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Images, UC QuakeStudies

A photograph of artworks on the wall of a building between New Brighton Mall and Beresford Street. The artwork in the middle depicts a range of native birds. To the left, a section of another artwork shows a hei matau and a jester holding a sign that reads, "Nothing about us without us!". To the right there is a landscape with a message written over it.

Images, eqnz.chch.2010

Earthquake damaged building on a Walk around the city, May 1, 2014 Christchurch New Zealand. Demolition work on Christchurch's "distinctive" former civic building is under way. The category-2 heritage building was designed by G A J Hart and opened in 1939 as the Miller's department store. It featured the South Island's first escalator, which...

Images, eqnz.chch.2010

Demolition work on Christchurch's "distinctive" former civic building and the Front Runner store. On a walk around Christchurch May 9, 2013 New Zealand. Demolition work on Christchurch's "distinctive" former civic building is under way. The category-2 heritage building was designed by G A J Hart and opened in 1939 as the Miller's department s...

Images, UC QuakeStudies

A photograph of Rachel Mullins from the Christchurch City Council taking part in #FiveYearsOn. The Christchurch City Council was an All Right? Champion. Mullins holds a sign which reads, "Five years on, I feel... more optimistic and capable." All Right? posted the photograph on their Facebook Timeline on 21 February 2016 at 9:12am. All Right? captioned the photograph, "Rachel from the Christchurch City Council is feeling more optimistic and capable".

Images, UC QuakeStudies

A photograph of Dr Lucy D'Aeth, Public Health Specialist for All Right?, taking part in #FiveYearsOn. Lucy holds a sign which reads, "Five years on, I feel... ...tired, but I still love Chch. Lucy Beckenham." All Right? posted the photograph on their Facebook Timeline on 21 February 2016 at 9:12am. All Right? captioned the photograph. "Lucy from Healthy Christchurch is feeling tired, but she still loves Chch!! #fiveyears on #5yearson #allrightnz".

Images, UC QuakeStudies

Damage to Lyttelton following the 22 February 2011 earthquake. The fish and chip shop on London Street (centre) has a collapsed gable and awning. Bricks, plaster and wood are lying where they fell on the footpath, as well as the broken sign. To the left is the Lava Bar which suffered severe structural damage after the earthquake. To the right, the Coastal Living store can be seen which was open after the September earthquake but pulled down after February.

Images, UC QuakeStudies

A girl decorating the chalkboard sign at Gap Filler's "Film in the Gap!" project. The chalkboard outlines the programme for the evening of April 6th, 2011, reading, "Gap Filler: 1st - 10th of April. Free live music and films from 5pm onwards. 5: Radius Kink, 6: Runaround Sue, 7: films: NZ Shorts - 2Cars, 1 Night, Tama Tu, + Forgotten Silver. Bring - cushion, chair, blanket, picnic. Coffee from 4:30pm daily. Ex demolition site. Please be safety aware. Proper footwear must be worn!".

Images, UC QuakeStudies

A photograph of a community recreation stall at the Christchurch City Council NZ Safety Week Expo, held in October 2013. The photograph shows various All Right? resources, including 'Five Ways To Wellbeing' corflute signs, as well as information from CCC and other organisations. The Expo was part of the ACC NZ Safety Week, and sought to provide CCC staff and families with information and awareness about home safety, alcohol moderation, sport and fitness.

Images, UC QuakeStudies

A photograph of Henry Jaiswal, General Manager of Canterbury Migrants Centre, taking part in #FiveYearsOn. Canterbury Migrant Centre Trust was an All Right? Champion. Jaiswal holds a sign which reads, "Five years on, I feel... Awesome!" All Right? posted the photograph to their Facebook Timeline on 21 February 2016 at 9:12am. All Right? captioned the photograph. "Henry from the Christchurch Migrant Centre Trust is feeling awesome! #fiveyears on #5yearson #allrightnz".

Images, UC QuakeStudies

A photograph of Claire Calkin, Health Promoter for Pacific Trust Canterbury, taking part in #FiveYearsOn. Pacific Trust was an All Right? Champion. Claire holds a sign which reads, "Five years on I feel... All Good!' All Right? Posted the photograph on their Facebook Timeline on 21 February 2016 at 9:11am. All Right? captioned the photograph. "Claire from Pacific Trust Canterbury is feeling all good! #fiveyears on #5yearson #allrightnz".

Images, UC QuakeStudies

A photograph of Vaea Hutchen, Health Promoter for All Right?, taking part in #FiveYearsOn. Hutchen holds a sign which reads, "Five years on, I feel... brighter and ready to go// Vaea, Aranui". All Right? posted the photograph on their Facebook page on 23 February 2016 at 6.00pm. All Right? captioned the photograph, "Aranui's Vaea from All Right? is feeling brighter and ready to go! #fiveyears on #5yearson #allrightnz".

Images, UC QuakeStudies

A photograph of Ciaran Fox, Mental Health Promoter for All Right?, taking part in #FiveYearsOn. Fox holds a sign which reads, "Five years on I feel... Proud, hopeful// less tired, less angry// Ciaran, Lyttelton." All Right? posted the photograph on their Facebook Timeline on 21 February at 9:11am. All Right? captioned the photograph. "Lyttelton's Ciaran from All Right? is feeling proud, hopeful, less tired and less angry. #fiveyears on #5yearson #allrightnz".

Images, UC QuakeStudies

A photograph of Suzanne Lemon, Manager for Westpac Upper Riccarton, taking part in #FiveYearsOn. Westpac Upper Riccarton was an All Right? Champion. Lemon holds a sign which reads, "Five years on, I feel... braver and kinder." All Right? posted the photograph to their Facebook Timeline on 21 February 2016 at 9:12am. All Right? captioned the photograph. "Suzanne from Westpac is feeling braver and kinder. #fiveyears on #5yearson #allrightnz".

Images, UC QuakeStudies

A girl decorating the chalkboard sign at Gap Filler's "Film in the Gap!" project. The chalkboard outlines the programme for the evening of April 6th, 2011, reading, "Gap Filler: 1st - 10th of April. Free live music and films from 5pm onwards. 5: Radius Kink, 6: Runaround Sue, 7: films: NZ Shorts - 2Cars, 1 Night, Tama Tu, + Forgotten Silver. Bring - cushion, chair, blanket, picnic. Coffee from 4:30pm daily. Ex demolition site. Please be safety aware. Proper footwear must be worn!".

Images, UC QuakeStudies

A photograph of Sue Turner, Manager for All Right?, taking part in #FiveYearsOn. Turner holds a sign which reads, "Five years on, I feel... Frustrated but hopeful for the future.... Sue, St Martins." All Right? posted the photograph on their Facebook Timeline on 21 February 2016 at 9:12am. All Right? captioned the photograph. "Sue - the manager of All Right? - from St Martins is feeling frustrated by hopeful for the future".

Images, UC QuakeStudies

A photograph Sharon McFarlane from the Christchurch City Council taking part in #FiveYearsOn. The Christchurch City Council was an All Right? Champion. McFarlane holds a sign which reads, "Five years on, I feel... Grateful." All Right? posted the photograph on their Facebook Timeline on 21 February 2016 at 9:12am. All Right? captioned the photograph. "Sharon from the Christchurch City Council is feeling grateful. #fiveyears on #5yearson #allrightnz".

Images, UC QuakeStudies

A photograph of Donovan Ryan, Communications Advisor for All Right?, taking part in #FiveYearsOn. Ryan holds a sign which reads, "Five years on, I feel... there's a long way to go! Donovan St Albans." All Right? posted the photograph to their Facebook Timeline on 21 February 2016 at 9:27am. All Right? captioned the photograph, "Donovan from St Albans feels there's a long way to go. #fiveyears on #5yearson #allrightnz".

Images, UC QuakeStudies

A photograph of a wreath and flowers tied to a lamppost on Colombo Street. They were placed there by Red Bus in memory of the bus driver and passengers who died in one of their busses during the 22 February 2011 earthquake. A sign behind the wreath reads, "In remembrance of the tragic events during the 22 February 2011 earthquake in Colombo Street where our bus driver and his passengers Jayden Andrews-Howland, Phillip Coppeard, Joseph Routledge, Pelesa Sanft, Beverly May Stick and Earl Niche died, and Ann Brower was seriously injured".

Images, UC QuakeStudies

A photograph of Emily Arps, Health Promoter for All Right?, taking part in #FiveYearsOn. Arps holds a sign which reads, "Five years on, I feel... Proud of our community and in awe of CHCH's natural beauty! Emily, St Albans." All Right? posted the photograph on their Facebook Timeline on 21 February at 9:12am. All Right? captioned the photograph. "Emily from St Albans s feeling proud of our community and in awe of Chch's natural beauty. #fiveyears on #5yearson #allrightnz".

Images, UC QuakeStudies

A photograph of Sera Thompson, Regional Advisor for the Ministry for Pacific Peoples, taking part in #FiveYearsOn. Ministry for Pacific Peoples was an All Right? Champion. Thompson holds a sign which reads, "Five years on, I feel... Tired, but hopeful." All Right? posted the photograph to their Facebook Timeline on 21 February 2016 at 9:12am. All Right? captioned the photograph. "Sera from the Ministry of Pacific Peoples is feeling tired, but hopeful. #fiveyears on #5yearson #allrightnz".

Images, UC QuakeStudies

A photograph of the entrance to Cowles Stadium on Pages Road. The stadium was set up by Civil Defence to serve as temporary accommodation for people displaced by the 4 September 2010 earthquake. Signs on the door read, "Civil Defence", "If you are unwwell with flu or cold, please go to the doctor and not enter" and "Welcome to Cowles Stadium. Earthquake affected people only - you must register with Red Cross to receive help. Other help go to Winz office, 154 Aldwins Road, Linwood. Please, no alcohol, no drugs on site. Food and drinks only in designated areas".

Images, UC QuakeStudies

The temporary ASB branch in the Re:Start mall. The photographer comments, "The new temporary city mall has been open in Christchurch now for a week. Buildings damaged in the earthquake have been demolished and replaced with cargo containers to create a new, temporary, Cashel Mall. I visited the mall yesterday and was quite impressed with what they have done. The cargo containers have been nicely converted, brightly painted and smartly branded to create some good looking stores ... ASB is the only bank to grab a container, which is fair enough seeing as they appear to be a large sponsor of the mall. The 'Re:START' Cashel Mall signs also display the tag line 'Supported by ASB'".

Images, UC QuakeStudies

A faded yellow sticker stuck to the window of a house on Avonside Drive. It has been issued by the Christchurch City Council and reads, "Restricted Use. No entry except on essential business. Warning: This building has been damaged and its structural safety is questionable. Enter only at own risk. Subsequent aftershocks or other events may result in increased damage and danger, changing this assessment. Re-inspection may be required. The damage observed from external inspection is as described below." It goes on to set out the conditions for entry to the building and information about the inspector. The sign is so faded that the handwritten information is almost illegible.

Images, UC QuakeStudies

A photograph of Tim Corry, Community Development Worker at the Christchurch Methodist Mission, taking part in #FiveYearsOn. Corry is from the Christchurch Methodist Mission's Wellbeing New Brighton Project, an All Right? Champion. Corry holds a sign which reads, "Five years on, I feel... that my glass is half full." All Right? posted the photograph on their Facebook Timeline on 21 February 2016 at 9:27am. All Right? captioned the photograph, "Tim from the Christchurch City Mission is feeling that his glass is half full. #fiveyears on #5yearson #allrightnz". (This was later corrected in the comments to, "the magnificent Christchurch METHODIST Mission".)

Images, UC QuakeStudies

A photograph an Anna Wilson, Physical Health Advisor for Sport Canterbury, taking part in #FiveYearsOn. Sport Canterbury was an All Right? Champion. Wilson holds a sign reading, 'Five years on, I feel... Upset as to what we have lost and what we have gone through but excited for what may come." All Right? posted the photograph on their Facebook Timeline on 21 February 2016 at 9:11am. All Right? captioned the photograph: "Anna from Sport Canterbury is feeling upset as to what we have lost and what we have gone through but excited for what may come. #fiveyears on #5yearson #allrightnz".

Research papers, The University of Auckland Library

While societal messages can encourage an unhealthy strive for perfection, the notion of embracing individual flaws and openly displaying vulnerabilities can appear foreign and outlandish. However, when fallibility is acknowledged and imperfection embraced, intimate relationships built on foundations of acceptance, trust and understanding can be established. In an architectural context, similar deep-rooted connections can be formed between a people and a place through the retention of layers of historical identity. When a building is allowed to age with blemishes laid bare for all to see, an architectural work can exhibit a sense of 'humanising vulnerability' where the bruises and scars it bears are able to visually communicate its contextual narrative. This thesis explores the notion of designing to capitalise on past decay through revitalisation of the former Wood Brothers Flour Mill in Addington, Christchurch (1891). Known as one of the city's last great industrial buildings, the 130-year-old structure remains hugely impressive due to its sheer size and scale despite being abandoned and subject to vandalism for a number of years. Its condition of obsolescence ensured the retention of visible signs of wear and tear in addition to the extensive damage caused by the 2010-12 Canterbury earthquakes. In offering a challenge to renovation and reconstruction as a means of conservation, this thesis asks if 'doing less' has the potential to 'do more'. How can an understanding of architecture as an ongoing process inform a design approach to celebrate ageing and patina? While the complex is undergoing redevelopment at the time of writing, the design project embraces the condition of the historic buildings in the immediate aftermath of the earthquakes and builds upon the patina of the mill and adjacent flour and grain store in developing a design for their adaptation as a micro-distillery. Research into the traditional Japanese ideology of wabi-sabi and its practical applications form the basis for a regenerative design approach which finds value in imperfection, impermanence and incompleteness. The thesis combines a literature review, precedent review and site analysis together with a design proposal. This thesis shows that adaptive reuse projects can benefit from an active collaboration with the processes of decay. Instead of a mindset where an architectural work is considered the finished article upon completion of construction, an empathetic and sensitive design philosophy is employed in which careful thought is given to the continued preservation and evolution of a structure with the recognition that evidence of past wear, tear, patina and weathering can all contribute positively to a building's future. In this fashion, rather than simply remaining as relics of the past, buildings can allow the landscape of their urban context to shape and mould them to ensure that their architectural experience can continue to be enjoyed by generations to come.

Research papers, The University of Auckland Library

Though generally considered “natural” disasters, cyclones and earthquakes are increasingly being associated with human activities, incubated through urban settlement patterns and the long-term redistribution of natural resources. As society is becoming more urbanized, the risk of human exposure to disasters is also rising. Architecture often reflects the state of society’s health: architectural damage is the first visible sign of emergency, and reconstruction is the final response in the process of recovery. An empirical assessment of architectural projects in post-disaster situations can lead to a deeper understanding of urban societies as they try to rebuild. This thesis offers an alternative perspective on urban disasters by looking at the actions and attitudes of disaster professionals through the lens of architecture, situated in recent events: the 2010 Christchurch earthquake, the 2010 Haiti earthquake, and the 2005 Hurricane Katrina. An empirical, multi-hazard, cross-sectional case study methodology was used, employing grounded theory method to build theory, and a critical constructivist strategy to inform the analysis. By taking an interdisciplinary approach to understanding disasters, this thesis positions architecture as a conduit between two divergent approaches to disaster research: the hazards approach, which studies the disaster cycles from a scientific perspective; and the sociological approach, which studies the socially constructed vulnerabilities that result from disasters, and the elements of social change that accompany such events. Few studies to date have attempted to integrate the multi-disciplinary perspectives that can advance our understanding of societal problems in urban disasters. To bridge this gap, this thesis develops what will be referred to as the “Rittelian framework”—based on the work of UC Berkeley’s architecture professor Horst Rittel (1930-1990). The Rittelian framework uses the language of design to transcend the multiple fields of human endeavor to address the “design problems” in disaster research. The processes by which societal problems are addressed following an urban disaster involve input by professionals from multiple fields—including economics, sociology, medicine, and engineering—but the contribution from architecture has been minimal to date. The main impetus for my doctoral thesis has been the assertion that most of the decisions related to reconstruction are made in the early emergency recovery stages where architects are not involved, but architects’ early contribution is vital to the long-term reconstruction of cities. This precipitated in the critical question: “How does the Rittelian framework contribute to the critical design decisions in modern urban disasters?” Comparative research was undertaken in three case studies of recent disasters in New Orleans (2005), Haiti (2010) and Christchurch (2010), by interviewing 51 individuals who were selected on the basis of employing the Rittelian framework in their humanitarian practice. Contextualizing natural disaster research within the robust methodological framework of architecture and the analytical processes of sociology is the basis for evaluating the research proposition that architectural problem solving is of value in addressing the ‘Wicked Problems’ of disasters. This thesis has found that (1) the nuances of the way disaster agents interpret the notion of “building back better” can influence the extent to which architectural professionals contribute in urban disaster recovery, (2) architectural design can be used to facilitate but also impede critical design decisions, and (3) framing disaster research in terms of design decisions can lead to innovation where least expected. This empirical research demonstrates how the Rittelian framework can inform a wider discussion about post-disaster human settlements, and improve our resilience through disaster research.