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Research papers, Victoria University of Wellington

Architecture and music have a long intertwining history.These respective creative forces many times have collaborated into monumental place, harboured rich occasion, been catalyst for cultural movement and defined generations. Together they transcend their respective identities. From dinky local church to monstrous national stadia, together they are an intense concentration, a powerfully addictive dosage where architecture is the place, music is the faith, and people are the reason.  Music is a programme that architecture often celebrates in poetic and grand fashion; a superficial excuse to symbolise their creative parallels. But their relationship is much richer and holds more value than just the opportunity to attempt architectural metaphor.While music will always overshadow the architecture in the sense of a singular event, architecture is like the soundman behind the mixing desk. It’s not the star front and centre grabbing your attention, but is responsible for framing the star. It is the foundational backdrop, a critical pillar. Great architecture can help make great music. In this sense music is a communication of architecture, it is the ultimate creative function.  Christchurch, New Zealand, is a city whose story changed in an instant. The seismic events of 2010 and 2011 have become the overriding subject of its historical narrative, as it will be for years to come. Disaster redefines place (the town of Napier, struck by an earthquake in 1931, exemplifies this). There is no quantifiable justification for an exploration of architecture and music within the context of Christchurch. The Town Hall, one of New Zealand’s most architecturally significant buildings, is under repair. The Christ Church Cathedral will more than likely be rebuilt to some degree of its former self. But these are echoes of the city that Christchurch was.They are saved because they are artefact. Evidence of history.This thesis makes the argument for the new, the better than before, and for the making of opportunity from disaster, by proposing a ‘new’ town hall, conceived from the sound of old.

Images, Alexander Turnbull Library

Three people stand looking down at a small model of the 'Christchurch CBD'. One of the people says 'Love the safer low-rise plan What's the scale?' A second man says 'Scale? Er this is the actual size!' Context: Christchurch Mayor Bob Parker has dedicated the draft plan for a new-look Christchurch CBD to those lost in the February earthquake. The CBD will be about a quarter of its original size under the draft plan which was unanimously adopted by the council today. (TVNZ 11 August 2011) Quantity: 1 digital cartoon(s).

Images, Alexander Turnbull Library

A man and woman clutch each other in terror as their house rocks in an aftershake; the man grabs his phone and offers his land for sale adding that 'foreigners are welcome'. Refers to the Canterbury earthquake of 4th September 2010 which continues to experience aftershakes, some of them quite significant. Refers also to the debate about whether New Zealand should be selling land, particularly farms, to foreigners; one side of the debate considers the sale of land to foreigners to make economic sense while others feel that our heritage is being lost. Both colour and black and white versions of this cartoon are available Quantity: 2 digital cartoon(s).

Images, UC QuakeStudies

A photograph of the earthquake damage to a building on Hereford Street. A column on the right side of the building has snapped and the side wall has pulled away from the building. USAR codes have been spray-painted on one of the windows on the bottom storey. In the foreground there is a police car.

Images, Alexander Turnbull Library

Shows a helicopter spray painting Christchurch with the Canterbury colours of black and red. Someone in the helicopter yells that 'it's gotta be better than tint of TC3'. Context: Probably refers to the apology by Earthquake Recovery Minister Gerry Brownlee for offending Christchurch's TC3 residents after saying he was 'sick and tired' of their moaning. TC3 means 'technical category 3'. Land classified TC3 is the mostly badly quake-damaged considered economically repairable. Quantity: 1 digital cartoon(s).

Images, Alexander Turnbull Library

A Christchurch seismic monitor churns out reams of paper with wild fluctuations showing earthquakes and aftershocks. Nearby two men examine a second monitor and one of them says 'This one's connected to Gerry Brownlee!' The reams of paper show a perfectly straight line - it appears that nothing is going on in Gerry Brownlee's head. Context - A sense that the Minister for Earthquake Recovery is being less than effective. Colour and black and white versions available Quantity: 2 digital cartoon(s).

Images, Canterbury Museum

Multicolour softcover book titled "The Big Quake, Canterbury September 4, 2010" by The Press; colour illustrations and maps; accompanying DVD. The extent of the damage caused by the 4 September 2010 earthquake is recorded in this book by Christchurch’s daily newspaper The Press. The overall message portrayed is one of community spirit and a com...

Images, Canterbury Museum

One cylindrical copper time capsule with soldered ends containing rolled copies of the Christchurch Times and The Press from 25 March 1931, along with a document detailing the placement of the time capsule by the then North Canterbury Hospital Board; one end of the capsule has been removed to allow access. The North Canterbury Hospital Board pl...

Images, Canterbury Museum

One metal backed plastic sign, circa 1970s, for Cokers Hotel, Manchester Street, Christchurch detailing hotel services and featuring a map of the central city. The Cokers Hotel was located in central Christchurch at 52 Manchester Street. First licensed by John Etherdan (Jack) Coker in 1867, in 1890 the lease was taken over by Captain Popham, wh...

Images, Canterbury Museum

Replica chimney comprising a chimney pot atop a lightweight brick chimney. The chimney is contextualised by a portion of slate roof, guttering and bricked house exterior below.

Images, Canterbury Museum

One section of power cable with cut ends, covered in rubber and black electrical tape; two smaller cables branching off the main section; damaged and twisted in the 22 February 2011 earthquake. One of the most noticeable effects of the earthquakes in Canterbury was the loss of basic infrastructure such as power, water and sewerage. The earthqu...

Images, Canterbury Museum

Plastic and wood model of three liquefaction volcanoes. The working model pumps water over the grey surface which is decorated with a basket of laundry, a bucket of pegs and a football. The model is surrounded by artificial green grass and rests atop a black wooden base.

Images, Canterbury Museum

One steel, brick and concrete brooch created from debris collected after the 22 February 2011 earthquake; steel from a gas heater has been woven to create three enclosures for the piece of brick and two pieces of concrete; a stainless steel pin has been woven on the reverse for attachment. Worn by numerous people as part of the Host A Brooch pro...

Images, Canterbury Museum

One cream cotton 'Heart for Christchurch' decorated with a bird in blue stitching; a blue loop with a bead is at the top centre so the item can be displayed. Inscription on reverse reads 'With / love / from / Denice Ostman / Finland / 2011' Made for the people of Christchurch following the 22 February earthquake. Denice Ostman from Finland sent...

Images, Canterbury Museum

One red swirled fabric 'Heart for Christchurch' decorated with a tiki stitched in green on the front; green and red tartan fabric on reverse; red ribbon loop so the item can be displayed; an attached piece of green paper reads 'From Linda who lives in Scotland but who has a daughter, son-in-law & 3 small grandsons who live in Timaru'. Made for t...

Images, Canterbury Museum

One orange and blue official uniform worn by members of the Japanese Disaster Relief Team that provided assistance after 22 February 2011 earthquake; 'Rescuer' badge on left chest with Japanese text underneath; Japanese flag badges on right of chest and right sleeve as part of 'Japanese / Disaster Relief Team / JDR' shield shaped badge. Blue and...

Images, Canterbury Museum

One cream and brown fabric 'Heart for Christchurch' decorated with lace and seven embellishments with a velvet cord loop at the top centre so the item can be displayed. Maker's name - Evie Harris / Napier - on reverse. Made for the people of Christchurch following the 22 February earthquake. This ‘Heart for Christchurch’ was made by Evie Harris...

Images, Canterbury Museum

One felted purple 'Heart for Christchurch' decorated with a pink rose with green leaves and an orange loop at the top centre so the item can be displayed. Faint stitched inscription 'we are / with you' on reverse. Made for the people of Christchurch following the 22 February earthquake. Jill Gunn contributed this ‘Heart for Christchurch’ as a g...

Images, Canterbury Museum

An aero-modelling quadricopter device used by Opus International Consultants to assess the structural integrity of the interior of the Cathedral of the Blessed Sacrament, Christchurch. The drone is comprised of a central hull with high definition video recording capability surrounded by four circles of grey foam, each containing a smaller black ...

Images, Canterbury Museum

One cream, white and red fabric 'Heart for Christchurch' with white polka dots on red background on reverse; the front is decorated with the word 'Hope' and a bird in red stitching along with two red ribbon bows and a 'made with love' metal embellishment at the centre bottom; a red ribbon loop with a wooden button at the top centre is attached s...

Images, Canterbury Museum

One red knitted woollen 'Heart for Christchurch' with a piece of yellow paper attached at top right reading 'Handcrafted especially for you by Sue Hornick, Moulden, NT, Australia'. Made for the people of Christchurch following the 22 February earthquake. Sue Moulden from Australia’s Northern Territories sent this red knitted heart as a gift to ...

Images, Canterbury Museum

One green and yellow soft sculpture kakapo with wire feet, stuffed body and black plastic eyes. Has an attached card naming the bird Little Ra and explaining it is part of the 'Journey - The Kakapo of Christchurch' project by artist Sayraphim Lothian.

Images, Canterbury Museum

One model of the Temple for Christchurch with a rectangular base of Jarrah and solid silver conical shapes and wave like walls representing the movement of the 22 February 2011 earthquake. Based on the Temple for Christchurch sculpture that was designed by Hippathy Valentine.

Images, Alexander Turnbull Library

A rather overweight and unattractive man has dressed up as a lady of the night and is pulling on a yellow wig in her Rachel Hunter disguise. She says 'Maybe NOW they'll let me into the Red Zone!' and the woman who has given her the disguise says 'It won't happen overnight... but it WILL happen!' Context - Businessmen and shopkeepers are becoming frustrated at not being allowed into the Red Zone to take up the businesses again. Pretending to be a prostitute might solve the problem. Quantity: 1 digital cartoon(s).

Images, Alexander Turnbull Library

Caricature of Mayor Bob Parker dissolving into quakes; below the image is the name 'Christchurch' in very quavery letters. A second version shows Bob Parker without the shakes and without the name 'Christchurch'. Context - Opinion seems to be that Mayor Bob Parker has shown excellent leadership during the earthquakes and aftershocks in Christchurch. The earthquakes were on 4 September and 22 February. Two versions of this cartoon are available Quantity: 2 digital cartoon(s).