A photograph of a section of a piece of street art on the side of a building between Brighton Mall and Hawke Street.
A photograph of a section of a piece of street art on the wall of a building between Brighton Mall and Hawke Street.
A photograph of a section of a piece of street art on the wall of a building between Brighton Mall and Hawke Street.
A photograph of a section of a piece of street art on the wall of a building between Brighton Mall and Hawke Street.
A photograph of a section of a piece of street art on the side of a building between Brighton Mall and Hawke Street.
A photograph of a section of a piece of street art on the side of a building between Brighton Mall and Hawke Street.
A photograph of a section of a piece of street art on the side of a building between Brighton Mall and Hawke Street.
A photograph of a section of a piece of street art on the wall of a building between Brighton Mall and Hawke Street.
A photograph of a section of a piece of street art on the side of a building between Brighton Mall and Hawke Street.
A photograph of a section of a piece of street art on the wall of a building between Brighton Mall and Hawke Street.
A photograph of a section of a piece of street art on the side of a building between Brighton Mall and Hawke Street.
The Global Earthquake Model’s (GEM) Earthquake Consequences Database (GEMECD) aims to develop, for the first time, a standardised framework for collecting and collating geocoded consequence data induced by primary and secondary seismic hazards to different types of buildings, critical facilities, infrastructure and population, and relate this data to estimated ground motion intensity via the USGS ShakeMap Atlas. New Zealand is a partner of the GEMECD consortium and to-date has contributed with 7 events to the database, of which 4 are localised in the South Pacific area (Newcastle 1989; Luzon 1990; South of Java 2006 and Samoa Islands 2009) and 3 are NZ-specific events (Edgecumbe 1987; Darfield 2010 and Christchurch 2011). This contribution to GEMECD represented a unique opportunity for collating, comparing and reviewing existing damage datasets and harmonising them into a common, openly accessible and standardised database, from where the seismic performance of New Zealand buildings can be comparatively assessed. This paper firstly provides an overview of the GEMECD database structure, including taxonomies and guidelines to collect and report on earthquake-induced consequence data. Secondly, the paper presents a summary of the studies implemented for the 7 events, with particular focus on the Darfield (2010) and Christchurch (2011) earthquakes. Finally, examples of specific outcomes and potentials for NZ from using and processing GEMECD are presented, including: 1) the rationale for adopting the GEM taxonomy in NZ and any need for introducing NZ-specific attributes; 2) a complete overview of the building typological distribution in the Christchurch CBD prior to the Canterbury earthquakes and 3) some initial correlations between the level and extent of earthquake-induced physical damage to buildings, building safety/accessibility issues and the induced human casualties.
LVS acts as site brokers for a creative Christchurch, finding short and medium-term uses for the many vacant sites and buildings of Christchurch.
A photograph of street art on the wall of a building in Brighton Mall. The artwork is signed by French street artist Olivier Tenedor.
A photograph of street art on the wall of a building in Brighton Mall. The artwork is signed by French street artist Olivier Tenedor.
A photograph of street art on the wall of a building between Brighton Mall and Hawke Street. The artwork depicts cartoon characters in bubbles.
A photograph of street art on a building between Brighton Mall and Beresford Street. There is a shopping trolley in front of the artwork.
A photograph of street art on a building outside Harrington's Beer Wine and Spirits in New Brighton. The artwork depicts scenes from Doctor Who.
A photograph of street art on the side of a building on Manchester Street, facing onto High Street. The artwork is signed by Jacob Yikes.
A photograph of street art on the wall of a building in Sydenham. The photographer believes that the artwork was created by the artist 'Misery'.
A photograph of street art on the wall of a building in Sydenham. The photographer believes that the artwork was created by the artist 'Misery'.
A photograph of street art on the wall of a building in Sydenham. The photographer believes that the artwork was created by the artist 'Misery'.
A photograph of street art on the wall of a building in Sydenham. The photographer believes that the artwork was created by the artist 'Misery'.
A photograph of street art on the side of a building between Brighton Mall and Hawke Street. The artwork depicts images and messages in bubbles.
A photograph of street art on a building between Brighton Mall and Beresford Street. There is a wire cordon fence in front of the wall.
A photograph of street art on a building between Brighton Mall and Beresford Street. There is a wire cordon fence in front of the wall.
A photograph of street art on the wall of a building in Sydenham. The photographer believes that the artwork was created by the artist 'Misery'.
A photograph of street art on the wall of a building in Sydenham. The photographer believes that the artwork was created by the artist 'Misery'.
A photograph of street art on the wall of a building in Sydenham. The photographer believes that the artwork was created by the artist 'Misery'.
A story submitted by Rosalee Jenkin to the QuakeStories website.