A laminated photograph with text at the bottom left in memorial to Andrew Christian Ross Craig. In the upper left corner a circular hole has been punched to allow hanging of the item.
The public at the Memorial Service in Hagley Park to commemorate the one year anniversary of the 22nd February earthquake. The public was invited to cast flowers into the river following the service.
The public at the Memorial Service in Hagley Park to commemorate the one year anniversary of the 22nd February earthquake. The public was invited to cast flowers into the river following the service.
Shows a carcass that represents the Christchurch Cathedral with many people rushing to try to save it from demolition. Context: the extremely controversial debate about whether the Christchurch Cathedral which was severely damaged in the earthquakes, should be demolished, rebuilt on the same site in the same style or partially demolished and made into a memorial. Quantity: 1 digital cartoon(s).
Thousands gather in Christchurch; CTV survivor talks about the earthquake service; Carpenter Chris Nutfield recieves bravery award; Megaupload founder relieved to go home to his family; Teenagers describe shock of seeing people with guns; and more Christchurch memorial coverage.
A video of an interview with Joe Bennett, columnist and Lyttelton resident, about his experiences during the 22 February 2011 earthquake, and his hopes for post-quake Christchurch. This video was part of The Press's 'Christchurch, one year after February 22, 2011' series.
Photograph captioned by BeckerFraserPhotos, "185 Chairs, an art installation by Peter Majendie, as a memorial to those who died as a result of the 22 February 2011 earthquake. The chairs were chosen to reflect the variety of people who died".
A photograph captioned by BeckerFraserPhotos, "Peter Majendie's installation '185 Empty Chairs', which remembers the 185 who died as a result of the 22nd February earthquake. The site is the demolition site of the Oxford Terrace Baptist Church".
A photograph captioned by BeckerFraserPhotos, "The memorial table at Peter Majendie's installation '185 Empty Chairs', which remembers the 185 who died as a result of the 22nd February earthquake. The site is the demolition site of the Oxford Terrace Baptist Church".
A photograph captioned by BeckerFraserPhotos, "The memorial table at Peter Majendie's installation '185 Empty Chairs', which remembers the 185 who died as a result of the 22nd February earthquake. The site is the demolition site of the Oxford Terrace Baptist Church".
A photograph captioned by BeckerFraserPhotos, "A poem at Peter Majendie's installation '185 Empty Chairs', which remembers the 185 who died as a result of the 22nd February earthquake. The site is the demolition site of the Oxford Terrace Baptist Church".
A photograph captioned by BeckerFraserPhotos, "Peter Majendie's installation '185 Empty Chairs', which remembers the 185 who died as a result of the 22nd February earthquake. The site is the demolition site of the Oxford Terrace Baptist Church".
A photograph captioned by BeckerFraserPhotos, "Peter Majendie's installation '185 Empty Chairs', which remembers the 185 who died as a result of the 22nd February earthquake. The site is the demolition site of the Oxford Terrace Baptist Church".
A photograph captioned by BeckerFraserPhotos, "Peter Majendie's installation '185 Empty Chairs', which remembers the 185 who died as a result of the 22nd February earthquake. The site is the demolition site of the Oxford Terrace Baptist Church".
A photograph captioned by BeckerFraserPhotos, "Peter Majendie's installation '185 Empty Chairs', which remembers the 185 who died as a result of the 22nd February earthquake. The site is the demolition site of the Oxford Terrace Baptist Church".
Page 4 of Section A of the Christchurch Press, published on Wednesday 27 June 2012.
Page 9 of Section A of the Christchurch Press, published on Saturday 28 January 2012.
A photograph captioned by BeckerFraserPhotos, "Peter Majendie, in the middle of his installation '185 Empty Chairs', which remembers the 185 who died as a result of the 22nd February earthquake. The chairs are different so that you can find a chair to remind you in some way of the people who died. Peter told me about the important paintings of chairs, such as Van Gogh and Gaugin's paintings of chairs and the drawing of Dickens's Chair published above his obituary that influenced his decision to remember the lost lives with chairs".
Photographs of central Christchurch after the 2010-2012 earthquakes taken 25 February 2012 by Sean McMahon. Locations are chiefly Manchester, Saint Asaph, Cashel, Columbo and Lichfield Streets, and the Bridge of Remembrance. Images show fencing around areas closed to the public, damaged and collapsed commercial buildings, cleared sites, re-opened Cashel Street area with shops and a cafe. Source of title - Title supplied by Library Quantity: 34 digital photograph(s).
Disasters are a critical topic for practitioners of landscape architecture. A fundamental role of the profession is disaster prevention or mitigation through practitioners having a thorough understanding of known threats. Once we reach the ‘other side’ of a disaster – the aftermath – landscape architecture plays a central response in dealing with its consequences, rebuilding of settlements and infrastructure and gaining an enhanced understanding of the causes of any failures. Landscape architecture must respond not only to the physical dimensions of disaster landscapes but also to the social, psychological and spiritual aspects. Landscape’s experiential potency is heightened in disasters in ways that may challenge and extend the spectrum of emotions. Identity is rooted in landscape, and massive transformation through the impact of a disaster can lead to ongoing psychological devastation. Memory and landscape are tightly intertwined as part of individual and collective identities, as connections to place and time. The ruptures caused by disasters present a challenge to remembering the lives lost and the prior condition of the landscape, the intimate attachments to places now gone and even the event itself.