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Images for mosaic; more images...

Images, UC QuakeStudies

A photograph of Jayne White delivering coffees to the Crack'd for Christchurch team. The team are working on their armchair artwork in a garage. In the background, mosaic flowers have been laid on the ground. A table with tea and coffee is sitting to the right.

Images, UC QuakeStudies

A photograph of Helen Campbell and Sigal Golan making mosaic leaves out of pieces of broken china.Crack'd for Christchurch comments, "In March an Israeli mosaicker travelling through New Zealand stayed with Helen for a week and gave us her time for free. Thank you Sigal Golan."

Images, UC QuakeStudies

A photograph of a mosaic flower on Crack'd for Christchurch's armchair artwork.Crack'd for Christchurch comments, "Once the flowers were on the chair, excess adhesive had to be cleaned off. Ideally this was done the next day, once the adhesive had dried but not cured."

Images, UC QuakeStudies

A photograph of Sharon Wilson removing excess grout from Crack'd for Christchurch's armchair mosaic.Crack'd for Christchurch comments, "One the grout was complete, the whole chair had to be cleaned of excess grout, polished, and sealed. A dirty job with dremmels and various scrapers."

Images, UC QuakeStudies

A photograph of a workstation in Crack'd for Christchurch's workshop. The workstation includes pieces of broken china, a pair of cutters for breaking up china, a plastic container to hold china pieces, and two mosaic plans. One of the plans has a piece of mesh laid over the top. The other is being used to lay out the mosaic.Crack'd for Christchurch comments, "Marie begins the very first flower. It is so difficult and time consuming that we are all in despair. Will this take forever? No-one is getting paid and we all have jobs and lives in some chaos thanks to the earthquakes."

Images, UC QuakeStudies

A photograph of pieces of broken china laid on a mosaic design.Crack'd for Christchurch comments, "Marie begins the very first flower. It is so difficult and time consuming that we are all in despair. Will this take forever? No-one is getting paid and we all have jobs and lives in some chaos thanks to the earthquakes."

Images, UC QuakeStudies

A photograph of Crack'd for Christchurch's partially-completed mosaic on their armchair artwork.Crack'd for Christchurch comments, "We had many interesting discussion about the 'opus' (the background cream colour surrounding our pattern). Should it flow like the pattern, or be a geometric grid as these lines drawn on the chair indicate?."

Images, UC QuakeStudies

A photograph of members of Crack'd for Christchurch cleaning their armchair mosaic.Crack'd for Christchurch comments, "Once the grout was complete, the whole chair had to be clean of excess grout, polished, and sealed. A dirty job done with dremmels and various scrapers. From left: Katherine O'Connor, Helen Campbell, and Sharon Wilson."

Images, UC QuakeStudies

A photograph of members of Crack'd for Christchurch cleaning their armchair mosaic.Crack'd for Christchurch comments, "Once the grout was complete, the whole chair had to be clean of excess grout, polished, and sealed. A dirty job done with dremmels and various scrapers. From left: Helen Campbell, Katherine O'Connor, and Sharon Wilson."

Images, UC QuakeStudies

A photograph of a camera operator filming Marie Hudson as she works on Crack'd for Christchurch's armchair mosaic.Crack'd for Christchurch comments, "August 2014. Mike Thorpe and camera man filming Flora for Seven Sharp in anticipation of the launch. Only 4 weeks to go. No grout on the chair yet."

Images, UC QuakeStudies

A photograph of Crack'd for Christchurch's partially-completed mosaic on their armchair.Crack'd for Christchurch comments, "Slow progress. Sometimes we thought we'd never get her finished. We were all battling our own earthquake consequences: losing homes and jobs, battling with insurers, illnesses and repairs. It was a long winter. But the conversation, food, laughter, and company were wonderful. An unforgettable experience."

Images, UC QuakeStudies

A photograph of Crack'd for Christchurch's partially-completed mosaic on their armchair.Crack'd for Christchurch comments, "Slow progress. Sometimes we thought we'd never get her finished. We were all battling our own earthquake consequences: losing homes and jobs, battling with insurers, illnesses and repairs. It was a long winter. But the conversation, food, laughter, and company were wonderful. An unforgettable experience."

Images, UC QuakeStudies

A photograph of members of Crack'd for Christchurch working on their ottoman mosaic. The team have drawn guidelines on the top and sides of the ottoman and are beginning to lay pieces of broken china on top.Crack'd for Christchurch comments, "Otto was mosaicked in Helen Campbell's garage during the summer of 2013 - 2014. From left: Helen Campbell and Sharon Wilson. Helen's long-suffering husband Alan is also in the background."

Images, UC QuakeStudies

A photograph of members of Crack'd for Christchurch in their workshop. A number of mosaics of flowers and leaves have been laid out on the carpet in front of them. In the background there are boxes of broken china and furniture stacked in a pile.Crack'd for Christchurch comments, "Early November 2013. Last day for Shirley Walden who is leaving the city. From left: Helen Campbell, Shirley Walden, and Sharon Wilson. We miss you Shirley."

Research papers, The University of Auckland Library

This paper explores the responses by a group of children to an art project that was undertaken by a small school in New Zealand after the September 2010 and February 2011 Christchurch earthquakes. Undertaken over a period of two years, the project aimed to find a suitable form of memorialising this significant event in a way that was appropriate and meaningful to the community. Alongside images that related directly to the event of the earthquakes, the art form of a mosaic was chosen, and consisted of images and symbols that clearly drew on the hopes and dreams of a school community who were refusing to be defined by the disaster. The paper 'writes' the mosaic by placing fragments of speech spoken by the children involved in relation to ideas about memory, affect, and the 'sublime', through the work of Jean-Francois Lyotard. The paper explores the mosaic as constituted by the literal and metaphorical 'broken pieces' of the city of Christchurch in ways that confer pedagogic value inscribed through the creation of a public art space by children. AM - Accepted Manuscript

Images, UC QuakeStudies

A stall selling mosaics of broken mirrors in the shape of houses, crosses and cathedrals. The photographer comments, "The Quake Art on sale at the AandP Show in Christchurch".

Images, UC QuakeStudies

A photograph of members of Crack'd for Christchurch working in their workshop. A number of mosaics of flowers and leaves have been laid out on the table in front of them. Boxes of broken china are organised on the shelf behind.Crack'd for Christchurch comments, "Back at the workshop, flower making continues. You can see a table covered with flower motifs, looking amazing. We had to make the flowers at home in the evenings as we all worked during the day. After much trial and error our flower experts (Helen, Sharon, and Jennie) came up with a clever way to attach the tiny pieces to mesh, so they could be transferred to the chair easily. From left: Sharon Wilson, Helen Campbell, and Shirley Walden."