A photograph of 'All Righties' at a Shirley Intermediate School assembly. The photograph was taken at the Winter Survival Kit launch. All Right? posted the photograph on their Facebook Timeline on 25 July 2014 at 4:01pm with the caption, "Gatecrash it with giant heads...".
A photograph of students from the School of Design at the University of Technology Sydney constructing Eye of the Storm out of blue tarpaulin flags. The flags were strung across Worcester Street bridge for Canterbury Tales - a carnivalesque procession which was the main event of FESTA 2013.
A photograph of students from the School of Design at the University of Technology Sydney constructing Eye of the Storm out of blue tarpaulin flags. The flags were strung across Worcester Street bridge for Canterbury Tales - a carnivalesque procession which was the main event of FESTA 2013.
A photograph of an All Right? Canterbury Rollercoaster on a whiteboard in a school classroom. Children are putting their cab magnets on the rollercoaster to show how they are feeling. All Right? posted the photograph on their Facebook page on 21 July 2014 at 11:00am.
Photograph captioned by Fairfax, "New Zealand's Governor-General Anand Satyanand and his wife Susan Satyanand visited sites around earthquake stricken Canterbury today. (L-R) Selwyn District mayor Kelvin Coe, Christchurch city councillor Bob Shearing, Lady Susan and Governor-General Anand Satyanand visit badly affected Halswell Primary School".
Photograph captioned by Fairfax, "New Zealand's Governor-General Anand Satyanand and his wife Susan Satyanand visited sites around earthquake stricken Canterbury today. (L-R) Selwyn District mayor Kelvin Coe, Christchurch city councillor Bob Shearing, Lady Susan and Governor-General Anand Satyanand visit badly affected Halswell Primary School".
Photograph captioned by Fairfax, "New Zealand's Governor-General Anand Satyanand and his wife Susan Satyanand visited sites around earthquake stricken Canterbury today. (L-R) Selwyn District mayor Kelvin Coe, Christchurch city councillor Bob Shearing, Lady Susan and Governor-General Anand Satyanand visit badly affected Halswell Primary School".
Photograph captioned by Fairfax, "New Zealand's Governor-General Anand Satyanand and his wife Susan Satyanand visited sites around earthquake stricken Canterbury today. (L-R) Selwyn District mayor Kelvin Coe, Christchurch city councillor Bob Shearing, Lady Susan and Governor-General Anand Satyanand visit badly affected Halswell Primary School".
Photograph captioned by Fairfax, "New Zealand's Governor-General Anand Satyanand and his wife Susan Satyanand visited sites around earthquake stricken Canterbury today. (L-R) Selwyn District mayor Kelvin Coe, Christchurch city councillor Bob Shearing, Lady Susan and Governor-General Anand Satyanand visit badly affected Halswell Primary School".
Photograph captioned by Fairfax, "Garden City Helicopters flown by Mark Read uses a 700 litre monsoon bucket to dump water on loose boulders and rocks on the cliff face above Redcliffs School to dislodge them. Daniel Currie, ground support crew, steadies the monsoon bucket on takeoff".
A photograph of an installation titled Eye of the Storm being created on Worcester Street bridge by students from the School of Design at the University of Technology Sydney. The installation was part of Canterbury Tales - a carnivalesque procession which was the main event of FESTA 2013.
Father and daughter Peter and Cait O'Connor set up the Teaspoon of Light theatre company in Christchurch after the earthquakes, working with young children in the most quake-affected schools. Lynn Freeman speaks with Peter and Cait ahead of a trip to Mexico for similar work.
The Cranmer Court demolition started today in Christchurch. The 1876 building was originally a Normal School and was in a derelict state in the early 1980s when it was rescued and converted into apartments. The heritage-listed building was red-stickered after the February 2011 earthquake.
Urban Ensembles explores the way in which landscape and architecture can be employed together within the design of a steep, urban site. Lyttelton is a small port town on the border of Christchurch, settled in the foothills of a harbour formed by a major volcanic eruption. This rugged setting, with steeply sloping urban terrain, presents an interesting challenge when designing an urban development. The site was badly damaged in a series of earthquakes in 2010-2011, and many of the town’s oldest buildings, heritage structures dating back to the colonial settlement era, were destroyed. This has left a void in the heart of Lyttelton, and caused the loss of much of the tourism business that the town relies upon for its income. This thesis takes a methodological approach to the design of landscape architecture on such a challenging site. A range of techniques are explored, drawing from both landscape and architecture to explore the roles that each discipline plays in the design of urban spaces. The frequent imbalance between disciplines is addressed both through the literature review and design method, as this landscape architecture thesis draws on architectural design as a tool for generating spaces which fall somewhere in between the two ideals of interior and exterior. The final design proposal is an alternative rebuild plan for the central business area to the south of London St, and also addresses the relationships between that site and the surrounding context, both urban and environmental. The aim of this design is to create a series of interconnected spaces which have a strong relationship to the surrounding harbour setting, and also to facilitate development of the pedestrian spaces throughout the block and encouraging the development of activity at the street level, through the interface between buildings and landscape.
An entry from Jennifer Middendorf's blog for 1 September 2014 entitled, "Tunnelling".
Photograph captioned by BeckerFraserPhotos, "Looking from north-east to south-west across the Arts Centre, Christ's College and Hagley Park".
A PDF copy of pages 22-23 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'TEDxEQChCh'. Photos: Neil Macbeth
What impact are the earthquakes having on secondary students' education? Lynn Freeman talks to Principal of Avonside Girls High School, Sue Hume, and NZQA Deputy Chief Executive, Bali Haque. We also hear from John Bangma, President of the Canterbury Primary Principals' Association, on how primary students are coping.
- Thomas Hughes, Tom Brown’s School Days, 1857 It’s hard to picture what many of Christchurch’s buildings looked like before the earthquake. For many locals the torn down remains of a building or an empty lot remind them of a … Continue reading →
Photograph captioned by BeckerFraserPhotos, "South Hagley Park with the hospital at bottom left".
A video of an interview with Arts Centre CEO Andre Lovatt about the restoration of the Arts Centre after the 22 February 2011 earthquake. The video also includes a tour of the Arts Centre, including the Boys' High School swimming pool and gymnasium which was exposed after another building was demolished.
A photograph of a floating installation on the Avon River. The installation consists of four chairs and a table situated on a grass-covered platform. It was created by students from Lincoln University's School of Landscape Architecture for Canterbury Tales, a carnivalesque procession and the main event of FESTA 2013.
A photograph of the 'All Righties' (left, centre and right) and Ciaran Fox (back) launching the Winter Survival Kit at a Shirley Intermediate School assembly. All Right? posted the photograph on their Facebook Timeline on 25 July 2014 at 4:02pm with the caption, "And get down and boogie!!".
A sign on one of Gap Filler's painted pianos in New Brighton. The sign reads, "The Painted Piano Project. This piano has been donated by the Christchurch School of Music and painted by students from the University of Canterbury. Please feel free to play the piano to you heart's content".
One landscape colour digital photograph taken on 25 February 2011 showing earthquake damage on western side of Oxford Street, Lyttelton Taken from the footpath looking downhill from Lyttelton Main School. The buildings visible (from the foreground) are: London Street Restaurant; Bells Pharmacy; Maritime House (McKay - ISS Limited, Shipping Ag...
One landscape colour digital photograph taken on 25 February 2011 showing earthquake damage on eastern side of Oxford Street, Lyttelton Taken from the footpath looking downhill from opposite Lyttelton Main School. The Buildings visible are the premises of Moda Fotografica (former Library and Council Chambers), a private residence (former Libra...
New Zealand lies on the Pacific Ring of Fire – the belt of vulnerable, unpredictable fault lines which are the primary cause for earthquakes in this country. Most recently, as evident in the aftermath of the 2011 Christchurch earthquake -the destruction of the city centre led to the emergence of sub centres in different parts of the city each with different, desperate needs. The lack of preparedness in the wake of an earthquake hence, exacerbated this destitution. This research explores architecture’s role in the sub-centre. How can architecture facilitate resilience through this decentralised typology? The design-led approach critiques the implications of architecture as a tool for resilience whilst highlighting the desperate need for the engagement of architecture in planning before a disaster strikes. The resulting response explores resilience through an architectural lens that has a wider infrastructural, contextual and user-focussed need.
A Line of Best Fit explores weakness and disconnection in the city. Weakness: There are over 600 earthquake prone buildings in Wellington. The urgency to strengthen buildings risks compromising the aesthetic integrity of the city through abrasive strengthening techniques, or losing a large portion of our built environment to demolition. The need for extensive earthquake strengthening in Wellington, Christchurch and other New Zealand cities provides an exciting opportunity for architecture. Disconnection: In Wellington pedestrian activity is focused around three main routes: Cuba Street, Lambton Quay and Courtney Place. The adjacent areas are often disconnected and lack vibrancy due to large building footprints, no-exit laneways and lack of public spaces. The Design proposes a strategy for earthquake strengthening, preserving and upgrading the built environment, and expanding and connecting the pedestrian realm. The site is two earthquake prone buildings on the block between Marion Street and Taranaki Street in central Wellington. A cut through the centre of the Aspro and Cathie Buildings ties the buildings together to strengthen and create a new arcade as public space. The cut aligns with existing pedestrian routes connecting the block with the city. The Design is divided into three components: Void, Curve, and Pattern and Structure. Void investigates the implications of cutting a portion out the existing buildings and the opportunities this provides for connection, urban interaction, and light. Curve discusses the unusual form of The Design in terms of scale, the human response and the surrounding spaces. Pattern and Structure considers the structural requirements of the project and how a void enveloped in perforated screens can strengthen the earthquake prone buildings. The importance of connection, providing strength in the city, a dialogue between old and new, and engagement with the unexpected are evaluated. Opportunities for further development and research are discussed, with particular reference to how the principles of The Design could be implemented on a larger scale throughout our cities. A Line of Best Fit is an architectural proposal that creates strength and connection.
Photograph captioned by BeckerFraserPhotos, "Design and Arts College of NZ, Kaplan House, 116 Worcester Street".
Photograph captioned by BeckerFraserPhotos, "The Cashel Street and High Street intersection used to be very dominated by buildings".