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Images for Public buildings; more images...

Images, UC QuakeStudies

A photograph of collapsed buildings on Manchester Street taken shortly after the 22 February 2011 earthquake. Workmen and members of the public are searching for survivors in the rubble.

Images, UC QuakeStudies

A photograph of members of the public walking down Manchester Street after the 22 February 2011 earthquake. In the distance rubble from damaged buildings has spilled onto the footpath and road.

Images, UC QuakeStudies

A photograph of members of the public walking down Manchester Street after the 22 February 2011 earthquake. In the distance rubble from damaged buildings has spilled onto the footpath and road.

Images, UC QuakeStudies

A portaloo ouside an apartment building, on the wall next to it is a red sticker, informing the public the site is dangerous and not to enter. On the other side are spray painted codes left by USAR after it had been cleared. This system was used following the February earthquake to mark buildings that have been checked.

Images, UC QuakeStudies

A photograph of the earthquake-damaged buildings down Tuam Street taken shortly after the 22 February 2011 earthquake. Members of the public are waking over the rubble as they attempt to leave the city.

Images, Alexander Turnbull Library

A woman says to a builder 'Christchurch people will really appreciate your help to rebuild - What you construct looks like it's already been hit by an earthquake'. They are standing in front of a very shoddily-built cottage and the garden is festooned with litter. Context - After the Christchurch earthquakes there is a huge emphasis on fast rebuilding with the potential for below standard results.. Quantity: 1 digital cartoon(s).

Images, UC QuakeStudies

Members of the public walking up Colombo Street in the aftermath of the 22 February earthquake. Behind them emergency personnel are using a crane to check the floors of the Forsyth Barr building for trapped people.

Images, UC QuakeStudies

A CERA information sign on the fence in the Cathedral, placed to provide information to the public about the buildings seen from Cathedral Square. This one says "Regent Theatre: This has been demolished (see bottom left, now vacant site in photograph".

Images, UC QuakeStudies

A CERA information sign on the fence in the Cathedral Square, placed to provide information to the public about the buildings seen from Cathedral Square. This one says "Clarendon Tower: This will be demolished. Currently CERA is working towards the appointment of an accredited demolistion contractor".

Images, UC QuakeStudies

A collapsed section of the Cranmer Courts on the corner of Montreal Street and Kilmore Street. Safety fences have been erected around the building to prevent the public getting close enough to it to be endangered by falling masonry in the event of another earthquake.

Images, UC QuakeStudies

Members of the public speaking with police officers on the corner of Durham Street and Armagh Street in the aftermath of the 22 February earthquake. On the right the timber section of the historic Provincial Council Chambers can be seen, including the clock tower which has collapsed onto the road. Armagh Street leading into the city has been cordoned off by red tape.

Research papers, Lincoln University

Implementing seismic risk mitigation is a major challenge in many earthquake prone regions. The objective of this research is to investigate how property investment market practices can be used to enhance building owners’ decisions to improve seismic performance of earthquake prone buildings (EPBs). A case study method adopted, revealed the impacts of the property market stakeholders’ practices on seismic retrofit decisions. The findings from this research provide significant new insights on how property market-based incentives such as such as mandatory disclosure of seismic risks in all transactions in the property market, effective awareness seismic risk program and a unified earthquake safety assessment information system, can be used to enhance EPBs owners seismic retrofit decisions. These market-based incentives offer compelling reasons for the different property market stakeholders and the public at large to retain, care, invest, and act responsibly to rehabilitate EPBs. The findings suggest need for stakeholders involved in property investment and retrofit decisions to work together to foster seismic rehabilitation of EPBs.

Images, UC QuakeStudies

A sculpture titled 'Passing Time' on the corner of St Asaph Street and Madras Street. 'Passing Time' was installed outside the CPIT Building for the 6th SCAPE (a contemporary public art programme in Christchurch) a few days prior to the 22 February 2011 earthquake. The work features twisting boxes depicting each year between 1906 (the founding of CPIT) and 2010 (the date of the sculpture's production).

Images, UC QuakeStudies

A sculpture titled 'Passing Time' on the corner of St Asaph Street and Madras Street. 'Passing Time' was installed outside the CPIT Building for the 6th SCAPE (a contemporary public art programme in Christchurch) a few days prior to the 22 February 2011 earthquake. The work features twisting boxes depicting each year between 1906 (the founding of CPIT) and 2010 (the date of the sculpture's production).

Images, UC QuakeStudies

A sculpture titled 'Passing Time' on the corner of St Asaph Street and Madras Street. 'Passing Time' was installed outside the CPIT Building for the 6th SCAPE (a contemporary public art programme in Christchurch) a few days prior to the 22 February 2011 earthquake. The work features twisting boxes depicting each year between 1906 (the founding of CPIT) and 2010 (the date of the sculpture's production).

Images, UC QuakeStudies

A sculpture titled 'Passing Time' on the corner of St Asaph Street and Madras Street. 'Passing Time' was installed outside the CPIT Building for the 6th SCAPE (a contemporary public art programme in Christchurch) a few days prior to the 22 February 2011 earthquake. The work features twisting boxes depicting each year between 1906 (the founding of CPIT) and 2010 (the date of the sculpture's production).

Research papers, Lincoln University

An often overlooked aspect of urban housing development is the composition of the space between buildings; the streetscape. The pressures of suppressing suburban sprawl have seen housing developments respond by increasing residential density within more centralised city sites. Medium-density housing typologies are often used as urban infill in response to the challenge of accommodating an increasing population. A by-product of these renewed areas is the creation of new open space which serves as the fundamental public space for sociability to develop in communities. Street space should emphasise this public expression by encouraging social exchange and interaction. As a result, a neighbourhood owes its liveliness (or lack thereof) to its streets. The issue of density when applied to the urban housing landscape encompasses two major components: the occupancy of both the private realms, constituting the residential built form, and the public spaces that adjoins them, the streets. STREETSCAPE: dialogues of street + house. Continual transition between the realms of public and private (building and street space) enact active edges, giving way to public stimulation; the opportunity for experiencing other people. The advent of seeing and hearing other people in connection with daily comings and goings encourages social events to evolve, enhancing the notion of neighbourly conduct. Within New Zealand, and specifically in Christchurch as considered here, the compositions of current streetscapes lack the demeanor to really encourage and facilitate the idea of neighbourly interaction and public expression. Here lies the potential for new street design to significantly heighten the interplay of human activity. In response, this research project operates under the notion that the street spaces of urban residential areas are largely underutilised. This lack is particularly evident in the street. Street design should strive to produce spaces which stimulate the public life of residents. There exists a need to reassert eminence of the street as a space for vibrant neighbourhood life. This thesis employs design as a tool for researching and will involve using numerous concept generators to trigger the production of multiple scenarios. These scenarios are to explore the ways in which the streetscapes within medium-density urban communities could respond in the event of (re) development.

Images, UC QuakeStudies

Moira Fraser in front of the 'Passing Time' sculpture on the corner of St Asaph Street and Madras Street. 'Passing Time' was installed outside the CPIT Building for the 6th SCAPE (a contemporary public art programme in Christchurch) a few days prior to the 22 February 2011 earthquake. The work features twisting boxes depicting each year between 1906 (the founding of CPIT) and 2010 (the date of the sculpture's production).

Images, Alexander Turnbull Library

Depicts huge elderly woman with 'CERA' on her dress scolding smaller adult dressed as schoolboy near bustop with sign 'CBD red zone tours' Text reads 'And don't talk to strangers and don't cross the road and remember to eat your lunch..' Context: After the 22 Feburary 2011 earthquake in Christchurch, the central business district (CBD) was marked as a red zone. Red zone areas were deemed unsuitable for habitation due to significant damage and at high risk of further damage from low levels of earth shaking. CERA (Christchurch Earthquake Recovery Authority) ran public bus tours of the Christchurch CBD from November to December 2011. For safety reasons the public was not allowed off the buses as it was a dangerous and active demolition site. Quantity: 1 digital cartoon(s).

Images, UC QuakeStudies

Moira Fraser standing in front of the 'Passing Time' sculpture on the corner of St Asaph Street and Madras Street. 'Passing Time' was installed outside the CPIT Building for the 6th SCAPE (a contemporary public art programme in Christchurch) a few days prior to the 22 February 2011 earthquake. The work features twisting boxes depicting each year between 1906 (the founding of CPIT) and 2010 (the date of the sculpture's production).

Images, UC QuakeStudies

Moira Fraser standing in front of the 'Passing Time' sculpture on the corner of St Asaph Street and Madras Street. 'Passing Time' was installed outside the CPIT Building for the 6th SCAPE (a contemporary public art programme in Christchurch) a few days prior to the 22 February 2011 earthquake. The work features twisting boxes depicting each year between 1906 (the founding of CPIT) and 2010 (the date of the sculpture's production).

Images, Alexander Turnbull Library

Photographs of central Christchurch after the 2010-2012 earthquakes taken 25 February 2012 by Sean McMahon. Locations are chiefly Manchester, Saint Asaph, Cashel, Columbo and Lichfield Streets, and the Bridge of Remembrance. Images show fencing around areas closed to the public, damaged and collapsed commercial buildings, cleared sites, re-opened Cashel Street area with shops and a cafe. Source of title - Title supplied by Library Quantity: 34 digital photograph(s).

Images, UC QuakeStudies

A plaque on the ground in front of the 'Passing Time' sculpture on the corner of Madras Street and St Asaph Street. The 'Passing Time' sculpture was installed outside the CPIT Building for the 6th SCAPE (a contemporary public art programme in Christchurch) a few days prior to the 22 February 2011 earthquake. The work features twisting boxes depicting each year between 1906 (the founding of CPIT) and 2010 (the date of the sculpture's production).

Images, Alexander Turnbull Library

Text reads 'Rebuilding projects'. The first of the two frames shows collapsed buildings in Christchurch after the earthquake and the second frame shows leader of the Labour Party Phil Goff sorely in need of 'credibility' as he makes the 'V' for victory sign with both hands. Context - the rebuilding of Christchurch after the earthquake of 22 March 2011 and Phil Goff's disastrous personal polling as 'preferred PM' and the concomitant problems for the Labour Party with elections in November of this year. Colour and black and white versions of this cartoon are available Quantity: 2 digital cartoon(s).