An entry from Ruth Gardner's Blog for 23 October 2013 entitled, "'Home' by Julie Myerson".
An entry from Ruth Gardner's blog for 24 July 2012 entitled, "Scenic Circuit".
An entry from Ruth Gardner's blog for 22 February 2012 entitled, "Mitigating the Memories".
An entry from Ruth Gardner's blog for 16 December 2011 entitled, "Mother's Milestone".
An entry from Ruth Gardner's blog for 22 February 2013 entitled, "Commemorative Cones".
An entry from Ruth Gardner's blog for 30 July 2011 entitled, "Lost Landmarks".
An entry from Ruth Gardner's blog for 29 May 2011 entitled, "Deconsecration and Destruction".
An entry from Ruth Gardner's blog for 11 September 2011 entitled, "Circling the City".
An entry from Roz Johnson's blog for 3 March 2013 entitled, "A Poignant Memorial".
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It’s made from plant seeds named for their resemblance to a tick and has been known through history as the ‘golden nectar of nausea’ and the ‘fascist punishment’, among other things. When combined with chlorine, it forms a “a substance … Continue reading →
An entry from Ruth Gardner's blog for 19 May 2012 entitled, "Cordon Cutback".
An entry from Ruth Gardner's blog for 21 September 2011 entitled, "Caring for the Convalescent".
An entry from Ruth Gardner's blog for 3 May 2012 entitled, "Area unshackled".
The "Lyttelton Review" newsletter for 16 April 2012, produced by the Lyttelton Harbour Information Centre.
A letter written by Roz Johnson to family members overseas.
Discusses the history, purpose and the structure of the organisation. Also provides links to regional branches, news, newsletters, rural jobs- a resource for prospective employers and employees and resources such as guides, reports and contract and agreement forms. Earthquake related information can be found in the archived instances from September 2010-
Presenting, with the aid of illustrations, the tale of an intrepid archaeologist, her trusty team and her quest to untangle the history of a house. It’s the story of a long lost age, a story for the ages, an age old story, a coming … Continue reading →
Advanced seismic effective-stress analysis is used to scrutinize the liquefaction performance of 55 well-documented case-history sites from Christchurch. The performance of these sites during the 2010-2011 Canterbury earthquake sequence varied significantly, from no liquefaction manifestation at the ground surface (in any of the major events) to severe liquefaction manifestation in multiple events. For the majority of the 55 sites, the simplified liquefaction evaluation procedures, which are conventionally used in engineering practice, could not explain these dramatic differences in the manifestation. Detailed geotechnical characterization and subsequent examination of the soil profile characteristics of the 55 sites identified some similarities but also important differences between sites that manifested liquefaction in the two major events of the sequence (YY-sites) and sites that did not manifest liquefaction in either event (NN-sites). In particular, while the YY-sites and NN-sites are shown to have practically identical critical layer characteristics, they have significant differences with regard to their deposit characteristics including the thickness and vertical continuity of their critical zones and liquefiable materials. A CPT-based effective stress analysis procedure is developed and implemented for the analyses of the 55 case history sites. Key features of this procedure are that, on the one hand, it can be fully automated in a programming environment and, on the other hand, it is directly equivalent (in the definition of cyclic resistance and required input data) to the CPT-based simplified liquefaction evaluation procedures. These features facilitate significantly the application of effective-stress analysis for simple 1D free-field soil-column problems and also provide a basis for rigorous comparisons of the outcomes of effective-stress analyses and simplified procedures. Input motions for the analyses are derived using selected (reference) recordings from the two major events of the 2010-2011 Canterbury earthquake sequence. A step-by-step procedure for the selection of representative reference motions for each site and their subsequent treatment (i.e. deconvolution and scaling) is presented. The focus of the proposed procedure is to address key aspects of spatial variability of ground motion in the near-source region of an earthquake including extended-source effects, path effects, and variation in the deeper regional geology.
The aim of this poster is to examine the seismic response of two structural systems when subjected to observed and simulated ground motions (GMs) for the 22 February 2011 (22Feb2011) Christchurch earthquake (Razafindrakoto et al. (2018)) via an automated workflow. The layout and technical details of the automated workflow are described at Motha et. al. (2019).
This research seeks to understand if memorials like the CWM operate as effective prompts for collective memory as distance from the event it commemorates grows. The Citizens’ War Memorial (CWM) was built to honour the men and women who died serving New Zealand in World War One. While the original purpose of the memorial was clear, the way the public have interacted with the memorial throughout time has seen its function vary. This dissertation addresses how the public has viewed and interacted with the CWM from the planning phase up to the present year of 2025. By systematically tracking the key events through time, it argues that key events such as WWII, the Anti-Vietnam War protest period, the Anzac Revival and Canterbury 2011 earthquake have seen the public use and view the memorial differently to its intended purpose. In the current day, the memorial is once again used as a place to remember and honour the dead from WWI showing that purpose of a memorial can ebb and flow as generations change.
This article examines the representation of Christchurch, New Zealand, student radio station RDU in the exhibition Alternative Radio at the Canterbury Museum in 2016. With the intention of ‘making visible what is invisible’ about radio broadcasting, the exhibition articulated RDU as a point of interconnection between the technical elements of broadcasting, the social and musical culture of station staff and volunteers, and the broader local and national music scenes. This paper is grounded in observations of the exhibitions and associated public programmes, and interviews with the key participants in the exhibition including the museum's exhibition designer and staff from RDU, who acted as independent practitioners in collaboration with the museum. Alternative Radio also addressed the aftermath of the major earthquake of 22 February 2011, when RDU moved into a customised horse truck after losing its broadcast studio. The exhibition came about because of the cultural resonance of the post-quake story, but also emphasised the long history of the station before that event, and located this small student radio station in the broader heritage discourse of the Canterbury museum, activating the historical, cultural, and personal memories of the station's participants and audiences.
An entry from Ruth Gardner's Blog for 01 November 2013 entitled, "Bonus Boost for Blog".
An entry from Ruth Gardner's blog for 9 August 2012 entitled, "'The Broken Book' by Fiona Farrell".
An entry from Ruth Gardner's blog for 26 February 2012 entitled, "Quakes and Quietude".
An entry from Ruth Gardner's blog for 12 March 2012 entitled, "Central CERA City".
An entry from Ruth Gardner's blog for 17 February 2012 entitled, "Approaching Anniversary".
An entry from Ruth Gardner's blog for 25 January 2013 entitled, "Preservation Project".
The "Lyttelton Review" newsletter for 19 November 2012, produced by the Lyttelton Harbour Information Centre.
University of Canterbury geologist Mark Quigley has earned a reputation for being a great science communicator on the subject of earthquakes. But when he's not in the media spotlight, he's out and about around Canterbury building a picture of the region's tectonic history, and trying to understand what might happen in the future.