A digital copy of a pen and ink and watercolour painting by Raymond Morris, titled, 'Henry Berry and Co, 30 Bedford Row'.
A digital copy of a pen and ink and watercolour painting by Raymond Morris, titled, 'Coyote Bar and Restaurant, 126 Oxford Terrace'.
A digital copy of a pen and ink and watercolour painting by Raymond Morris, titled, 'Hillary and Baxter Building, 178 Manchester Street'.
A digital copy of a pen and ink and watercolour painting by Raymond Morris, titled, 'Bob Browns Hi Fi, 218 Manchester Street'.
A digital copy of a pen and ink and watercolour painting by Raymond Morris, titled, 'TSB Building, corner Colombo and Hereford Streets'.
A digital copy of a pen and ink and watercolour painting by Raymond Morris, titled, 'Ascot TV Building, Colombo and Wordsworth Streets'.
A digital copy of a pen and ink and watercolour painting by Raymond Morris, titled, 'C.F. Cotter Ltd, 158 High Street'.
A digital copy of a pen and ink and watercolour painting by Raymond Morris, titled, 'Christ the King Presbytery, 90 Greers Road'.
A digital copy of a pen and ink and watercolour painting by Raymond Morris, titled, '178 Manchester Street, Hillary and Marshall Building'.
A digital photograph in PDF format with caption, of two spectators watching a Red Zoned home be demolished. Image looking south-west.
A digital photograph in PDF format with caption. Image showing an empty lot. The house stood right alongside the Horseshoe Lake reserve.
A digital photograph in PDF format with caption, of a Red Zoned home being demolished on Kingsford street. Photo looking North West.
A digital copy of a painting by Julia Holden. The painting is of the badly-damaged Catholic Basilica, partially supported by shipping containers.
A photograph of CEISMIC Digital Content Analyst Alexandra King standing next a collection of furniture being stored in the Canterbury Cultural Recovery Centre.
A digital copy of a pen and ink and watercolour painting by Raymond Morris, titled, 'Sevicke Jones Building, 53 Cathedral Square, 1913-2011'.
A digital photograph in PDF format with an image showing where one of the first demolished, Horseshoe Lake homes once stood. Looking West.
A digital copy of a painting by Julia Holden. The painting is of the badly-damaged Farmers car park building on Gloucester Street.
A digital copy of a painting by Julia Holden. The painting is of shipping containers along the right side of the ChristChurch Cathedral.
A digital copy of a concept drawing of Crack'd for Christchurch's armchair artwork. The drawing is of an armchair from two different angles.
A digital copy of a plan for Crack'd for Christchurch's armchair artwork. The plan shows three views of an armchair from different angles.
A digital copy of a pen and ink and watercolour painting by Raymond Morris, titled, 'Former Civic Offices, 194/198 Manchester Street, 1900-2011'.
A digital photograph in PDF format with caption. Image looking East, on Kingsford St. Memorial Day remembrance flowers, on the side of the street.
A digital copy of a painting by Julia Holden. The painting is of buildings on the corner of Gloucester Street and New Regent Street.
A digital photograph in a PDF format with caption. Image showing the view of the Avondale bridge during the 2012 Earthquake Memorial, looking East.
A digital photograph in PDF format with caption. Image taken within the Horseshoe Lake Red Zone, of a home that is being prepared for relocation.
A digital copy of a painting by Julia Holden. The painting is of building rubble and an excavator. In the background is the Forsyth Barr building.
A digital photograph in PDF format with caption, of a Red Zoned home that sits right on the edge of the Horseshoe Lake reserve. Looking North.
A digital copy of a painting by Julia Holden. The painting is of the Inland Revenue building on the corner of Cashel Street and Madras Streets.
A digital copy of a painting by Julia Holden. The painting is of shipping containers stacked in front of the Isaac Theatre Royal on Gloucester Street.
Following the devastation of the Canterbury earthquake sequence a unique opportunity exists to rebuild and restructure the city of Christchurch, ensuring that its infrastructure is constructed better than before and is innovative. By installing an integrated grid of modern sensor technologies into concrete structures during the rebuild of the Christchurch CBD, the aim is to develop a network of self-monitored ‘digital buildings’. A diverse range of data will be recorded, potentially including parameters such as concrete stresses, strains, thermal deformations, acoustics and the monitoring of corrosion of reinforcement bars. This procedure will allow an on-going complete assessment of the structure’s performance and service life, both before and after seismic activity. The data generated from the embedded and surface mounted sensors will be analysed to allow an innovative and real-time health monitoring solution where structural integrity is continuously known. This indication of building performance will allow the structure to alert owners, engineers and asset managers of developing problems prior to failure thresholds being reached. A range of potential sensor technologies for monitoring the performance of existing and newly constructed concrete buildings is discussed. A description of monitoring work conducted on existing buildings during the July 2013 Cook Strait earthquake sequence is included, along with details of current work that investigates the performance of sensing technologies for detecting crack formation in concrete specimens. The potential market for managing the real-time health of installed infrastructure is huge. Civil structures all over the world require regular visual inspections in order to determine their structural integrity. The information recorded during the Christchurch rebuild will generate crucial data sets that will be beneficial in understanding the behaviour of concrete over the complete life cycle of the structure, from construction through to operation and building repairs until the time of failure. VoR - Version of Record