Refers to the government's earthquake response legislation and the Rugby World Cup 2011 (Empowering) Bill. 26 experts in constitutional law from all six of the country's law faculties have penned a letter condemning the Government's earthquake response legislation. No sooner was their work in the public eye than the similarly flawed Rugby World Cup 2011 (Empowering) Bill was reported back from a select committee, with a recommendation that it pass. It also goes far beyond what is required to get things done. In bypassing the normal consent process, the bill says the authority does not have to hold hearings on applications and that its decisions can be challenged in the High Court only on points of law. Effectively, the legislation asks New Zealanders to accept that the Rugby World Cup Minister knows best. It is he who knows how the event must be run. Precisely the same attitude pervades the Canterbury Earthquake Response and Recovery Act. This hands individual Government ministers the power to change almost every law, thereby handing Parliament's normal law-making role to the Executive. Their decisions cannot be challenged in any court'. (NZ Herald editorial - 1 October 2010) Quantity: 1 digital cartoon(s).
Moira Fraser in front of the 'Passing Time' sculpture on the corner of St Asaph Street and Madras Street. 'Passing Time' was installed outside the CPIT Building for the 6th SCAPE (a contemporary public art programme in Christchurch) a few days prior to the 22 February 2011 earthquake. The work features twisting boxes depicting each year between 1906 (the founding of CPIT) and 2010 (the date of the sculpture's production).
Text reads 'ROCK STAR' and below is an image of a large rock named 'Rocky'. Context - When a 25-tonne boulder crashed through the garage roof of Phil Johnson's home and left it in ruins during the Christchurch earthquake of 22 February he sold it at an online auction for NZ$60,500 (#27,652). Mr Johnson dubbed it "Rocky". The money will be used to help quake victims. Quantity: 2 digital cartoon(s).
A woman walks through the snow in Christchurch and comments 'At least snow covers up ugly quake damage dear... Dear?' Her husband has disappeared into a hole that was covered in snow. Context: Heavy snow blanketed Christchurch today (Saturday 9 August) as the winter cold continued to be felt across both the North and South Islands. Snow began falling in Christchurch about 7am today and covered most of the city. (NZHerald: Aug 9 2011) Quantity: 1 digital cartoon(s).
A man labeled `rate payers' lifts an elephant labeled `convention centre' high over his head. Refers to recent calls for tenders from groups to build a new convention centre in Christchurch. Quantity: 1 digital cartoon(s).
The cartoon shows a platter of 'Brownbait patties $2 per kilo'. In the background is a 'contaminated' river. Refers to the contamination of Canterbury's waterways after the earthquake of 4th September which resulted in sewage pipes being damaged thus contaminating the rivers. This means that people should not be attempting to catch whitebait in these rivers during the annual whitebait season which is open between 15 August and 30 November. Quantity: 1 digital cartoon(s).
The cartoon has stripes above the words 'RED & BLACK kia kaha Christchurch'. Context - red and black are the Canterbury colours - the cartoon is a tribute to the people of Christchurch after the disastrous earthquake of 22 February 2011. 'Kia kaha' means 'forever strong'. Quantity: 1 digital cartoon(s).
The small crane on the back of a rubbish truck has picked up a whole portaloo and dumped its contents (a man with his pants around his ankles) into the rubbish. The driver tells the crane operator that he should have emptied 'the bin! ... Not the portaloo!'. A streetsign reads 'Avonside'. Refers to the use of portaloos in parts of Christchurch since the earthquake of 4th September because of damage to plumbing infrastructure. Quantity: 1 digital cartoon(s).
Debbie says brightly that Christchurch has 'demonstrated the classic Kiwi quality of stoicism and behaving decently towards each other!' Jaimee replies that it's the same stoicism that means we complain a lot about our problems but never really do anything and Debbie tells her that applies just to her. Refers to the Christchurch earthquake of 4th September. Quantity: 1 digital cartoon(s).
Shows a new warning system in Christchurch that consists of the heads of Gerry Brownlee, Canterbury Earthquake Recovery Minister, the Mayor of Christchurch Bob Parker and CERA CEO Roger Sutton. Each bellows his particular mantra. Context: Christchurch's new tsunami warning system will be tested on Sunday 22 July at 11am for one to two minutes. Quantity: 1 digital cartoon(s).
Shows Bishop Victoria Matthews reading a brochure offering cheap deals for cathedrals and their various accoutrements. Context: refers to the debate about the fate of the Christchurch Cathedral. Bishop Victoria Matthews is in favour of demolishing the cathedral to a certain safe level. The lobby for saving the cathedral, wrecked by the earthquakes of 2010 and 2011, is very strong. Quantity: 1 digital cartoon(s).
Several people run, leap, cycle and walk the dog through an area piled high with waste material. Context: Bottle Lake Forest Park has tracks and trails which include mountain-bike tracks, horse-trekking trails and walking tracks. After being established as a temporary dump after the February 22 earthquake the government intend to use special powers to turn part of Bottle Lake Forest Park into a permanent dump. Quantity: 1 digital cartoon(s).
Scene set at Santa Claus' 'Online Christmas Orders Dept' at the North Pole. One elf remarks 'ANOTHER Marmite order from New Zealand'. The sole Marmite factory in New Zealand was damaged in the Christchurch Earthquake of 2011. Further aftershocks led to the shutting down of the factory until late 2012. The remaining stocks ran out, leading to panic buying at inflated prices by Marmite aficionados. Quantity: 1 digital cartoon(s).
The upper of two frames shows Auckland all lit up for the Rugby World Cup and the lower frame shows Christchurch with a backdrop of munted buildings and a few people creating light with candles and torches. Context: The cartoon shows a contrast between the two cities as Christchurch struggles with the aftermath of the earthquakes and Auckland revels in the Rugby World Cup festivities. Quantity: 1 digital cartoon(s).
Prime Minister John Key sits at his desk on which are two baskets; the first is labelled 'Great news' and contains a very few documents and the second which is labelled 'Disasters' is so laden that it is causing the desk to crack. Context: New Zealand seems to be beset with disasters: the earthquakes in Christchurch, the 'Rena' shipwreck and consequeny oilspill etc. Quantity: 1 digital cartoon(s).
Several months after the Canterbury earthquakes the Minister for the Redevelopment of Christchurch, Gerry Brownlee, tells people in Christchurch to stop fretting as 'Christchurch will still be a very English looking city'. He refers to several rebuilding options that imitate English cities. Quantity: 1 digital cartoon(s).
The cartoon shows a room full of dying electronic gadgets like television, sound systems, a digital phone, a computer etc. and a wood burning stove, a candle, an analogue phone and a barbecue that are old technology and so very useful after the Christchurch earthquake of 22 February 2011. The barbecue says 'How can we retire? These youngsters can't cut it!' Published in The Press Quantity: 1 digital cartoon(s).
The cartoon simply has the time '12.51' printed in large text. Context - exactly a week after the Christchurch earthquake which occurred at 12.51 on Tuesday 22 February 2011, the people of New Zealand stopped whatever they were doing for 2 minutes of silence' (the date was Tuesday 1 March 2011) Quantity: 1 digital cartoon(s).
Artist and landscape architect Bridget Allen wouldn't have known how appropriate the name of her gardening business was to be when she set it up, out of Ilam art school and working at the Christchurch Botanic Gardens. The name Regenerative Gardening Maintenance was prophetic given her city and its landscape was about to start regenerating. The 2010-2011 Canterbury earthquakes saw not only buildings turned to rubble, large tracts of land, including an area around Ōtākaro Avon River the size of two New York Central Parks, started to turn from suburbia back to nature. The red zone has been turning green ever since. In the wake of tragedy artists and gardeners came together to innovate and create new public spaces, with an eye on sustainability and community connection. Allen cofounded New Brighton sewing charity Stitch-o-Mat and retrained as a landscape architect. Since 2023 she has been the director of The Green Lab, which began after the quakes as Greening the Rubble, creating urban green spaces and events for connection, while also working with residents to make their own backyards more sustainable. Ever busy with working and planting bees, workshops to build habitats for plants and nature, and consultations to help people make their backyards more sustainable, on August 16 Bridget is running with The Green Lab Birds of Brighton printmaking workshops. It's at the Make Station in New Brighton Mall at 11am and 1pm. No experience is needed. She joined Culture 101's Mark Amery.
Graffiti on a wooden wall depicts a child pointing at a site across the street and reads "I remember when the Kazbah was over there." The photographer comments, "A local street artist has commemorated Christchurch's deadliest earthquake. The anniversary is tomorrow. Where the photograph was taken was the site of the Ozone Hotel, which has now gone as well. For some of us who live and work in the East of Christchurch the earthquake was not what happened in the City as we were almost unaware of it. We had no water, toilets and most of all no electricity for weeks. For myself petrol was low and with tales of all the petrol stations on our side of town being damaged we could not take the chance of venturing out on severely damaged roads to find no petrol and the possibility of not getting home. We walked around and saw the damage that was local to us. TJ's Kazbah was one that stood out. A building that had a beauty with its round tower standing proud and always looked well kept - it was now collapsed. Its tower, which was once pointing towards the sky was laying on its side. It had kept its shape, but had a lightning shaped crack through it. The one thing that kept us feeling almost normal through the coming weeks was The Press our daily paper still being delivered even though the Press building and staff had suffered so badly themselves.
A photograph of a paste-up depicting Roger Sutton, the CEO of CERA, with a band-aid over his mouth; Warwick Isaacs, the Deputy Chief Executive of CERA, with hearing protection over his ears; and Jerry Brownlee, Minister for Canterbury Earthquake Recovery, with a blindfold over his eyes. The paste-up has been stuck on a bus stop timetable.
A photograph of a paste-up depicting Roger Sutton, the CEO of CERA, with a band-aid over his mouth; Warwick Isaacs, the Deputy Chief Executive of CERA, with hearing protection over his ears; and Jerry Brownlee, Minister for Canterbury Earthquake Recovery, with a blindfold over his eyes. The paste-up has been stuck on a wall.
The cartoon shows two images of cars nose-down in ditches, the first is caused by 'liquifaction' and the second by 'stupifaction'. Context: there was another large aftershock on Boxing Day in Christchurch which resulted in quite a lot of liquefaction. There is always concern over the Christmas holidays about drinking while driving. Other Titles - Liquefaction Quantity: 1 digital cartoon(s).
At top left is text reading 'Christchurch pupils return to school...' The teacher has written the words 'Nosey', 'Bob', and 'Double' on the blackboard and says to the children 'Our first test today... Sort these into Parkers we love and Parkers we don't'... Context - the correct answers would be that we hate 'nosey parkers' and 'double parkers' but that we love 'Bob Parker'. Bob Parker is the Mayor of Christchurch and is generally considered to have done a remarkably good job of demonstrating calm and cheerfulness after the two earthquakes of 4 September 2010 and 22 February 2011, as well as having been able to chose fitting words to express grief and despair at so much loss. Quantity: 1 digital cartoon(s).
Astrologer Ken Ring sits at his desk in his study surrounded by ancient scrolls and alchemical instruments; three people stand nearby awaiting advice. Ken Ring says 'Well, predicting a once-in-a-million year movement of tectonic plates is one thing... but predicting when officials will understand the plight of companies affected by it...' Context - Business people in Christchurch in the weeks following the earthquake are becoming increasingly frustrated at their inability to gain access to premises that have been made out of bounds because of potential danger. This has resulted in protests in which police physically intervened when several protesters went inside the cordon. Colour and black and white versions of this cartoon are available Quantity: 2 digital cartoon(s).
Moira Fraser standing in front of the 'Passing Time' sculpture on the corner of St Asaph Street and Madras Street. 'Passing Time' was installed outside the CPIT Building for the 6th SCAPE (a contemporary public art programme in Christchurch) a few days prior to the 22 February 2011 earthquake. The work features twisting boxes depicting each year between 1906 (the founding of CPIT) and 2010 (the date of the sculpture's production).
Moira Fraser standing in front of the 'Passing Time' sculpture on the corner of St Asaph Street and Madras Street. 'Passing Time' was installed outside the CPIT Building for the 6th SCAPE (a contemporary public art programme in Christchurch) a few days prior to the 22 February 2011 earthquake. The work features twisting boxes depicting each year between 1906 (the founding of CPIT) and 2010 (the date of the sculpture's production).
This article reports on research conducted in Christchurch, New Zealand, after the 22 February 2011 earthquake. This quake and thousands of subsequent aftershocks have left the city of Christchurch with serious infrastructure damage to roads, sewage supply, housing and commercial buildings. The emergence of a vibrant art and craft movement in the Christchurch region post earthquake has been an unexpected aspect of the recovery process. The article begins with a review of the literature on traditional responses to disaster recovery illustrating how more contemporary approaches are community-focused. We review the links between crafting and well-being, and report on qualitative research conducted with five focus groups and nine individuals who have contributed to this movement in Christchurch. The findings illustrate the role crafting has played post earthquake, in terms of processing key elements of the disaster for healing and recovery, creating opportunities for social support; giving to others; generating learning and meaning making and developing a vision for the future. The data analysis is underpinned by theory related to post-traumatic growth and ecological concerns. The role of social work in promoting low-cost initiatives such as craft groups to foster social resilience and aid in the recovery from disaster trauma is explored. This discussion considers why such approaches are rare in social work.
An official at the 'Otago Port Co.' stares in bewilderment at the feet of his colleague at the Lyttelton Port Company who says 'Ah, that might do it for now' as he hangs upside down by his feet from his upturned desk in the aftermath of the 4th September Canterbury earthquake. Text above reads 'News, the Lyttelton Port Co. has halted merger talks with Otago since the 'quake, saying "the landscape has changed". Refers to the news that Lyttelton Port, the South Island's biggest port, abandoned two-years of merger talks with rival Port Otago because it is preoccupied with rebuilding after the Canterbury earthquake. Quantity: 1 digital cartoon(s).
Text across the top of the cartoon reads 'Mayor in Nepal' Christchurch Mayor Bob Parker climbs a snowy slope towards 'Mt Junket'; he is followed by sherpas carrying candles, dining table and wine glasses. Bob Parker says 'I am focused on the summit and they don't get much bigger than this!' Context - Bob Parker gave the keynote address at a United Nations-sanctioned symposium in Nepal on disaster-risk reduction. The UN and the United States Government paid Parker's costs. The disaster risk symposium featured speakers from Pakistan and Haiti - two countries struck by large earthquakes.(The Press 15 February 2011) Quantity: 1 digital cartoon(s).