Painted sheets of wood stacked in a garage. These will be used to make the dance floor of Gap Filler's "Dance-O-Mat".
A volunteer on top of one of the Pallet Pavilion walls during construction. Scaffolding has been constructed around the wall out of wood.
A volunteer on top of one of the Pallet Pavilion walls during construction. Scaffolding has been constructed around the wall out of wood.
A photograph of 214 Peterborough Street. The windows and doors have been boarded up and USAR codes have been spray-painted on the wood.
Wood and bricks on Canterbury Street in Lyttelton. This construction material has been stripped from the house behind. To the right is a digger.
A PDF copy of pages 288-289 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Greenzone'. Photo: Reuben Woods
A digitally manipulated image of a damaged wooden wall. The photographer comments, "And the walls came tumbling down".
Volunteers placing planks of wood on the ground for Gap Filler's painted piano to sit on. This is the site of the now demolished Crowne Plaza Hotel.
A PDF copy of pages 82-83 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Wonky Peterborough'. Photo: Reuben Woods
Base isolation is an incredibly effective technology used in seismic regions throughout the world to limit structural damage and maintain building function, even after severe earthquakes. However, it has so far been underutilised in light-frame wood construction due to perceived cost issues and technical problems, such as a susceptibility to movement under strong wind loads. Light-frame wood buildings make up the majority of residential construction in New Zealand and sustained significant damage during the 2010-2011 Canterbury earthquake sequence, yet the design philosophy has remained largely unchanged for years due to proven life-safety performance. Recently however, with the advent of performance based earthquake engineering, there has been a renewed focus on performance factors such as monetary loss that has driven a want for higher performing residential buildings. This research develops a low-cost approach for the base isolation of light-frame wood buildings using a flat-sliding friction base isolation system, which addresses the perceived cost and technical issues, and verifies the seismic performance through physical testing on the shake table at the University of Canterbury. Results demonstrate excellent seismic performance with no structural damage reported despite a large number of high-intensity earthquake simulations. Numerical models are subsequently developed and calibrated to New Zealand light-frame wood building construction approaches using state-of-the-art wood modelling software, Timber3D. The model is used to accurately predict both superstructure drift and acceleration demand parameters of fixed-base testing undertaken after the base isolation testing programme is completed. The model development allows detailed cost analyses to be undertaken within the performance based earthquake engineering framework that highlights the monetary benefits of using base isolation. Cost assessments indicate the base isolation system is only 6.4% more compared to the traditional fixed-base system. Finally, a design procedure is recommended for base isolated light-frame wood buildings that is founded on the displacement based design (DBD) approach used in the United States and New Zealand. Nonlinear analyses are used to verify the DBD method which indicate its suitability.
As IAG and Southern Response's limitation periods for claims resulting from the February, 2011 earthquake nears, Christchurch lawyer Peter Woods says the current situation is a "bloody mess".
A PDF copy of pages 76-77 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Bag-O-Love'. Photo: Reuben Woods
A PDF copy of pages 286-287 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Jelly in Sumner'. Photo: Reuben Woods
A PDF copy of pages 66-67 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Capitalism Has Collapsed'. Photo: Reuben Woods
Arborists working for Treetech Specialist Tree Care Ltd cutting branches off a tree with a chainsaw. A wood chipper and two chainsaws sit on the grass in front.
A photograph taken in December 2012 of street art on Westminster Street.
A photograph of street art on Hackthorne Road in Cashmere.
A photograph of graffiti by DEAK on a wall in Cashel Street.
A photograph of a placard tied to the cordon fence surrounding the Isaac Theatre Royal. The placard reads, "Why is this real not that".
A photograph of a paste-up on an earthquake-damaged brick wall. The paste-up depicts a bandaid with a speech bubble reading, "I'll kiss it better".
A photograph of a paste-up from the Roger Sutton/Man About Town series, created by Nathan Ingram and Jemma Brown. The paste-up is titled "Running Hipster", and is on a building on the corner of Madras Street and St Asaph Street.
A photograph of a paste-up from the Roger Sutton/Man About Town series, created by Nathan Ingram and Jemma Brown. The paste-up is titled "Good Man", and is on a building on the corner of Barbadoes Street and Cashel Street.
A photograph of graffiti by IMK and BRAVO on a garage in Fitzgerald Avenue.
A photograph of graffiti by PWR on a wall in Edgeware Road.
A photograph of graffiti by JOTER on a fence in New Brighton Road, Burwood.
A photograph taken in March 2013 of street art in Rolleston. The artwork includes the time and date of the 22 February 2011 earthquake, and the message, "Gone but never forgotten".
A photograph of graffiti by FRAUD, PSYK and WEK on a wall in St Asaph Street.
A photograph of graffiti by ROAM on a house in Hulverston Drive, Avondale.
A photograph of graffiti by SULK on a wall in Cashel Street.
A photograph of a paste-up on a Colombo Street bus shelter. The paste-up shows a computer error message, reading, "Capitalism has crashed. Install new system?