A photograph of street art on a shipping container behind the Embassy clothing store on Colombo Street. The photographer believes that the artwork was created by the artist 'Paulie'.
A photograph of street art on a shipping container behind the Embassy clothing store on Colombo Street. The photographer believes that the artwork was created by the artist 'Paulie'.
A photograph of street art on the wall of a building on Manchester Street. The artwork depicts four elephants. The photograph believes that the artwork was created by the artist Owen Dippie.
A photograph of street art on a shipping container behind the Embassy clothing store on Colombo Street. The photographer believes that the artwork was created by the artists 'Resto' and 'Paulie'.
A photograph of street art on the wall of a building in Brighton Mall. The artwork depicts two flamingos. The photographer believes that the artwork was created by the artist 'Muz Flamingo'.
A photograph of street art on the wall of the Textile Bag & Sack Company building on Byron Street. The artwork has signatures in the corners that read "Def Star" and "The Izm".
A photograph of street art on the wall of a building in Brighton Mall. The artwork depicts two flamingos. The photographer believes that the artwork was created by the artist 'Muz Flamingo'.
A photograph of a section of a piece of street art on the side of a building in New Brighton. The photographer believes that the artwork was created by the artist 'Porta'.
A photograph of street art on a shipping container behind the Embassy clothing store on Colombo Street. The photographer believes that the artwork was created by the artists 'Resto' and 'Paulie'.
A photograph of street art on the wall of the Textile Bag & Sack Company building on Byron Street. The artwork has signatures in the corners that read "Def Star" and "The Izm".
Earlier this year, we excavated a site on Armagh Street that revealed not only a large quantity of artefacts, but also a historical and material narrative set in the swampy bowels of a fledgling city, a tale of politics, commerce, … Continue reading →
A major hazard accompanying earthquake shaking in areas of steep topography is the detachment of rocks from bedrock outcrops that subsequently slide, roll, or bounce downslope (i.e. rockfalls). The 2010-2011 Canterbury earthquake sequence caused recurrent and severe rockfall in parts of southern Christchurch. Coseismic rockfall caused five fatalities and significant infrastructural damage during the 2011 Mw 6.2 Christchurch earthquake. Here we examine a rockfall site in southern Christchurch in detail using geomorphic mapping, lidar analysis, geochronology (cosmogenic 3He dating, radiocarbon dating, optically stimulated luminescence (OSL) from quartz, infrared stimulated luminescence from K-feldspar), numerical modeling of rockfall boulder trajectories, and ground motion prediction equations (GMPEs). Rocks fell from the source cliff only in earthquakes with interpolated peak ground velocities exceeding ~10 cm/s; hundreds of smaller earthquakes did not produce rockfall. On the basis of empirical observations, GMPEs and age chronologies we attribute paleo-rockfalls to strong shaking in prehistoric earthquakes. We conclude that earthquake shaking of comparable intensity to the strongest contemporary earthquakes in Christchurch last occurred at this site approximately 5000 to 7000 years ago, and that in some settings, rockfall deposits provide useful proxies for past strong ground motions.
A photograph of street art on the partially-demolished wall of the Odeon Theatre. The photograph believes that the artwork was created by the artist Owen Dippie. There is a crane in the background.
A photograph of a section of a piece of street art on Manchester Street. This section of the artwork is of an elephant. The photograph believes that the artwork was created by the artist Owen Dippie.
A photograph of street art on the wall of a building on Manchester Street. This section of the artwork depicts two elephants. The photograph believes that the artwork was created by the artist Owen Dippie.
A photograph of street art on the wall of a building on Manchester Street. The artwork is of four elephants. The photograph believes that the artwork was created by the artist Owen Dippie.
A photograph of street art on the wall of a building on Manchester Street. The artwork is of four elephants. The photograph believes that the artwork was created by the artist Owen Dippie.
A photograph of street art on the rear wall of Wicked Campers on Ferry Road, taken from Leeds Street. AMI stadium is visible in the background. The photographer believes that the artist may be '007'.
The urban environment influences the way people live and shape their everyday lives, and microclimate sensitive design can enhance the use of urban streets and public spaces. Innovative approaches to urban microclimate design will become more important as the world’s population becomes ever more urban, and climate change generates more variability and extremes in urban microclimatic conditions. However, established methods of investigation based upon conventions drawn from building services research and framed by physiological concepts of thermal comfort may fail to capture the social dynamics of urban activity and their interrelationship with microclimate. This research investigates the relationship between microclimate and urban culture in Christchurch, New Zealand, based upon the concept of urban comfort. Urban comfort is defined as the socio-cultural (therefore collective) adaptation to microclimate due to satisfaction with the urban environment. It involves consideration of a combination of human thermal comfort requirements and adaptive comfort circumstances, preferences and strategies. A main methodological challenge was to investigate urban comfort in a city undergoing rapid physical change following a series of major earthquakes (2010-2011), and that also has a strongly seasonal climate which accentuates microclimatic variability. The field investigation had to be suitable for rapidly changing settings as buildings were demolished and rebuilt, and be able to capture data relevant to a cycle of seasons. These local circumstances meant that Christchurch was valuable as an example of a city facing rapid and unpredictable change. An interpretive, integrative, and adaptive research strategy that combined qualitative social science methods with biophysical measures was adopted. The results are based upon participant observation, 86 in-depth interviews with Christchurch residents, and microclimate data measurements. The interviews were carried out in a variety of urban settings including established urban settings (places sustaining relatively little damage) and emerging urban settings (those requiring rebuilding) during 2011-2013. Results of this research show that urban comfort depends on adaptive strategies which in turn depend on culture. Adaptive strategies identified through the data analysis show a strong connection between natural and built landscapes, combined with the regional outdoor culture, the Garden City identity and the connections between rural and urban landscapes. The results also highlight that thermal comfort is an important but insufficient indicator of good microclimate design, as social and cultural values are important influences on climate experience and adaptation. Interpretive research is needed to fully understand urban comfort and to provide urban microclimate design solutions to enhance the use of public open spaces in cities undergoing change.
Recurrent liquefaction in Christchurch during the 2010-2011 Canterbury earthquake sequence created a wealth of shallow subsurface intrusions with geometries and orientations governed by (1) strong ground motion severity and duration, and (2) intrinsic site characteristics including liquefaction susceptibility, lateral spreading severity, geomorphic setting, host sediment heterogeneity, and anthropogenic soil modifications. We present a suite of case studies that demonstrate how each of these characteristics influenced the geologic expressions of contemporary liquefaction in the shallow subsurface. We compare contemporary features with paleo-features to show how geologic investigations of recurrent liquefaction can provide novel insights into the shaking characteristics of modern and paleo-earthquakes, the influence of geomorphology on liquefaction vulnerability, and the possible controls of anthropogenic activity on the geologic record. We conclude that (a) sites of paleo-liquefaction in the last 1000-2000 years corresponded with most severe liquefaction during the Canterbury earthquake sequence, (b) less vulnerable sites that only liquefied in the strongest and most proximal contemporary earthquakes are unlikely to have liquefied in the last 1000-2000 years or more, (c) proximal strong earthquakes with large vertical accelerations favoured sill formation at some locations, (d) contemporary liquefaction was more severe than paleoliquefaction at all study sites, and (e) stratigraphic records of successive dike formation were more complete at sites with severe lateral spreading, (f) anthropogenic fill suppressed surface liquefaction features and altered subsurface liquefaction architecture.
A photograph of street art on the rear wall of Wicked Campers on Ferry Road, taken from Leeds Street. AMI stadium is visible in the background. The photographer believes that the artist may be '007'.
A photograph of street art by DTR on a factory wall depicting two green blob monsters. There is also tag writing and orange text that reads "So live". In front of the artwork, there are cars parked in parking spaces.
A photograph of street art on the rear wall of Wicked Campers on Ferry Road, taken from Leeds Street. AMI stadium is visible in the background. The photographer believes that the artist may be '007'.
It's five years since the earthquake, and for the first time I feel a sense that the rebuild is taking effect. 113/115 - Natural Framing. In the middle of the rebuild, wall murals are everywhere is Christchurch. The framing is wire fence around ballet dancer, although there is plenty of evidence of framing/boxing around the foundations.
A pdf copy of a post from the One Voice Te Reo Kotahi blog. The post is titled, "Transition to Regeneration Plan - Have Your Say!". Note that video material originally included on the page has been removed for display reasons.
This report presents research on the affects of the Ōtautahi/Christchurch earthquakes of 2010 to 2012 on the city’s Tangata Whaiora community, ‘people seeking health’ as Māori frame mental health clients. Drawing on the voices of 39 participants of a Kaupapa Māori provider (Te Awa o te Ora), this report presents extended quotes from Tangata Whaiora, their support staff (many of whom are Tangata Whaiora), and managers as they speak of the events, their experiences, and support that sustained them in recoveries of well-being through the worse disaster in Aotearoa/New Zealand in three generations. Ōtautahi contains a significant urban Māori population, many living in suburbs that were seriously impacted by the earthquakes that began before dawn on September 4th, 2010, and continued throughout 2011 and 2012. The most damaging event occurred on February 22nd, 2011, and killed 185 people and severely damaged the CBD as well as many thousands of homes. The thousands of aftershocks delayed the rebuilding of homes and infrastructure and exacerbated the stress and dislocation felt by residents. The tensions and disorder continue for numerous residents into 2014 and it will be many years before full social and physical recovery can be expected. This report presents extended excerpts from the interviews of Tangata Whaiora and their support staff. Their stories of survival through the disaster reinforce themes of community and whānau while emphasising the reality that a significant number of Tangata Whaiora do not or cannot draw on this supports. The ongoing need for focused responses in the area of housing and accommodation, sufficiently resourced psycho-social support, and the value of Kaupapa Māori provision for Māori and non-Māori mental health clients cannot be overstated. The report also collates advice from participants to other Tangata Whaiora, their whānau, providers and indeed all residents of places subject to irregular but potentially devastating disaster. Much of this advice is relevant for more daily challenges and should not be underestimated despite its simplicity.
In this paper we outline the process and outcomes of a multi-agency, multi-sector research collaboration, led by the Canterbury Earthquake Research Authority (CERA). The CERA Wellbeing Survey (CWS) is a serial, cross-sectional survey that is to be repeated six-monthly (in April and September) until the end of the CERA Act, in April 2016. The survey gathers self-reported wellbeing data to supplement the monitoring of the social recovery undertaken through CERA's Canterbury Wellbeing Index. Thereby informing a range of relevant agency decision-making, the CWS was also intended to provide the community and other sectors with a broad indication of how the population is tracking in the recovery. The primary objective was to ensure that decision-making was appropriately informed, with the concurrent aim of compiling a robust dataset that is of value to future researchers, and to the wider, global hazard and disaster research endeavor. The paper begins with an outline of both the Canterbury earthquake sequence, and the research context informing this collaborative project, before reporting on the methodology and significant results to date. It concludes with a discussion of both the survey results, and the collaborative process through which it was developed.
Triple P parenting programmes have provided promising results for children and families in recent years. The aim of the current project was to explore the experiences of families leading up to participating in a Teen Triple P programme three years following the Christchurch earthquakes and their need for assistance in the management of their teenagers. Parents were interviewed prior to the commencement of the Teen Triple P programme and after its completion. Parents were also asked to complete a journal entry or engage in two brief telephone conversations with the researcher outlining their experiences with the Teen Triple P programme. These outlined the perceived fit of the programme to the needs of the family. Parents provided insight into their family’s experiences of the Christchurch 2010 and 2011 series of earthquakes and the perceived impact this had on their lives and the management of their teenagers. The results indicated that parents felt more positively about their parenting behaviours post-programme and were able to identify changes in their teen and/or family that they felt were as a response to participation in Teen Triple P. Parents provided rich descriptions of their earthquake experiences and the immediate and long-term impacts they endured both individually and as a family. Parents did not feel that the earthquakes fed into their decision to do a Teen Triple P Programme. The results helped improve our understanding of the effectiveness of Teen Triple P as a parenting programme as well increased our understanding of the challenges and needs of families in post-earthquake Christchurch.
The self-regulation approach to educating parents focusses on promoting parenting confidence, independence, and the ability to solve future problems. As parents learn the skills to modify their own behaviour, in turn, they aim to foster self-regulation in their children/adolescents. A need had been identified by Christchurch school principals for the Ministry of Education to respond to the post-earthquake stress in local families. The aim of this study was to investigate if a parenting programme was effective in promoting parental self-management skills and adolescent behaviour change in Christchurch families affected by earthquakes between 2010 and 2012. A single case research design was used to follow five families with adolescents (12-16 years old) as they participated in a Group Teen Triple P – Positive Parenting Programme. Measures of self-management skill acquisition were taken during three family discussions (pre-intervention, mid-intervention, and post-intervention) and during the three telephone consultations (Sessions 5-7). Adolescent target behaviour tallies were also analysed for change. The main findings showed that parental self-management skill acquisition increased over-time accompanied by positive change in adolescent behaviour. Additionally, the results suggested that higher rates and levels of self-management skill acquisition in the parents were associated with greater improvements in adolescent behaviour. This study demonstrated that Group Teen Triple P – Positive Parenting Programme was effective in promoting self-management competencies in parents and behaviour change in adolescents.
Unrestrained unreinforced clay brick masonry (URM) parapets are found atop a large number of vintage URM buildings. Parapets are typically non-structural cantilevered wall elements that form a fire barrier and in most cases form decorative and ornamental features of vintage URM buildings. Parapets are considered to be one of the most vulnerable elements that are prone to out-of-plane collapse when subjected to earthquake induced shaking. An in-depth analysis of the damage database collected following the 2010/2011 Canterbury earthquakes was performed to obtain information about the distribution, characteristics and observed performance of both the as-built and retrofitted parapets in the Christchurch region. Results, statistical interpretation and implications are presented herein. http://www.aees.org.au/downloads/conference-papers/2015-2/