Photograph captioned by Fairfax, "Major earthquake hits Christchurch. Api Agsornwong (left) and Prakob Sresthakupt (right) are owners of Enjoy Thai Restaurant on Victoria Street which is now condemned. Pictured watching the buildings next door being demolished".
Photograph captioned by Fairfax, "Major earthquake hits Christchurch. Api Agsornwong (left) and Prakob Sresthakupt (right) are owners of Enjoy Thai Restaurant on Victoria Street which is now condemned. Pictured watching the buildings next door being demolished".
Photographs of the Brick Art unveiling, Greening the Rubble, on the former Asko site - corner of Victoria and Salisbury Streets, Christchurch 8 February 2011 From the collection of Christchurch City Libraries CCL-Brickart-2011-IMG_2523
A photograph of an installation that forms part of the '60 Lights Market' at the LUXCITY event. Coordinators: Jeongbin Ok, Tiago Rorke, Jonathan Coates; student: Tom Hall
A photograph of the exterior of Smash Palace. Scaffolding and plastic sheeting has been used to create walls around the site.
A photograph of the exterior of Smash Palace. Scaffolding and plastic sheeting has been used to create walls around the site.
A building on Victoria Street, housing the Chinwag Eathai restaurant, that has been give a yellow placard. This was a building assessment system used following the February earthquake indicating that there should be limited access and that the building needs further evaluation.
Photograph captioned by Fairfax, "Aftermath of the earthquake in Christchurch where the clean-up has begun. Carol Williams (not pictured) of Jane Daniels in Victoria Street emptied her shop as the buildings next door were demolished, with help from surrounding volunteers.
An aerial photograph of the Christchurch central city. The photograph is captioned by BeckerFraserPhotos, "BDO Lumley House which is in the process of being demolished. Knox Church is visible on the right hand side of the photo".
Photograph captioned by Fairfax, "The Collins family who lived above and owned the Fishmongers which stood on the site at the rear on Victoria Street. They now have lost both their home and work. From left, Mandy, Richard and Bailey 7".
A photograph of the interior of Smash Palace. A bus parked in the centre of the site is being used as a bar.
A photograph of the interior of Smash Palace. A bus parked in the centre of the site is being used as a bar.
Working at getting things out of the Victoria Square before it is demolished. www.stuff.co.nz/the-press/news/christchurch-earthquake-20... What I found on my walk around the city January 15, 2014 Ch...
An artist's impression of an installation that forms part of the '60 Lights Market' at the LUXCITY event. Coordinators: Daniele Abreu e Lima and Sam Stringlen; students: Chi Tran, Aria Jansen, Naomi Snelling, Rebecca Wyborn
An artist's impression of an installation that forms part of the '60 Lights Market' at the LUXCITY event. Coordinators: Daniele Abreu e Lima and Michael Smith; students: Alex Heperi, Gagan Saini, Shamal Nanji, Xavier Apelinga
A photograph of the interior of Smash Palace. A bus parked in the centre of the site is being used as a bar, and tarpaulins provide a roof over a seating area.
An entry from Jennifer Middendorf's blog for 23 December 2012 entitled, "Pallets and pop-up tearooms".
A PDF copy of pages 198-199 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Smash Palace'. Photos: Irene Boles
A view after the 7.1 magnitude earthquake in Christchurch 04 September 2010. Victoria Street. So sad to see history die - both buildings and business. Given a bit of a HDR process to add some of what I was "feeling" at the time.
Photograph captioned by BeckerFraserPhotos, "A series of bandaid images appeared across the city on badly damaged buildings. This one is at Knox Church".
The damaged clock tower on Victoria Street, wrapped and braced to prevent further damage. The photographer comments, "Diamond Jubilee Clock Tower in Christchurch. Its legs wrapped up for protection. Volcanic stone and limestone clock tower with ornate wrought iron work with coloured glass around part of the tower and four clock faces. Clock Tower built in this location to commemorate the Diamond Jubilee of Queen Victoria. Has two white marble plaques and one bronze plaque set on stone work above arches".
An aerial photograph of the Christchurch Art Gallery, Christchurch City Council Civic Offices and surrounding buildings.
A sign outside the Chinwag Eathai restaurant on Victoria Street reads "To all our valued customers. We are sorry to inform you as of Tuesday 17th January 2012 our building has been red stickered. Don't worry we will be back at a new location!! Yet to be confirmed".
Demolition of Robertson's Bakery building, Victoria Street, Christchurch. The Chandelier rescue ... Walking into work I saw the building I always wanted to buy (and run as a bookshop, perfumery, shoe shop) - the old Robertson's Bakery getting demolished. But the bigass digger gently reached into the wreckage and saved this chandelier, bringing...
The 48hr Design Challenge, run by the Christchurch City Council and held at Lincoln University, provided an opportunity for Council to gain inspiration from the design and architecture industry, while testing the draft Central City Plan currently being developed. The Challenge was a response to the recent earthquakes in Christchurch and brought together local and international talent. A total of 15 teams took part in the Challenge, with seven people in each including engineers, planners, urban designers, architects and landscape architects, as well as one student on each team. The four sites within the Red Zone included the Cathedral Square and BNZ Building; 160 Gloucester Street; the Orion NZ Building at 203 Gloucester Street; and 90 Armagh Street, including the Avon River and Victoria Square. The fifth site, which sits outside the Red Zone, is the former Christchurch Women’s Hospital at 885 Colombo Street. This is team SoLA's entry for 160 Gloucester Street.
Photograph captioned by BeckerFraserPhotos, "214 Oxford Terrace. This building was integral with the one on the north-east corner of Colombo and Armagh Streets".
A view after the 7.1 magnitude earthquake in Christchurch. Victoria Street. So sad to see history die - both buildings and business. Sign on the back wall says, "You gotta be there Christchurch" - sadly ironic! Given a bit of a HDR process to add some of what I was "feeling" at the time.
A Line of Best Fit explores weakness and disconnection in the city. Weakness: There are over 600 earthquake prone buildings in Wellington. The urgency to strengthen buildings risks compromising the aesthetic integrity of the city through abrasive strengthening techniques, or losing a large portion of our built environment to demolition. The need for extensive earthquake strengthening in Wellington, Christchurch and other New Zealand cities provides an exciting opportunity for architecture. Disconnection: In Wellington pedestrian activity is focused around three main routes: Cuba Street, Lambton Quay and Courtney Place. The adjacent areas are often disconnected and lack vibrancy due to large building footprints, no-exit laneways and lack of public spaces. The Design proposes a strategy for earthquake strengthening, preserving and upgrading the built environment, and expanding and connecting the pedestrian realm. The site is two earthquake prone buildings on the block between Marion Street and Taranaki Street in central Wellington. A cut through the centre of the Aspro and Cathie Buildings ties the buildings together to strengthen and create a new arcade as public space. The cut aligns with existing pedestrian routes connecting the block with the city. The Design is divided into three components: Void, Curve, and Pattern and Structure. Void investigates the implications of cutting a portion out the existing buildings and the opportunities this provides for connection, urban interaction, and light. Curve discusses the unusual form of The Design in terms of scale, the human response and the surrounding spaces. Pattern and Structure considers the structural requirements of the project and how a void enveloped in perforated screens can strengthen the earthquake prone buildings. The importance of connection, providing strength in the city, a dialogue between old and new, and engagement with the unexpected are evaluated. Opportunities for further development and research are discussed, with particular reference to how the principles of The Design could be implemented on a larger scale throughout our cities. A Line of Best Fit is an architectural proposal that creates strength and connection.
On a walk around the neighbourhood, December 3, 2013, Christchurch New Zealand. www.stuff.co.nz/the-press/christchurch-life/avenues/featu...
Heritage buildings are an important element of our urban environments, representing the hope and aspirations of a generation gone, reminding us of our achievements and our identity. When heritage buildings suffer damage, or fall into disrepair they are either met by one of two extremes; a bulldozer or painstaking repair. If the decision to conserve defeats the bulldozer, current heritage practice favours restoration into a mausoleum-type monument to yesteryear. But what if, rather than becoming a museum, these heritage buildings could live on and become a palimpsest of history? What if the damage was embraced and embodied in the repair? The Cathedral of the Blessed Sacrament on Barbadoes Street, Christchurch is the case study building for this thesis. Suffering damage in the Canterbury earthquakes of 2010 and 2011, the Cathedral sits in ruin waiting for decisions to be made around how it can be retained for future generations. This thesis will propose a reconstruction for the Cathedral through the analysis of precedent examples of reconstructing damaged heritage buildings and guided by a heritage framework proposed in this thesis. The employed process will be documented as an alternative method for reconstructing other damaged heritage buildings.