
A photograph of graffiti by SULK on a wall in Cashel Street.
A photograph of a bird painted on a concrete block in a retaining wall. The photograph is captioned by BeckerFraserPhotos, "Cunningham Terrace, Lyttelton".
Street art seen across a vacant and overgrown demolition site. On the wall are the words 'LOVE' and a girl holding a small plant.
A photograph of a blind mouse painted on a concrete block in a retaining wall. The photograph is captioned by BeckerFraserPhotos, "Cunningham Terrace, Lyttelton".
A photograph of a Nero playing while Rome burns, painted on a concrete block in a retaining wall. The photograph is captioned by BeckerFraserPhotos, "Cunningham Terrace, Lyttelton".
A photograph of graffiti reading, "City Council cares, yeah right", painted on a concrete block in a retaining wall. The photograph is captioned by BeckerFraserPhotos, "Cunningham Terrace, Lyttelton".
A photograph of street art on a wall near the intersection of Colombo Street and Battersea Street. The artwork was created by Richard Van Den Berg in 1988, and exposed by the demolition of the neighbouring building.
A photograph of street art on a wall near the intersection of Colombo Street and Battersea Street. The artwork was created by Richard Van Den Berg in 1988, and exposed by the demolition of the neighbouring building.
A photograph of a train painted on a concrete block in a retaining wall, alongside the words, "The gravy train". The photograph is captioned by BeckerFraserPhotos, "Cunningham Terrace, Lyttelton".
A photograph of an opera singer singing the words "Cera, cera", painted on a concrete block in a retaining wall. The photograph is captioned by BeckerFraserPhotos, "Cunningham Terrace, Lyttelton".
A photograph of street art constructed against the wall of a building in New Brighton Mall. The artwork is titled, "My Hope for New Brighton", and consists of a blackboard full of messages and images from the public.
A photograph of street art constructed against the wall of a building in New Brighton Mall. The artwork is titled, "My Hope for New Brighton", and consists of a blackboard full of messages and images from the public.
A photograph of a colourful wall of bricks. There is damage on the right hand side. In front of it is a pattern made from fallen bricks.
A photograph of a damaged colourful brick wall at New Brighton mall. There are bricks in front of it spread in a pattern, as well as a coiled up power cable.
An elaborate graffiti tag sprayed on a wall beside a demolition site on Tuam Street. A collection of abandoned objects lie on the site. The photographer comments, "Graffiti spotted in the Christchurch earthquake red zone. What I liked was the odd mixture of bits and bobs around it".
A photograph of a colourful brick wall and a spiral pattern on the ground at New Brighton Mall. There is also a red and black rug rolled up and laid down on the ground.
A photograph of a weather-worn graffiti paste-up of a sticking plaster on a damaged wall. The photograph is captioned by Paul Corliss, "Gap Filler Monopoly Board site, corner Manchester and Dundas Streets".
A photograph of a weather-worn graffiti paste-up of a sticking plaster on a damaged wall. The photograph is captioned by Paul Corliss, "Gap Filler Monopoly Board site, corner Manchester and Dundas Streets".
A photograph of a paste-up on an earthquake-damaged brick wall. The paste-up depicts a bandaid with a speech bubble reading, "I'll kiss it better".
The roof of this collapsed building on Atlas Lane has fallen almost intact on top of the rubble. The photographer comments, "Whenever I go past this place it reminds me of a sinking ship".
Demolition site and street art on a wall on Colombo Street, Sydenham. The work on the left is a Gap Filler project, Wayne Youle's "I seem to have temporarily misplaced my sense of humour " (2011), a shadow-board mural which depicts things lost during the earthquake.
Various walls on the street of Christchurch have become public art spaces. This work, "The Phoenix", by professional graffiti artists, Jacob, aka Yikes, Nick, aka Icarus and Wongi includes a fire Phoenix and the words "Christchurch destined to rise". Above it is an advertisement for Phonequip.
A photograph of a paste-up on a wall on Peterborough Street. The paste-up depicts an excavator picking up demolition material, with a speech bubble reading, "Nom nom".
A photograph of a paste-up on a wall on Peterborough Street. The paste-up depicts an excavator picking up demolition material, with a speech bubble reading, "Nom nom".
A photograph of a paste-up on the wall of the earthquake-damaged Knox Church. The paste-up depicts a bandaid with a speech bubble reading, "I'll kiss it better".
A photograph of a paste-up on the wall of the earthquake-damaged Knox Church. The paste-up depicts a bandaid with a speech bubble reading, "I'll kiss it better".
A photograph of a paste-up on the wall of the earthquake-damaged Knox Church. The paste-up depicts a bandaid with a speech bubble reading, "I'll kiss it better".
A photograph of a paste-up on the wall of the earthquake-damaged Knox Church. The paste-up depicts a bandaid with a speech bubble reading, "I'll kiss it better".
The cartoon depicts a rose window set in a stone wall. The glass circles each contain a dollar sign. Refers to the future of the Christchurch Cathedral after the Canterbury earthquakes of 2010 and 2011. The Anglican Church seemed to only consider the money in arguing that it would be too expensive to be repaired or rebuilt. Title from file name Quantity: 1 digital cartoon(s).
Graffiti on a wooden wall depicts a child pointing at a site across the street and reads "I remember when the Kazbah was over there." The photographer comments, "A local street artist has commemorated Christchurch's deadliest earthquake. The anniversary is tomorrow. Where the photograph was taken was the site of the Ozone Hotel, which has now gone as well. For some of us who live and work in the East of Christchurch the earthquake was not what happened in the City as we were almost unaware of it. We had no water, toilets and most of all no electricity for weeks. For myself petrol was low and with tales of all the petrol stations on our side of town being damaged we could not take the chance of venturing out on severely damaged roads to find no petrol and the possibility of not getting home. We walked around and saw the damage that was local to us. TJ's Kazbah was one that stood out. A building that had a beauty with its round tower standing proud and always looked well kept - it was now collapsed. Its tower, which was once pointing towards the sky was laying on its side. It had kept its shape, but had a lightning shaped crack through it. The one thing that kept us feeling almost normal through the coming weeks was The Press our daily paper still being delivered even though the Press building and staff had suffered so badly themselves.