A photograph of the badly-damaged buildings on the corner of High Street and Tuam Street. The corner has been cordoned off and fallen bricks lie behind the fences. Stark, white mannequins can be seen in the windows.
A photograph of an access hole in the middle of a road in the Horseshoe Lake District which has raised above the surface of the road. White spray-paint and a road cone have been used to alert drivers of the uneven surface.
A digital copy of a poster from the Te Waioratanga project of the All Right? campaign. The poster features a black and white photographic portrait of Mere Peawini. The caption reads, "Te reo Māori is just who I am".
A PDF copy of a press release written by Jolyon White of Anglican Advocacy (formerly the Anglican Life Social Justice Unit) on the topic of social housing in post-quake Christchurch. The press release was written on 5 April 2013.
A press release from the Office of the Press Secretary in the US White House about President Obama's call to Prime Minister John Key to express his condolences over the 22 February 2011 earthquake in Christchurch and to offer American assistance.
A photograph of a mural on the side of Embassy on Colombo Street. The word "Embassy" has been incorporated into the mural in bold white letters. The photographer believes that the mural was created by Wongi "Freak" Wilson, Ikarus, and Yikes.
A photograph of Jayne White preparing lunch for the Crack'd for Christchurch team. The team are working on their armchair artwork in a garage.Crack'd for Christchurch comments, "February 2014. The work continues through the summer and into winter."
A photograph of organisers of LUXCITY on the corner of Manchester Street and Gloucester Street. A site hazards board is leaning against a white van, in front of students in high-visibility vests who are setting up the Pavilions & Lighting Devices market.
A digital copy of a poster from the Te Waioratanga project of the All Right? campaign. The poster features a black and white photographic portrait of Ramon Pink. The caption reads, "Ko tōku reo: It's from my tupuna, it's personal, it's spiritual".
A photograph of a sign attached to a chair at the Canterbury Cultural Recovery Centre. The sign reads, "Look at me... But please don't walk on me!" A object from one of the collections has been laid flat on the floor and wrapped in white linen for protection.
A digital copy of a poster from the Te Waioratanga project of the All Right? campaign. The poster features a black and white photographic portrait of kapa haka practitioner Aaron Hapuku with his daughter Kaahu. The caption reads, "Ko au, ko koe, ko tātou".
A digital copy of a poster from the Te Waioratanga project of the All Right? campaign. The poster features a black and white photographic portrait of Kaylee Mills. The caption reads, " Te reo Māori opens my mind to new concepts and gives me a sense of belonging".
A photograph of Jayne White delivering coffees to the Crack'd for Christchurch team. The team are working on their armchair artwork in a garage. In the background, mosaic flowers have been laid on the ground. A table with tea and coffee is sitting to the right.
A photograph of the earthquake damage to Woodham Road near the intersection with Carnarvon Street. The white line in the centre of the road now wavers due to the tar seal buckling. Road cones have been placed over cracks in the road to warn road users.
The obligatory earthquake damage shot. Taken on Ilford Pan F+ with a Yashica-Mat 124G, developed in ID-11 for 8.5 minutes, printed on Ilford Multigrade IV RC, print developed in Ilford Universal PQ.
A photograph of street art on a clothing bin on Battersea Street. Part of the street art reads, "Prove ANSR". Above this are two doves on either side of a yellow flower. One of the doves is light pink and the other is white.
A photograph of members of Crack'd for Christchurch posing around their armchair artwork.Crack'd for Christchurch comments, "February 2014. The work continues through the summer and into the winter. From left: Jennie Cooper, Jayne White, Jenny Cooper, Marie Hudson, and Helen Campbell."
A photograph of members of Crack'd for Christchurch working on their armchair artwork.Crack'd for Christchurch comments, "February 2014. The work continues through the summer and into the winter. From left: Jennie Cooper, Helen Campbell, Jayne White, Sharon Wilson, and Marie Hudson."
A photograph of members of Crack'd for Christchurch working on their armchair artwork.Crack'd for Christchurch comments, "February 2014. The work continues through the summer and into the winter. From left: Jennie Cooper, Marie Hudson, Jayne White, Helen Campbell, and Sharon Wilson."
A photograph of people standing in a pile of soil that has been placed on a white sheet, during a shed-building workshop at Agropolis. Agropolis is an urban farm on the corner of High Street and Tuam Street. Agropolis was the venue for several events throughout FESTA 2013.
A photograph captioned by BeckerFraserPhotos, "Peter Majendie's installation '185 Empty Chairs', which remembers the 185 who died as a result of the 22nd February earthquake. The site is the demolition site of the Oxford Terrace Baptist Church".
A photograph captioned by BeckerFraserPhotos, "Peter Majendie's installation '185 Empty Chairs', which remembers the 185 who died as a result of the 22nd February earthquake. The site is the demolition site of the Oxford Terrace Baptist Church".
A digital copy of a poster from the Te Waioratanga project of the All Right? campaign. The poster features a black and white photographic portrait of kapa haka practitioner Alex Solomon. The caption reads, "Kapa haka is about celebrating who we are individually, as whānau and as Māori".
A photograph captioned by BeckerFraserPhotos, "Peter Majendie's installation '185 Empty Chairs', which remembers the 185 who died as a result of the 22nd February earthquake. The site is the demolition site of the Oxford Terrace Baptist Church".
A digital copy of a poster from the Te Waioratanga project of the All Right? campaign. The poster features a black and white photographic portrait of brothers Ridge and Chase Kamo. The caption reads, "Te reo Māori is about being proud of our family, friends and who we are".
A photograph of street art on Dyers Pass Road at the Bromley wood and demolition yard, Silvan Salvage. The artwork depicts a tree on the left and tag writing on the right. The blue text says "Teaching old logs new tricks" and the white text says "The Silvan Salvage".
A digital copy of a poster from the Te Waioratanga project of the All Right? campaign. The poster features a black and white photographic portrait of kapa haka practitioners Karuna Thurlow with her sister Harikoa Bronsdaughter-George. The caption reads, "He oraka wairua, he oraka tinana, he oraka iwi hoki".
A digital copy of a poster from the Te Waioratanga project of the All Right? campaign. The poster features a black and white photographic portrait of kapa haka practitioners Puamiria Parata-Goodall and her mother Reihana (Aunty Do) Parata. The caption reads, "As a whānau, when we haka together, we learn together".
A digital copy of a poster from the Te Waioratanga project of the All Right? campaign. The poster features a black and white photographic portrait of Ruawhiti Pokaia with his wife Marisa. The caption reads, "Ko te reo Maori te manawa o toku ahua. The Māori language is the heart of my identity".
A digital copy of a poster from the Te Waioratanga project of the All Right? campaign. The poster features a black and white photographic portrait of kapa haka practitioners Puamiria Parata-Goodall and her mother Reihana (Aunty Do) Parata. The caption reads, "As a whānau, when we haka together, we learn together".