Photograph captioned by BeckerFraserPhotos, "Looking from Gloucester Street across the demolition site of the Coachman and Canterbury Times (Christchurch Star?) buildings with Heritage Hotel on the left and Novotel in the centre".
Photograph captioned by BeckerFraserPhotos, "Looking from Gloucester Street across the demolition site of the Coachman and Canterbury Times (Christchurch Star?) buildings with Heritage Hotel on the left and Novotel in the centre".
A photograph an Wellington Emergency Management Office Emergency Response Team pretending to break into a car inside a building in the Christchurch city centre. The car is a 1968 Plymouth Road Runner Super Bee.
Photograph captioned by BeckerFraserPhotos, "Looking from Gloucester Street across the demolition site of the Coachman and Canterbury Times (Christchurch Star?) buildings with Heritage Hotel on the left and Novotel in the centre".
Photograph captioned by BeckerFraserPhotos, "The city blocks encompassed by Manchester Street, Gloucester Street, Latimer Square and Hereford Street are amongst those with the most demolished buildings in the city centre at the moment".
A large number of businesses that used to be in the centre of Christchurch relocated after the earthquakes. Are they satisfied with their new locations and do they intend to return to the central city? We questioned 209 relocated businesses about their relocation history, present circumstances and future intentions. Many businesses were content with their new premises, despite having encountered a range of problems; those businesses that were questioned later in our survey period were more content. The average business in our sample rated the chances of moving back to the central city as around 50 %, but this varies with the type of business. Building height did not emerge as a major issue, but rents may be. The mix of types of business is likely to be different in the new city centre.
This study is a qualitative investigation into the decision-making behaviour of commercial property owners (investors and developers) who are rebuilding in a city centre after a major disaster. In 2010/2011, Christchurch, the largest city in the South Island of New Zealand, was a site of numerous earthquakes. The stronger earthquakes destroyed many buildings and public infrastructure in the commercial inner city. As a result, affected property owners lost all or most of their buildings, a significant proportion of which were old and in the last phase of their life span. They had to negotiate pay-outs with insurance companies and decide, once paid out, whether they should rebuild in Christchurch or sell up and invest elsewhere. The clear majority of those who decided to reinvest in and rebuild the city are ‘locals’, almost all of whom had no prior experience of property development. Thus, in a post-disaster environment, most of these property owners have transitioned from being just being passive investors to active property developers. Their experience was interpreted using primary data gathered from in-depth and semi-structured interviews with twenty-one “informed property people” who included commercial property owners; property agents or consultants; representatives of public-sector agencies and financial institutions. The study findings showed that the decision-making behaviour of property investors and developers rebuilding after a major disaster did not necessarily follow a strict financial or profit motive as prescribed in the mainstream or neo-classical economics property literature. Rather, their decision-making behaviour has been largely shaped by emotional connections and external factors associated with their immediate environment. The theoretical proposition emerging from this study is that after a major disaster, local urban property owners are faced with two choices “to stay” or “to go”. Those who decide to stay and rebuild are typically very committed individuals who have a feeling of ownership, belonging and attachment to the city in which they live and work. These are people who will often take the lead in commercial property development, proactively making decisions and seeking positive investment outcomes for themselves which in turn result in revitalised commercial urban precincts.
Seismic retrofitting of unreinforced masonry buildings using posttensioning has been the topic of many recent experimental research projects. However, the performance of such retrofit designs in actual design level earthquakes has previously been poorly documented. In 1984 two stone masonry buildings within The Arts Centre of Christchurch received posttensioned seismic retrofits, which were subsequently subjected to design level seismic loads during the 2010/2011 Canterbury earthquake sequence. These 26 year old retrofits were part of a global scheme to strengthen and secure the historic building complex and were subject to considerable budgetary constraints. Given the limited resources available at the time of construction and the current degraded state of the steel posttension tendons, the posttensioned retrofits performed well in preventing major damage to the overall structure of the two buildings in the Canterbury earthquakes. When compared to other similar unretrofitted structures within The Arts Centre, it is demonstrated that the posttensioning significantly improved the in-plane and out-of-plane wall strength and the ability to limit residual wall displacements. The history of The Arts Centre buildings and the details of the Canterbury earthquakes is discussed, followed by examination of the performance of the posttension retrofits and the suitability of this technique for future retrofitting of other historic unreinforced masonry buildings. http://www.aees.org.au/downloads/conference-papers/2013-2/
A powhiri performed by Ngai Tahu elders to welcome workers of the Stronger Christchurch Infrastructure Rebuild Team (SCIRT). Phil Goff is standing in the centre of the group that is being welcomed. The ceremony was held in Burwood Park.
A photograph submitted by Philip Broderick Willis to the QuakeStories website. The description reads, "Timaru Welfare Centre – Set up for EQ evacuees. Thought it was a little unfortunate that the only suitable venue there had a spring-loaded floor! Still, they were so welcoming and wonderful. It was such a relief to be there.".
The story of the city’s urban marae, Ngā Hau e Whā, built from 1981 onwards, begins in the migration of Māori from their tūrangawaewae to cities. The marae project is linked to a desire among city elders to move Māori out of the city centre to the east.
A photograph of street art by several artists, including the DTR crew and Wongi. The artwork depicts Doctor Who in his Tardis. This city centre street is walled off by temporary fencing, road cones, and a road sign.
A photograph of the earthquake damage to the Brannigan's building on the corner of Gloucester Street and Oxford Terrace. Many of the windows down the centre of the building have broken. There are also cracks in the panels beneath many of the windows.
A photograph of paper flowers and hearts attached to a wire fence outside Knox Church. Messages of encouragement for Christchurch have been written in the centres of the flowers. Famous quotes have been written on the hearts.
A photograph of emergency management personnel inside a Royal New Zealand Air Force Hercules C-130. The aircraft is on the runway at Wellington airport. Blankets and other supplies have been stacked in the centre of the aircraft.
A photograph of emergency management personnel inside a Royal New Zealand Air Force Hercules C-130. The aircraft is on the runway at Wellington airport. Blankets and other supplies have been stacked in the centre of the aircraft.
A photograph of a volunteer from the Wellington Emergency Management Office speaking on the phone in an office at the Mainland Foundation Ballpark. The ballpark was set up by Civil Defence as an Emergency Report Centre after the 4 September 2010 earthquake.
A photograph of a volunteer from the Wellington Emergency Management Office speaking on the telephone in an office at the Mainland Foundation Ballpark. The ballpark was set up by Civil Defence as an Emergency Report Centre after the 4 September 2010 earthquake.
A photograph of the earthquake damage to Woodham Road near the intersection with Carnarvon Street. The white line in the centre of the road now wavers due to the tar seal buckling. Road cones have been placed over cracks in the road to warn road users.
A photograph of an All Right? corflute sign decorating a cordon fence on Cashel Street. The sign features an image from phase 2 of the All Right? campaign, which sought to promote the 'Five Ways To Wellbeing' by asking simple, open-ended questions related to wellbeing. In the background is Avonmore Tertiary Institute. All Right? posted the photograph on their Facebook page on 1 November 2013 at 10.46am.
The intersection of Colombo and High Streets with Hereford Street to the left. The 'Flour Power' statue stands in the centre of the intersection with wire fencing placed around it. Three cranes can be seen in the distance.
A powhiri performed by Ngai Tahu elders to welcome workers of the Stronger Christchurch Infrastructure Rebuild Team (SCIRT). Phil Goff is standing in the centre of the group that is being welcomed. Two cameras are filming the welcome. The ceremony was held in Burwood Park.
A photograph of the large-scale puppets titled The Scholar (left) The Wife of Bath (centre) and The Merchant (back, right) in Cathedral Square. The puppets were part of the Canterbury Tales procession. Canterbury Tales was created by Free Theatre Christchurch, and was the main event of FESTA 2013.
An PDF copy of the back of All Right? Pacific playing cards. In the centre of the card is the CPH Pacific Health logo, three interwoven traditional bands and a red band in a star-like shape. The card-back also includes the All Right? logo.
A photograph of looking south out a window of the PricewaterhouseCoopers Building on Armagh Street. Notable landmarks include: New Regent Street in the bottom left of the photograph; the Rendezvous Hotel in the centre; and the Hotel Grand Chancellor in the background.
An aerial photograph of the Christchurch central city. The photograph is captioned by BeckerFraserPhotos, "Brannigans building is in the centre of the photograph with Gloucester Street running through the middle of the photograph. The photograph shows the rear of the building".
Earthquake victims wrapped in blankets at the medical centre set up in Latimer Square. A tent in the background has been set up for shelter, and stretchers and medical supplies are stacked up beside it. Avove, a helicopter can be seen carrying a monsoon bucket filled with water to put out fire at the Canterbury Television building.
An aerial photograph of the Horseshoe Lake residential area. The photograph has been captioned by BeckerFraserPhotos, "The prominent street is Kingsford Street (bottom left to top centre), with Moncrieff Street off it at the top right and Tasman Place at the bottom. Horseshoe Lake".
A photograph of large-scale puppets: one of The Friars (left, back), The Merchant (centre) and The Knight (front). The puppets are outside the Free Theatre warehouse space on Lismore Street. The puppets were part of the Canterbury Tales procession, which was the main event of FESTA 2013.
A photograph of people in Cathedral Square during the Meet the Puppets event, as part of FESTA 2013. The puppets (including Wife of Bath, centre, and The Knight, right) were created by Free Theatre Christchurch, for Canterbury Tales, which was the main event of FESTA 2013.