An example of a paper which explains the role of an Asset Owner's Representative - Stormwater at SCIRT.
An example of a paper which explains the role of an Asset Owner's Representative - Three Waters at SCIRT.
Photograph captioned by BeckerFraserPhotos, "This building was designed to be angled - it's not an extreme earthquake effect. 330 Durham Street".
Photograph captioned by BeckerFraserPhotos, "This building was designed to be angled - it's not an extreme earthquake effect. 330 Durham Street".
The seismic tremor that shook Christchurch on February 22, 2011, not only shattered buildings but also the spirit of the city’s residents. Amidst the ruins, this design-focused thesis unravels two intertwining narratives, each essential to the city’s resurrection. At its core, this thesis probes the preservation of Christchurch’s memory and character, meticulously chronicling the lost heritage architecture and the subsequent urban metamorphosis. Beyond bricks and mortar, it also confronts the silent aftershocks - the pervasive mental health challenges stemming from personal losses and the disfigured cityscape. As a native of Christchurch, intimately connected to its fabric, my lens reflects not just on the architectural reconstruction but also on the emotional reconstruction. My experience as an autistic individual, a recently discovered facet of my identity, infuses this design journey with a distinct prism through which I perceive and interact with the world. The colourful sketches that drive the design process aren’t mere illustrations but manifestations of my interpretation of spaces and concepts, evoking joy and vitality—a testament to embracing diversity in design. Drawing parallels between healing my own traumas with my colourful and joyful neurodivergent worldview, I’ve woven this concept into proposals aimed at healing the city through whimsy, joy, and vibrant colours. Personal experiences during and post-earthquakes profoundly shape my design proposals. Having navigated the labyrinth of my own mental health amid the altered cityscape, I seek avenues for reconciliation, both personal and communal. The vibrant sketches and designs presented in this thesis encapsulate this vision—a fusion of vivid, unconventional interpretations and a dedication to preserving the essence of the original cityscape while still encouraging movement into the future.
Blade Runners Hair Design on Hills Road in Edgeware. The veranda collapsed during the 4 September earthquake, bringing down the parapet as well.
A paper presented at the New Zealand Concrete Industry Conference 2015 about the design and construction challenges faced when strengthening the Memorial Arch.
Photograph captioned by BeckerFraserPhotos, "116 Worcester Street".
A PDF copy of the FESTA 2014 programme. The programme includes a site map of FESTA events and projects, and key information about each one. It is designed to fold out into a poster.
Photograph captioned by BeckerFraserPhotos, "Manchester Street looking south".
A PDF copy of the FESTA 2012 programme. The programme includes a site map of FESTA events and projects, and key information about each one. It is designed to fold out into a poster.
A photograph of community members giving feedback on the Sumner master plan.
A photograph submitted by Tim Kerr to the QuakeStories website. The description reads, "Cupola from the Regent Theatre Building – originally 1903 Luttrell Bros designed Royal Exchange Building. The cupola mysteriously ‘disappeared’!".
A photograph of community members at a meeting to discuss the Sumner master plan.
A photograph of a speaker giving a presentation on the Sumner master plan.
A photograph of community members at a meeting to discuss the Sumner master plan.
A photograph of community members at a meeting to discuss the Sumner master plan.
A plan which aims to ensure the SCIRT programme complies with set specifications, design and industry quality standards. The first version of this plan was produced on 20 July 2011.
A pile of rubble on the corner of Manchester and Worcester Streets. In the background, the Design and Arts College and the Heritage Hotel can be seen.
Photograph captioned by BeckerFraserPhotos, "Torrens House, Hereford Street which housed the Department of Conservation, Christchurch Outreach Studylink, National Property Trust Limited, Natcoll Design Technology and Aurecon".
A hording erected on an empty section where a building was demolished advertises an office development to be built there. "Modern design built to code" is one of the key features advertised.
A photograph of a crowd gathered on the corner of St Asaph Street and Madras Street for a public talk about ArtBox gallery by Andrew Just and Martin Trusttum. The public talk was part of FESTA 2012.
A photograph of a crowd gathered on the corner of St Asaph Street and Madras Street for a public talk about ArtBox gallery by Andrew Just and Martin Trusttum. The public talk was part of FESTA 2012.
A photograph of a crowd gathered on the corner of St Asaph Street and Madras Street for a public talk about ArtBox gallery by Andrew Just and Martin Trusttum. The talk was part of FESTA 2012.
A photograph of a crowd gathered on the corner of St Asaph Street and Madras Street for a public talk about ArtBox gallery by Andrew Just and Martin Trusttum. The public talk was part of FESTA 2012.
Memorial design in the West has been explored in depth (Stevens and Franck, 2016; Williams, 2007), and for landscape architects it presents opportunities and challenges. However, there is little in the English language literature about memorial design in China. How have Chinese designers responded to the commemorative settings of war and disaster? This study will adopt the method of case study to analyse two of the most representative memorials in China: Nanjing Massacre Memorial Hall (war) and Tangshan Earthquake Memorial Hall (disaster). Both landscapes have undergone three or four renovations and extensions in the last four decades, demonstrating the practical effects of the Chinese landscape theory. These examples of responses to trauma through memorial landscape interventions are testimonies to the witnesses, victims, abusers, ordinary people, youth and the place where the tragedy took place. This study will explore the reconstruction and expansion of the two memorials under the background of China's policies on memorial landscapes in different periods, as well as their functions of each stage. The research will examine how existing Chinese memorial theories exhibit unique responses at different times in response to the sadness and needs experienced by different users. Key Words:memorial landscape; memorial language; victims; descriptive; architecture; experence; disaster; memorial hall; landscape development; Chinese memorial; war.
A photograph captioned by BeckerFraserPhotos, "St Bartholomew's Anglican Church in Kaiapoi is the oldest surviving church in Canterbury. It was designed by Benjamin Mountfort and completed in 1855".
Photograph captioned by BeckerFraserPhotos, "The inside of St Bartholomew's Anglican Church in Kaiapoi, the oldest surviving church in Canterbury. It was designed by Benjamin Mountfort and completed in 1855".
A Gap Filler mini-golf site made out of recycled materials. This hole was situated on Manchester Street on an empty demolition site. Gap Filler volunteers and community groups designed and installed mini-golf holes on vacant sites around the central business district.
A plan which describes how SCIRT will manage the coordination of utility authority liaison and utility relocation or protection during the design and construction phases of the rebuild schedule. The first version of this plan was produced on 15 November 2011.