Page 12 of Section A of the Christchurch Press, published on Monday 21 March 2011.
Page 17 of Section A of the Christchurch Press, published on Monday 7 March 2011.
Page 3 of Section A of the Christchurch Press, published on Wednesday 22 June 2011.
Page 16 of Section A of the Christchurch Press, published on Saturday 24 September 2011.
Page 1 of Section A of the Christchurch Press, published on Monday 30 July 2012.
Page 3 of Section A of the Christchurch Press, published on Thursday 16 September 2010.
A scanned copy of a black and white photograph depicting a protest march against the Springbok Tour in 1981.
A scanned copy of a photograph depicting the set of a play titled 'Star Fleet'. The photograph is from 1983.
Members of the Student Volunteer Army pulling up weeds in front of Wayne Youle's mural, 'I Seem to Have Temporary Misplaced my Sense of Humour'.
Members of the Student Volunteer Army pulling up weeds in front of Wayne Youle's mural, 'I Seem to Have Temporary Misplaced my Sense of Humour'.
Volunteers from the Student Volunteer Army sweeping the site of a demolished building. This is where Gap Filler's "Dance-O-Mat" is to be built.
Volunteers from the Student Volunteer Army sweeping the site of a demolished building. This is where Gap Filler's "Dance-O-Mat" is to be built.
Students from the University of Canterbury preparing a demolished building site in Sydenham. This is where Gap Filler's Community Chess Board is to be built.
Members of the Student Volunteer Army pulling up weeds in front of Wayne Youle's mural, 'I Seem to Have Temporary Misplaced my Sense of Humour'.
Volunteers from the Student Volunteer Army sweeping the site of a demolished building. This is where Gap Filler's "Dance-O-Mat" is to be built.
Students from the University of Canterbury preparing a demolished building site in Sydenham. This is where Gap Filler's Community Chess Board is to be built.
Members of the Student Volunteer Army pulling up weeds in front of Wayne Youle's mural, 'I Seem to Have Temporary Misplaced my Sense of Humour'.
Members of the Student Volunteer Army pulling up weeds in front of Wayne Youle's mural, 'I Seem to Have Temporary Misplaced my Sense of Humour'.
Members of the Student Volunteer Army pulling up weeds in front of Wayne Youle's mural, 'I Seem to Have Temporary Misplaced my Sense of Humour'.
Lake Taupō in New Zealand is associated with frequent unrest and small to moderate eruptions. It presents a high consequence risk scenario with immense potential for destruction to the community and the surrounding environment. Unrest associated with eruptions may also trigger earthquakes. While it is challenging to educate people about the hazards and risks associated with multiple eruptive scenarios, effective education of students can lead to better mitigation strategies and risk reduction. Digital resources with user-directed outcomes have been successfully used to teach action oriented skills relevant for communication during volcanic crisis [4]. However, the use of choose your own adventure strategies to enhance low probability risk literacy for Secondary school outreach has not been fully explored. To investigate how digital narrative storytelling can mediate caldera risk literacy, a module “The Kid who cried Supervolcano” will be introduced in two secondary school classrooms in Christchurch and Rotorua. The module highlights four learning objectives: (a) Super-volcanoes are beautiful but can be dangerous (b) earthquake (unrest) activity is normal for super-volcanoes (c) Small eruptions are possible from super-volcanoes and can be dangerous in our lifetimes (d) Super-eruptions are unlikely in our lifetimes. Students will create their digital narrative using the platform Elementari (www.elementari.io). The findings from this study will provide clear understanding of students’ understanding of risk perceptions of volcanic eruption scenarios and associated hazards and inform the design of educational resources geared towards caldera risk literacy.
A photograph of architecture students in hard hats and high-visibility vests assembling the temporary bar and installation titled Tonic. The bar is part of LUXCITY.
A photograph of architecture students in hard hats and high-visibility vests assembling the temporary bar and installation titled Tonic. The bar was part of LUXCITY.
A photograph of architecture students in hard hats and high-visibility vests assembling the temporary bar and installation titled Tonic. The bar is part of LUXCITY.
A photograph of architecture students in hard hats and high-visibility vests assembling the temporary bar and installation titled Tonic. The bar is part of LUXCITY.
A photograph of architecture students in hard hats and high-visibility vests assembling the temporary bar and installation titled Tonic. The bar is part of LUXCITY.
A photograph of CPIT students constructing an outdoor pizza oven for Gap Filler out of clay and bricks. The public workshop was part of FESTA 2012.
A photograph of CPIT students constructing an outdoor pizza oven for Gap Filler out of clay and bricks. The public workshop was part of FESTA 2012.
A photograph of CPIT students constructing an outdoor pizza oven for Gap Filler out of clay and bricks. The public workshop was part of FESTA 2012.
A photograph of architecture students wearing hard hats and high-visibility vests setting up the large-scale fabric installation titled Kloud, which is part of LUXCITY.
A volunteer from the Student Volunteer Army sweeping the site of a demolished building. This is where Gap Filler's "Dance-O-Mat" is to be built.