A photograph of the earthquake damage to a building in central Christchurch. The basement of the building has collapsed and the concrete blocks have broken away from each other. The left corner of the building has also suffered damage, with many of the concrete blocks shaking loose.
A photograph of road works on a residential street in Christchurch. A patch of asphalt has been removed and a digger and a steam roller are parked to the side. A worker in a high-visibility vest and hard hat is directing traffic along one lane.
Workers eat lunch at an outdoor table next to the Gap Filler Community Chess Set on Colombo Street. The Chess Set was a collaboration between Gap Filler and students at the University of Canterbury. The project aimed to restore the iconic Christchurch Chess Set that used to be played in Cathedral Square.
A digitally manipulated image of people in Re:Start Mall. The photographer comments, "In Christchurch there is a temporary mall that is made out of shipping containers. The containers painted in nice bright colours, colourful shade sails and various advertisements give the place a very merry feel".
A photograph of an earthquake-damaged house in Christchurch. The house has moved off its foundations and many of the walls have crumbled, the bricks spilling onto the street in front. Messages such as "Clear" and "Danger keep out" have been spray-painted on the foundation wall.
Photograph captioned by Fairfax, "Christchurch begins the slow recovery process after last weeks devastating 7.1 earthquake. Malcolm and Erika MacLeod and kids Lachlan(5) and & Hannah(2) had recently sold their with plans to move to the Gold Coast one day before the earthquake struck".
Photograph captioned by Fairfax, "Hold Tight: Lauren Kys, Isla Redgrave and Isla Nelson, all aged four, hide under the desk during an earthquake drill at the Terrace Kindergarten in Alexandra yesterday. The kindergarten had a dress up day to raise funds for Christchurch kindergartens affected by earthquakes".
A National Council of Women of New Zealand (NCWNZ) report to the Christchurch City Council. The report was written by Liz Gordon, Rosemary Du Plessis, Judith Sutherland, and Helen Gibson from the Women's Voices Research Committee. It is titled, From Stories to Action: the policy implications of the NCWNZ Women's Voices Project.
A photograph of an earthquake-damaged house in Christchurch. The house has moved off its foundations and many of the walls have crumbled, the bricks spilling onto the street in front. Messages such as "Clear" and "Danger keep out" have been spray-painted on the foundation wall.
A photograph of an earthquake-damaged house in Christchurch. The house has moved off its foundations and many of the walls have crumbled, the bricks spilling onto the street in front. Messages such as "Clear" and "Danger keep out" have been spray-painted on the foundation wall.
An entry from Jennifer Middendorf's blog for 21 October 2012 entitled, "Back by maternal demand".
A photograph of a paste-up from the Roger Sutton/Man About Town series, created by Nathan Ingram and Jemma Brown. The paste-up is titled "Hip Man", and is on a building on Madras Street.
A photograph of people drawing at a table at the Pallet Pavilion during Supernova City, a drawing workshop led by Melbourne-based New Zealand artist and architect Byron Kinnaird. This event was part of FESTA 2013, and invited people to make new, imaginative drawings of Christchurch city.
Kao Wei, Team Leader of the Taiwan USAR team, hugs Mitchell Brown from the New Zealand USAR National Management Team. The Taiwanese team is heading home after helping out with the emergency response to the Canterbury Earthquake.
An empty section on the corner of Cashel and Colombo Streets where buildings have been demolished. In the background, a "drummer boy" dummy dressed in a hi-vis jacket sits on top of one of the still-standing High Street buildings. Written on the back of the building is "Merry Christmas Christchurch Pa Rum Pum Pum Pum".
Photograph captioned by BeckerFraserPhotos, "The CBD with Fanzone and Christ's College in the foreground, Arts Centre to the right".
An interview with Mark Quigley, lecturer in Active Tectonics/Tectonic Geomorphology at the University of Canterbury, about his experiences during the 22 February 2011 earthquake, and the active fault lines which caused the earthquakes. This video is part of The Press's 'Christchurch, one year after February 22, 2011' series.
A photograph of the earthquake damage to a house in Christchurch. The front and side of the house has collapsed, the bricks and other rubble spilling onto the garden, exposing the rooms inside. Emergency tape has been draped across the front of the property as a cordon.
A photograph of a paste-up on the cordon fence surrounding the Crowne Plaza demolition site. The paste-up is in the shape of an awards ribbon, and reads, "Voted Chch best demo 2012".
Anyone keeping a global tally of recent disasters is likely to be asking: What role will the hazards and disasters of coastal plains play in the lives and economies of 21st century humanity? In this article, we reflect on this question using examples of how different types of coastal land performed during the Christchurch and other earthquake events to examine the complex of coastal-tectonic hazards that are being constructed in the Tokyo megacity
In recent work on commons and commoning, scholars have argued that we might delink the practice of commoning from property ownership, while paying attention to modes of governance that enable long-term commons to emerge and be sustained. Yet commoning can also occur as a temporary practice, in between and around other forms of use. In this article we reflect on the transitional commoning practices and projects enabled by the Christchurch post-earthquake organisation Life in Vacant Spaces, which emerged to connect and mediate between landowners of vacant inner city demolition sites and temporary creative or entrepreneurial users. While these commons are often framed as transitional or temporary, we argue they have ongoing reverberations changing how people and local government in Christchurch approach common use. Using the cases of the physical space of the Victoria Street site “The Commons” and the virtual space of the Life in Vacant Spaces website, we show how temporary commoning projects can create and sustain the conditions of possibility required for nurturing commoner subjectivities. Thus despite their impermanence, temporary commoning projects provide a useful counter to more dominant forms of urban development and planning premised on property ownership and “permanent” timeframes, in that just as the physical space of the city being opened to commoning possibilities, so too are the expectations and dispositions of the city’s inhabitants, planners, and developers.
In recent work on commons and commoning, scholars have argued that we might delink the practice of commoning from property ownership, while paying attention to modes of governance that enable long-term commons to emerge and be sustained. Yet commoning can also occur as a temporary practice, in between and around other forms of use. In this article we reflect on the transitional commoning practices and projects enabled by the Christchurch post-earthquake organisation Life in Vacant Spaces, which emerged to connect and mediate between landowners of vacant inner city demolition sites and temporary creative or entrepreneurial users. While these commons are often framed as transitional or temporary, we argue they have ongoing reverberations changing how people and local government in Christchurch approach common use. Using the cases of the physical space of the Victoria Street site “The Commons” and the virtual space of the Life in Vacant Spaces website, we show how temporary commoning projects can create and sustain the conditions of possibility required for nurturing commoner subjectivities. Thus despite their impermanence, temporary commoning projects provide a useful counter to more dominant forms of urban development and planning premised on property ownership and “permanent” timeframes, in that just as the physical space of the city being opened to commoning possibilities, so too are the expectations and dispositions of the city’s inhabitants, planners, and developers.
This building at the corner of Barbadoes Street / St Asaph Street was so badly damaged in the magnitude 7.1 earthquake that struck Christchurch on Saturday 4 September 2010 that it had to be demolished
A member of the Los Angeles County Fire Department Search and Rescue Team, talking to a New Zealand Police Officer in Latimer Square. In the background is a wire fence with Search and Rescue Team equipment tied to it. After the 22 February 2011 earthquake, emergency service agencies set up their headquarters in Latimer Square.
A member of the Los Angeles County Fire Department Search and Rescue Team, talking to a New Zealand Police Officer in Latimer Square. In the background is a wire fence with Search and Rescue Team equipment tied to it. After the 22 February 2011 earthquake, emergency service agencies set up their headquarters in Latimer Square.
The On-Site Operations Coordination Centre (OSOCC) in Latimer Square. After the 22 February 2011 earthquake, emergency service agencies set up their headquarters in Latimer Square. The OSOCC is set up by the United Nations Emergency Relief Coordinator. It helps to coordinate the local emergency response as well as advocate for humanitarian issue in political bodies such as the United National Security Council.
A zip file containing the suite of SCIRT CAD customisation tools. This file contains:SCIRT CAD LISP routines (198 files)SCIRT CAD dialogue box filesa complete set of layer listsa full set of text files containing the complete list of street names in Christchurchtemplates and lists used for translating 12d outputs to useable dwg reference filesa full set of SCIRT CAD manualsThis file is not sufficient for someone to set up a full SCIRT CAD System, but it will allow a developer to select tools to incorporate with an existing system.
A photograph of a member of the Wellington Emergency Management Office Emergency Response Team standing in a car park in the Christchurch central city. In the background is the Hotel Grand Chancellor. The hotel has a noticeable slump on the left side.
A photograph of members of the New Zealand Police using a rescue dog to inspect an earthquake-damaged house in Christchurch. The front and side of the house has collapsed, the bricks and other rubble spilling onto the garden, exposing the rooms inside.
A photograph of footage of Cathedral Square playing on a number of computer monitors as part of Gap Filler's ninth project, Thinking Outside the Square. The footage was sourced from the Christchurch community and cut into an hour-long video spanning 100 years.