A pdf transcript of Ann's second earthquake story, captured by the UC QuakeBox Take 2 project. Interviewer: Samuel Hope. Transcriber: Josie Hepburn.
An edited copy of the pdf transcript of Caroline Murray's second earthquake story, captured by the UC QuakeBox Take 2 project. At the participant's request, parts of this transcript have been redacted. Interviewer: Paul Millar. Transcriber: Maggie Blackwood.
A pdf transcript of Bev McCashin's second earthquake story, captured by the UC QuakeBox Take 2 project. The interview was conducted via Zoom. Interviewer: Laura Moir. Transcriber: Lauren Millar.
A pdf transcript of Chris's second earthquake story, captured by the UC QuakeBox Take 2 project. Interviewer: Joshua Black. Transcriber: Caleb Middendorf.
Text reads 'Parking wardens resume work in Christchurch'. A parking warden peers anxiously at a huge tanker named 'Bill's Septic Tank Services' which is apparently parked illegally. The driver of the tanker, who holds the nozzle of a pump attached to the tank, says 'Your move!' suggesting the threat of a sewage spill if the warden insists on compliance. Context - 'After a lengthy grace period following the devastating February 22 quake, Parking wardens were yesterday on the hunt for parking infringers in the city's non-metered time-restricted zones, loading zones, bus/tour coach stops and taxi stands, and on the likes of broken yellow lines.' The resumption of work by the parking wardens does suggest a return to normal in Christchurch. (NZHerald 30 May 2011) Colour and black and white versions available Quantity: 2 digital cartoon(s).
A digital copy of a poster from the Te Waioratanga project of the All Right? campaign. The poster features a black and white photographic portrait of kapa haka practitioner Te Mairiki Williams with his twins Ruruhira (left) and Te Kotuku (right). The caption reads, "Embrace the epitome of 'aukati'. Auahi, waipiro, taru, patu kore. To prolong and sustain life".
A digitally manipulated image of furniture and machinery. The photographer comments, "This furniture restoration company got caught in the middle of the Christchurch earthquake and lost a whole wall. After constant exposure to the elements everything now needs a bit of restoration. They are now working in a different part of Christchurch, but their past can still be seen".
A digitally manipulated image of a mannequin. The photographer comments, "During the Christchurch earthquake on 22 February 2011 a lot of people were seriously injured or killed because they run out of buildings. Falling masonry from the exterior of the buildings hit them, but if they had remained inside they would have probably been perfectly safe".
A digitally manipulated image of the Bandsmen's Memorial in Hagley Park. The photographer comments, "This memorial in Hagley Park in Christchurch can no longer be used due to large cracks at the base of most columns. This was mostly caused by the earthquake in February 2011, but later earthquakes have made the memorial even more dangerous".
A digital copy of a poster from the Te Waioratanga project of the All Right? campaign. The poster features a black and white photographic portrait of kapa haka practitioner Whaea Tihi Puanaki. The caption reads, "Kapa haka is wellbeing for the soul. Te kapa haka te oranga o te tinana, te wairua, te hinengaro, te katoa o te tinana".
A digital photograph in PDF format with caption. Image from the inside of a Red Zoned home in the Horseshoe Lake area. Image depicts the dining area where a poem had been written on the walls by a member of the family. Poem talks about the earthquake, living in Horseshoe Lake, and being Red Zoned and what that means.
The title is 'Main faultline to be probed'. The cartoon shows an image of Maori Party MP Hone Harawira with two small firemen on his shoulder squirting water into one ear so that it explodes out of the other. One of the firemen says 'I tell ya now the next quake will be an eight point four!' Context - The problem of criticism of his own party by maverick Maori Party MP Hone Harawira. Harawira says that many Maori believe the party has not been able to be an independent voice because of its government partnership and so Mr Harawira is calling for his party to consider its options at the next election. Mr Harawira said that the problem was exacerbated because when the Maori Party was going into coalition with National, the whole world was going into recession and when this happens their choice (National) is to help the rich guy, help the big business, on the basis that they will stay here and keep their business here and everybody will get a job He said the Maori Party needed to get back to supporting basic social policies to help the poor. There is a reference to the Christchurch earthquake of 4 September 2010 and the many strange ways of trying to predict the earthquakes and aftershocks that Christchurch has been experiencing.. (Stuff 18 January 2011) Quantity: 1 digital cartoon(s).
A digitally manipulated photograph of a stencilled logo for the Christchurch School of Music. The photographer comments, "The Christchurch School of Music donated several old broken pianos to be placed on Gap Filler sites in Christchurch. Gap Filler make the land where buildings have been demolished into places the local inhabitants can enjoy. As in Maths two negatives make a positive".
A digitally manipulated photograph of the badly twisted Medway Street footbridge. The photographer comments, "This bridge over the Avon River in Christchurch, New Zealand has been left in place since the first major earthquake back in September 2010. Graffiti artists or taggers are still leaving their marks on it even though it is nearly twisted at 90 degrees at one point".
A digitally manipulated photograph of broken windows on Shadbolt House. The photographer comments, "This was close to the start of the demolition of the earthquake damaged Shadbolt House building in the Port of Lyttelton, New Zealand. In the bright sun the glass reflected the blue sky, but the broken windows only reflected the blackness of the interior of the empty broken building".
A digitally manipulated image of the Lawrie and Wilson Auctioneers building on Tuam Street. The photographer comments, "This building at 210 Tuam Street is still off limits after the Christchurch earthquake. It has Lawrie and Wilson Auctioneers at the top and Christchurch City Council below. In the past it had a City Photography and at a different time a Parking Unit sign".
A digitally manipulated image of an excavator. The photographer comments, "This is a huge excavator in the Christchurch CBD. It is being used to clear away the enormous amount of rubble from the buildings being demolished. It seems that nearly all the big machinery from all other the world has been needed in the clean up of the earthquake damaged buildings and utilities".
A pdf transcript of Julie's second earthquake story, captured by the UC QuakeBox Take 2 project. Interviewer: Rosemary Du Plessis. Transcriber: Natalie Looyer.
Paul Nicholls from the University of Canterbury's E-Learning team and Digital Media Group Manager Wayne Riggall in their temporary office in KB02 in Kirkwood Village, the complex of prefabs set up after the earthquakes to provide temporary office and classroom space for the university. The photographer comments, "The e-learning group and the video conferencing team are now located in the Kirkwood Village at the University of Canterbury. It's a very impressive project, about 60 buildings arranged in various configurations with some used for teaching or computer labs, and others as staff offices. We will probably stay here for several years now. Adjoining our area is a space for Wayne, the Digital Media Group Manager, who will organise a sitting area for visitors and small meetings. Beyond Wayne is a closed-off meeting room".
The development of Digital City technologies to manage and visualise spatial information has increasingly become a focus of the research community, and application by city authorities. Traditionally, the Geographic Information Systems (GIS) and Building Information Models (BIM) underlying Digital Cities have been used independently. However, integrating GIS and BIM into a single platform provides benefits for project and asset management, and is applicable to a range of issues. One of these benefits is the means to access and analyse large datasets describing the built environment, in order to characterise urban risk from and resilience to natural hazards. The aim of this thesis is to further explore methodologies of integration in two distinct areas. The first, integration through connectivity of heterogeneous datasets where GIS spatial infrastructure data is merged with 3D BIM building data to create a digital twin. Secondly, integration through analysis whereby data from the digital twin are extracted and integrated with computational models. To achieve this, a workflow was developed to identify the required datasets of a digital twin, and develop a process of integrating those datasets through a combination of; semi-autonomous conversion, translation and extension of data; and semantic web and services-based processes. Through use of a designed schema, the data were streamed in a homogenous format in a web-based platform. To demonstrate the value of this workflow with respect to urban risk and resilience, the process was applied to the Taiora: Queen Elizabeth II recreation and sports centre in eastern Christchurch, New Zealand. After integration of as-built GIS and BIM datasets, targeted data extraction was implemented, with outputs tailored for analysis in an infrastructure serviceability loss model, which assessed potable water network performance in the 22nd February 2011 Christchurch Earthquake. Using the same earthquake conditions as the serviceability loss model, performance of infrastructure assets in service at the time of the 22nd February 2011 Christchurch Earthquake was compared to new assets rebuilt at the site, post-earthquake. Due to improved potable water infrastructure resilience resulting from installation of ductile piles, a decrease of 35.5% in the probability of service loss was estimated in the serviceability loss model. To complete the workflow, the results from the external analysis were uploaded to the web-based platform. One of the more significant outcomes from the workflow was the identification of a lack of mandated metadata standards for fittings/valves connecting a building to private laterals. Whilst visually the GIS and BIM data show the building and pipes as connected, the semantic data does not include this connectivity relationship. This has no material impact on the current serviceability loss model as it is not one of the defined parameters. However, a proposed modification to the model would utilise the metadata to further assess the physical connection robustness, and increase the number of variables for estimating probability of service loss. This thesis has made a methodological contribution to urban resilience analysis by demonstrating how readily available up-to-date building and infrastructure data can be integrated, and with tailored extraction from a Digital City platform, be used for disaster impact analysis in an external computational engine, with results in turn imported and visualised in the Digital City platform. The workflow demonstrated that translation and integration of data would be more successful if a regional/national mandate was implemented for the submission of consent documentation in a specified standard BIM format. The results of this thesis have identified that the key to ensuring the success of an integrated tool lies in the initial workflow required to safeguard that all data can be either captured or translated in an interoperable format.
The development of Digital City technologies to manage and visualise spatial information has increasingly become a focus of the research community, and application by city authorities. Traditionally, the Geographic Information Systems (GIS) and Building Information Models (BIM) underlying Digital Cities have been used independently. However, integrating GIS and BIM into a single platform provides benefits for project and asset management, and is applicable to a range of issues. One of these benefits is the means to access and analyse large datasets describing the built environment, in order to characterise urban risk from and resilience to natural hazards. The aim of this thesis is to further explore methodologies of integration in two distinct areas. The first, integration through connectivity of heterogeneous datasets where GIS spatial infrastructure data is merged with 3D BIM building data to create a digital twin. Secondly, integration through analysis whereby data from the digital twin are extracted and integrated with computational models. To achieve this, a workflow was developed to identify the required datasets of a digital twin, and develop a process of integrating those datasets through a combination of; semi-autonomous conversion, translation and extension of data; and semantic web and services-based processes. Through use of a designed schema, the data were streamed in a homogenous format in a web-based platform. To demonstrate the value of this workflow with respect to urban risk and resilience, the process was applied to the Taiora: Queen Elizabeth II recreation and sports centre in eastern Christchurch, New Zealand. After integration of as-built GIS and BIM datasets, targeted data extraction was implemented, with outputs tailored for analysis in an infrastructure serviceability loss model, which assessed potable water network performance in the 22nd February 2011 Christchurch Earthquake. Using the same earthquake conditions as the serviceability loss model, performance of infrastructure assets in service at the time of the 22nd February 2011 Christchurch Earthquake was compared to new assets rebuilt at the site, post-earthquake. Due to improved potable water infrastructure resilience resulting from installation of ductile piles, a decrease of 35.5% in the probability of service loss was estimated in the serviceability loss model. To complete the workflow, the results from the external analysis were uploaded to the web-based platform. One of the more significant outcomes from the workflow was the identification of a lack of mandated metadata standards for fittings/valves connecting a building to private laterals. Whilst visually the GIS and BIM data show the building and pipes as connected, the semantic data does not include this connectivity relationship. This has no material impact on the current serviceability loss model as it is not one of the defined parameters. However, a proposed modification to the model would utilise the metadata to further assess the physical connection robustness, and increase the number of variables for estimating probability of service loss. This thesis has made a methodological contribution to urban resilience analysis by demonstrating how readily available up-to-date building and infrastructure data can be integrated, and with tailored extraction from a Digital City platform, be used for disaster impact analysis in an external computational engine, with results in turn imported and visualised in the Digital City platform. The workflow demonstrated that translation and integration of data would be more successful if a regional/national mandate was implemented for the submission of consent documentation in a specified standard BIM format. The results of this thesis have identified that the key to ensuring the success of an integrated tool lies in the initial workflow required to safeguard that all data can be either captured or translated in an interoperable format.
A digitally manipulated image of a daffodil placed on the gates of QEII Stadium. The photographer comments, "Someone placed a daffodil on the gates to the QEII Stadium in Christchurch. The stadium is being razed to the ground after being very badly damaged in the Christchurch earthquakes. Besides being a Commonwealth Games stadium it was also housed one of the best swimming pools in the region".
A digitally manipulated photograph of the foyer of the Christchurch Art Gallery. The photographer comments, "The Christchurch art gallery has been closed to the public since the February 2011 earthquake and its reopening seems to be in the distant future. I want to convey the feeling that if art is not looked at darkness starts to overcome it and the paint starts to peel off".
Governor of the Reserve Bank Allan Bollard holds a spade over his shoulder and a roll of toilet paper in his hand. Text reads 'Reserve Bank governor moves to restore confidence after the quake -' and Bollard says '..past the silver beet, left at the last of the beans and it's right by the caulis!' The little Evans man says 'What a relief!' Context - Two earthquakes and hundreds of aftershocks have hit Christchurch, the first on 4 September 2010 and a second more devastating one on 22 February 2011. Toilets have been a real problem after the earthquakes with thousands of chemical toilets and portaloos being shipped in - some people, however, use the old kiwi method of digging a long-drop in the back garden. The Reserve Bank has made a relatively large 50-point cut in its benchmark interest rate, the Official Cash Rate (from 3% to 2.5 per cent). Critics say that inflation is already running unacceptably high and there is a threat of much higher inflation in a year or two when the rebuilding of Christchurch begins to put pressure on limited resources. The Reserve Bank acknowledged these factors, but it has chosen instead to focus on the immediate impact of the earthquake on the economy and particularly on all-important business and consumer sentiment. (Press editorial 12 March 2011) Colour and black and white versions available Quantity: 2 digital cartoon(s).
Photographs of central Christchurch after the 2010-2012 earthquakes taken 25 February 2012 by Sean McMahon. Locations are chiefly Manchester, Saint Asaph, Cashel, Columbo and Lichfield Streets, and the Bridge of Remembrance. Images show fencing around areas closed to the public, damaged and collapsed commercial buildings, cleared sites, re-opened Cashel Street area with shops and a cafe. Source of title - Title supplied by Library Quantity: 34 digital photograph(s).
Topics - Facebook coordinates students to provide assistance after the Christchurch earthquake, the Web is dead. Long Live the Internet Bits and Bobs, parents use 'digital' grounding as a 21st century disciplinary tool, Gmail Priority Inbox Sorts Your Email For You, introducing Wikileakileaks: Your Source for Wikileaks-Related Leaks and Melbourne computer hacker turned whistleblower extraordinaire Julian Assange is under pressure from within WikiLeaks to step down.
Topics - Facebook coordinates students to provide assistance after the Christchurch earthquake and 'The Web Is Dead. Long Live the Internet'. Bits and Bobs - Parents use 'digital' grounding as a 21st century disciplinary tool, Gmail Priority Inbox Sorts Your Email For You, introducing Wikileakileaks: Your Source for Wikileaks-Related Leaks and Melbourne computer hacker turned whistleblower extraordinaire Julian Assange is under pressure from within WikiLeaks to step down.
A digitally manipulated photograph of the Ozone Hotel's sign, leaning against a cordon fence. The photographer comments, "This sign was all that remained after the demolition of the historical Ozone Hotel, which was damaged in the Christchurch earthquakes. The sign disappeared so hopefully it will reappear at a later date in a museum. The bits of blue were the painted bricks of the hotel, which made it really stand out".
A digitally manipulated image of the sun shining through a stand of pine trees in New Brighton. Some of the trees are on a lean. The photographer comments, "Due to the Christchurch earthquakes and the land subsiding in this area the trees in this area will nearly all be cut down. So these may be the last tall trees to bathe in the sunshine for decades to come".
A digitally manipulated image of light sculptures on Gloucester Street during the LuxCity event. The photographer comments, "This was part of the LuxCity event in Christchurch, New Zealand. It was a way of creating a city of lights on the sites of demolished buildings in the earthquake devastated red zone. 350 architecture and design students from all around New Zealand created and constructed 16 pop up spaces".