Site where artists can donate songs which are compiled into an album to raise money for Christchurch earthquake relief. Includes information about the first album, how to submit a song, and an online shop; and news blog of quake- and album-related information.
A sign on a cordon fence on St Asaph Street reads "Stop. You must be inducted before entry." The photographer comments, "Safety comes first when it comes to demolition in the earthquake red zone in Christchurch, New Zealand".
A photograph of a band playing on stage in the 'Sound Cone' space at LUXCITY.
A photograph of a man playing a musical instrument created from empty fire extinguisher canisters, at the launch of Sound Garden. Sound Garden was a Greening the Rubble project created by local artist-musicians from recycled materials. It was launched as part of FESTA 2013.
A photograph of a vacant site on Gloucester Street next to Cathedral Junction. The site is to be the location for 'Sound Cone', a performance space which is part of LUXCITY.
Sarah Johnston from Nga Taonga Sound & Vision was among over 8,000 people visiting the newly reopened Great Hall at the city's earthquake-damaged Arts Centre last weekend, and she's going to tell us about the connections between the Great Hall and some historic recordings in the sound archives.
Oxford Terrace Baptist Church on the corner of Madras St and Oxford Terrace, and alongside the Central City Fire Station on Kilmore St.
Oxford Terrace Baptist Church on the corner of Madras St and Oxford Terrace, and alongside the Central City Fire Station on Kilmore St.
An overseas expert has defended the structural engineer who declared the Canterbury Television building sound after the September 2010 earthquake.
In 1987, Jack Perkins recorded an award-winning documentary capturing the life, the sounds and the personalities of Cathedral Square in Christchurch. Thirty years on, Deborah Nation parallels that experience with the sounds of September 2011 as engineer Gabrielle Parker escorts her Shrough the earthquake Red Zone into the square as it is today.
A photograph of Hera Hjartardottir and Ben Campbell from Fledge.
Thirty-four years ago, Spectrum producer Jack Perkins recorded his award-winning documentary capturing the life, the sounds and the personalities of Cathedral square in Christchurch. In this edition of The Vault, Deborah Nation parallels that experience with the sounds of 2011 as she is escorted through the earthquake Red Zone into the square as it is today.
Deborah Nation recalls how it was in the Sound Archives and Radio New Zealand offices in Christchurch on the day of the February earthquake. The building on the corner of Durham and Chester Street West has been condemned. Please be aware that the first sounds of this report may be upsetting, especially to listenners who experienced the earthquake.
Photograph captioned by Fairfax, "Midnight Youth do a sound check for Saturday's Band Together concert in Hagley Park. Vocalist-guitarist Jeremy Redmore".
Photograph captioned by Fairfax, "Midnight Youth do a sound check for Saturday's Band Together concert in Hagley Park. Guitarist-vocalist Simon Oscroft".
The New Zealand Shipping Federation says the government needs to take the resilience of ports seriously as the Kaikoura earthquake has shown the vulnerability of roading - and consider what their role is when auditing them. Annabel Young is the Executive Director of the NZ Shipping Federation. Canterbury University Professor of Geological Sciences Tim Davies, says improving and increasing the transport network through coastal shipping is essential.
People riding bicycles at Gap Filler's cycle-powered cinema. The projector, lights and sound of the cinema are being powered by people riding bicycles.
People riding bicycles at Gap Filler's cycle-powered cinema. The projector, lights and sound of the cinema are being powered by people riding bicycles.
People riding bicycles at Gap Filler's cycle-powered cinema. The projector, lights and sound of the cinema are being powered by people riding bicycles.
People riding bicycles at Gap Filler's cycle-powered cinema. The projector, lights and sound of the cinema are being powered by people riding bicycles.
People riding bicycles at Gap Filler's cycle-powered cinema. By riding the bicycles, they are powering the projector, lights and sound of the cinema.
People riding bicycles at Gap Filler's cycle-powered cinema. The projector, lights and sound of the cinema are being powered by people riding bicycles.
People riding bicycles at Gap Filler's cycle-powered cinema. The projector, lights and sound of the cinema are being powered by people riding bicycles.
People watching a film at Gap Filler's cycle-powered cinema. The projector, lights and sound of the cinema are being powered by people riding bicycles.
People watching a film at Gap Filler's cycle-powered cinema. The projector, lights and sound of the cinema are being powered by people riding bicycles.
People watching a film at Gap Filler's cycle-powered cinema. The projector, lights and sound of the cinema are being powered by people riding bicycles.
People watching a film at Gap Filler's cycle-powered cinema. The projector, lights and sound of the cinema are being powered by people riding bicycles.
People watching a film at Gap Filler's cycle-powered cinema. The projector, lights and sound of the cinema are being powered by people riding bicycles.
People watching a film at Gap Filler's cycle-powered cinema. The projector, lights and sound of the cinema are being powered by people riding bicycles.
People watching a film at Gap Filler's cycle-powered cinema. The projector, lights and sound of the cinema are being powered by people riding bicycles.