A photograph of a cake stall at the Gap Filler Fun Fair. In the background is a stall selling clothing.
A photograph of buttons and other objects for sale on a market stall at the Gap Filler Fun Fair.
Photograph captioned by Fairfax, "Christchurch Earthquake aftermath. PM John Key does the meet and greet where families are taking refuge at Twiggers Restaurant at Addington Raceway. Pictured here with Anne Maries Phillips aged 11 from Parklands".
Damage to the Cathedral of the Blessed Sacrament. On the fence is a sign that says 'Catholic Cathedral Parish. Has moved to St Mary's Pro Cathedral. 373 Mancester Street. Visitors, Tourist and Parishioners are ALL welcome. www.christchurchcathedral.org.nz'.
Photograph captioned by Fairfax, "From left: Cartier Guthrie (8) Mary Keenan (9), Nick Te Paa (7) and Jesse Grossi play on Motuihe Island where they and other disadvantaged earthquake victims from Christchurch spent the day, courtesy of Westpac".
Photograph captioned by Fairfax, "Damage to St. Mary's Anglican Church Timaru resulting from 7.1 Magnitude Earthquake centred near Darfield. Damage can be seen to the spires on the church tower. The spire-tops were removed for safety and to be repaired".
Sadly the Chapel has been badly damaged in the magnitude 6.3 earthquake that hit Christchurch 22 February 2011 - see photo at www.flickr.com/photos/geofftrotter/5570195671/in/photostr... The Rose Historic Chapel formerly St Mary’s Convent Chapel is the sole su...
A PDF copy of pages 160-161 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Gap Filler Fun Fair'. Photos: Gap Filler
Page 1 of Section A of the Christchurch Press, published on Monday 31 March 2014.
Aerial footage of Christchurch after the 4 September 2010 earthquake. The footage shows the earthquake damage to Wizard Home Loans & Cartridge World on Riccarton Road, Harding's Chemist and Angus Donaldson Copy Service on Colombo Street, Para Rubber and Westende Jewellers on Manchester Street, The Loaded Hog on Cashel Street, St Mary & St Athanasios Church on Edgeware Road, The Daily Bagel on Victoria Street, the Laxmi Foodstore on Barbadoes Street, Television Services on Westminster Street, The Hat Shop on High Street, St Paul's Parish Church on Gayhurst Road, Sullivan Park on Galbraith Road, and Avonside Drive.
The demand for a new approach to safeguarding New Zealand’s endangered historic buildings was identified as a result of the recent increase in building code and strengthening requirements following the Christchurch earthquakes of 2010-2011. The Wellington City Council identified 266 heritage buildings in the city that must be either strengthened or demolished to address these increased requirements. This thesis explores this threat as an opportunity for researching how contemporary design interventions can be challenged to both strengthen and become active participants in the ongoing history of New Zealand’s potentially endangered historic buildings. This thesis challenges the current approach of completely ‘restoring’ 19th-20th century historic buildings in New Zealand, to develop techniques that structurally reinforce historic buildings while inviting the progressive weathering of a building to remain as a testament to its history. This thesis proposes a structural intervention that is responsive to the progressive history of historic buildings, simultaneously introducing a contemporary structural intervention that both participates in and compliments the progressive historic transformations of the vehicle. This thesis argues that current historic buildings in semi-decayed states in fact enable visitors to witness multiple stages in the life of a building, while fully restored buildings only enable visitors to witness the original form of the building. This thesis proposes a model for contemporary intervention within historic buildings that draws a design intervention from seismic strengthening.The notion of layering is explored as a design approach to incorporate the contemporary with the historic as an additional layer of exposed on-going history, thereby further exposing the layers of history evident within New Zealand’s historic buildings. This thesis combines layering theories of architects Louis Kahn and Carlo Scarpa with related theories of installation artist Mary Miss. The theoretical imperatives of Scarpa and Kahn are explored as a tool of engagement for the junction between the contemporary and historic building materials, and the work of Marry Miss is explored as a design approach for developing a contemporary intervention that references the layered historic building while inviting new means of occupancy between layers. The selected vehicle for the design research investigation is the Albemarle Hotel on Ghuznee Street in Wellington. The techniques proposed in this thesis to strengthen the Albemarle Hotel suggest an approach that might be applied to New Zealand’s wider body of historic buildings that constitute New Zealand’s heritage fabric, ultimately protecting them from demolition while preserving additional layers of their historic narratives. Over all the design research experiments suggest that contemporary interventions derived from structural strengthening may be a viable and cost-effective method of re-inhabiting New Zealand’s endangered heritage buildings, avoiding demolition and securing New Zealand’s heritage for future generations. Research Questions: This thesis challenges the current economically unsustainable approach of laterally reinforcing and completely ‘restoring’ 19th-20th century historic buildings in New Zealand. This thesis argues that current historic buildings in semi-decayed states in fact enable visitors to witness multiple stages in the on-going life of a building. Can the weathered state of New Zealand's heritage buildings be proactively retained and celebrated as witnesses to their history? Can new lateral reinforcing requirements be conceived as active participants in revealing the on-going history of New Zealand's historic buildings?