 23 October 2013 at 12.50pm.
A photograph of conference participants at the second annual Out of the Heart Pacific Women's Leadership Conference, held at Riccarton Racecourse on 21 May 2016. The conference was sponsored by All Right? and featured posters from the All Right? I am ... Identity project.
A digital copy of a poster from the Te Waioratanga project of the All Right? campaign. The poster features a black and white photographic portrait of kapa haka practitioners Puamiria Parata-Goodall and her mother Reihana (Aunty Do) Parata. The caption reads, "As a whānau, when we haka together, we learn together".
A photograph of community members giving feedback on the Sumner master plan.
An image from the All Right? 'Compliments' campaign, for the CDHB website. The image reads, "Your smile is life changing. Let's remember it's often the simple things that bring the most joy." The image also includes the web address of the All Right? Facebook page.
A photograph of a woman looking at Mike Hewson's installation 'View from the Studio' in Re:Start Mall.
A photograph of Julia Holden's egg artwork with the first outline layer of paint, situated at her temporary studio in Sumner. The egg is to be part of the Whittaker's Big Egg Hunt.
Damage to the Cranmer Centre.
A PDF copy of a Christmas card design. The front of the card shows a family of 'All Righties' sharing kai and the inside of the card reads, "Merry Christmas. Meri Kirihimete". The card also includes a personal message from David Meates, CDHB Chief Executive. In this Meates thanks the card's recipients and encourages them to prioritise their own wellbeing in language suggestive of the All Right? campaign.
An image designed for use as a web button. The image depicts two 'All Righties' flying a kite and accompanied by a dog. The image is usually accompanied by the text, "When did you last get caught up in the moment?".
A photograph of the temporary AMI Stadium, taken during an architectural tour led by an architect from Populous. Populous were the designers of the stadium. The tour was conducted as part of FESTA 2012.
A radio advertisement for the All Right? campaign that features children talking about what makes them happy. The advertisement promotes the message "Canterbury's been through a lot. Let's remember it's often the simple things we do that bring the most joy," and the All Right? Facebook page.
Demolition work on Lichfield Street.
Abandoned house on Brook Street.
A Gap Filler project, Wayne Youle's "I seem to have temporarily misplaced my sense of humour " (2011), is a shadowboard mural on an empty wall in Sydenham which depicts things lost during the earthquake.
Well-validated liquefaction constitutive models are increasingly important as non-linear time history analyses become relatively more common in industry for key projects. Previous validation efforts of PM4Sand, a plasticity model specifically for liquefaction, have generally focused on centrifuge tests; however, pore pressure transducers installed at several free-field sites during the Canterbury Earthquake Sequence (CES) in Christchurch, New Zealand provide a relatively unique dataset to validate against. This study presents effective stress site response analyses performed in the finite difference software FLAC to examine the capability of PM4Sand to capture the generation of excess pore pressures during earthquakes. The characterization of the subsurface is primarily based on extensive cone penetration tests (CPT) carried out in Christchurch. Correlations based on penetration resistances are used to estimate soil parameters, such as relative density and shear wave velocity, which affect liquefaction behaviour. The resulting free-field FLAC model is used to estimate time histories of excess pore pressure, which are compared with records during several earthquakes in the CES to assess the suitability of PM4Sand.
A photograph of the partially-demolished Westende Jewellers Building on the corner of Manchester and Worcester Streets. The building was severely damaged during the 4 September 2010 earthquake and had to be demolished. In the foreground, an excavator has been parked between the building and a wire fence.