
One portrait colour digital photograph taken on 23 July 2011 showing the artwork by Trent Hiles erected on the site of the Harbourlight Theatre on London Street. The artwork presents part of James K Baxter's poem 'High Country Weather' using the international code of signal flags. The artwork was installed as a Gap Filler project. The artwork r...
One landscape colour digital photograph taken on 30 June 2011 showing earthquake damage to the former Convent of Our Lady of Mercy and to the Catholic Church of St Joseph the Worker. Photograph taken from St. Davids Street The sense of loss felt when confronted with the collapse or demolition of an historic building is compounded when that bui...
One landscape colour digital photograph taken on 26 May 2013 on Winchester Street, Lyttelton. The photograph is taken looking southeast over the site of the Anglican Church of the Most Holy Trinity. On the church site are the removed top of the bell tower and porch. Beyond the empty church site the container cranes on Cashin Quay, and Diamond Ha...
A PDF copy of pages 318-319 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Macbeth'. Photos: Darryl Cribb
One landscape colour digital photograph taken on 12 April 2011 showing earthquake damage to the former Convent of Our Lady of Mercy. St Mary's School, run by the Sisters of Mercy, was also housed in this building. At the time of the 4 September 2010 earthquake the building was a private residence. The sense of loss felt when confronted with the...
One landscape colour digital photograph taken on 25 September 2011 showing the remaining portion of the former Convent of Our Lady of Mercy. St Mary's School, run by the Sisters of Mercy, was also housed in this building. At the time of the 4 September 2010 earthquake the building was a private residence. The picture shows the perimeter wall, t...
A PDF copy of pages 38-39 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Rebuild Central'. Photo: Tim Church. With permission: Christchurch City Council.
One landscape colour digital photograph taken on 27 April 2011 showing the demolition of the Royal Hotel on the corner of Norwich Quay and Canterbury Street. The hotel building shown in this photograph was the third on the site since 1851. It was built in 1916 as a replacement for the first Royal Hotel. The Royal Hotel was established in 1870 a...
A cafe that was damaged severely in the earthquake. The front wall of the top storey has crumbled onto the street, crushing a car. Wire fencing and road cones have been used to create a cordon around the buildings.
One landscape colour digital photograph taken on 25 February 2011 showing earthquake damage to the road, footpath and retaining wall on Norwich Quay. The photograph is taken from below the intersection of Norwich Quay and Canterbury Street looking east along Norwich Quay. Unlike most areas of Christchurch, land damage on the Port Hills was due ...
A felt heart sewn to the wire fence in front of the Lyttelton Borough Council Chambers Building, a pile of bricks fallen from which are visible on the street. The heart provides a bit of beauty and hope to an otherwise depressing scene, the words "say yes often" embroided on the felt.
One landscape colour digital photograph taken on 28 February 2011 showing the plume of water from a broken water main. The plume appears to be in the vicinity of the Bridle Path. Photograph taken looking west from the corner of Canterbury and Ripon Streets. Repairing infrastructure following the Canterbury Earthquakes has proved to be a complex...
One landscape colour digital photograph taken on 6 September 2011 showing demolition of the former Convent of Our Lady of Mercy. St Mary's School, run by the Sisters of Mercy, was also housed in this building. At the time of the 4 September 2010 earthquake the building was a private residence. Three years after the 2010-2011 earthquakes there a...
A PDF copy of pages 258-259 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Upon the Upland Road'. Photos: Trent Hiles
One landscape colour digital photograph taken on 26 May 2013 on the corner of Norwich Quay and Canterbury Street, Lyttelton. The photograph shows the Mitre Hotel surrounded by temporary fencing. Three years after the 2010-2011 earthquakes there are still many uncertainties about which buildings can or will be retained. These buildings, or parts...
St John's Church on Winchester Street in Lyttelton. The tower has broken and crumbled, and its roof is visible on the ground to the right. Bricks and broken wood are lying in a pile on the footpath. A red sticker has been placed on the front door as well as a sign reading "No Entry". Fencing has been placed along the footpath to warn people off.
One portrait colour digital photograph taken on 19 November 2011 showing a poster advertising the planned 2011 Census which was scheduled for Tuesday 8 March 2011. The census was abandoned because of the 22 February 2011 Earthquake. The poster was located in the window of the Lyttelton Information Centre on Oxford Street. The building was closed...
One landscape colour digital photograph taken on 26 May 2013 on Winchester Street, Lyttelton. The photograph shows part of the rear windscreen of a blue car with a sticker which reads 'I don't need sex EQC is screwing me'. The right side of the sticker is torn leaving a jagged edge. The process of negotiation with EQC and insurance companies to...
A poster advertising performers Maryrose Crook, Purple Pilgrims and Thje. The photographer comments, "Maryrose Crook, Purple Pilgrims, Thje. Saturday 26 Feb (2011). HSP 9PM $5. HSP stands for High Street Project. Here is the introduction for her concert 'Maryrose Crook's spectral voice and calenture tunes float through New Zealand giants, The Renderers' psychic country-punk and splatter rock, and emerge in her solo encounters with horripilated grace and filigree menace. Purple pilgrims' wraithish hymns evolve through a braided field of curled nautical drone and distant littoral roar, abstract thrums and change-rung celestial rustle'. She was supposed to perform on 26 February, but I am guessing the concert was cancelled due to the major earthquake in Christchurch on the 22nd. The horrendous quake made the venue at 84 Lichfield Street out of limits due to it being in the dangerous earthquake red zone. It looks like she next performed on the 17 May at the Loons in Lyttelton".
Urban Ensembles explores the way in which landscape and architecture can be employed together within the design of a steep, urban site. Lyttelton is a small port town on the border of Christchurch, settled in the foothills of a harbour formed by a major volcanic eruption. This rugged setting, with steeply sloping urban terrain, presents an interesting challenge when designing an urban development. The site was badly damaged in a series of earthquakes in 2010-2011, and many of the town’s oldest buildings, heritage structures dating back to the colonial settlement era, were destroyed. This has left a void in the heart of Lyttelton, and caused the loss of much of the tourism business that the town relies upon for its income. This thesis takes a methodological approach to the design of landscape architecture on such a challenging site. A range of techniques are explored, drawing from both landscape and architecture to explore the roles that each discipline plays in the design of urban spaces. The frequent imbalance between disciplines is addressed both through the literature review and design method, as this landscape architecture thesis draws on architectural design as a tool for generating spaces which fall somewhere in between the two ideals of interior and exterior. The final design proposal is an alternative rebuild plan for the central business area to the south of London St, and also addresses the relationships between that site and the surrounding context, both urban and environmental. The aim of this design is to create a series of interconnected spaces which have a strong relationship to the surrounding harbour setting, and also to facilitate development of the pedestrian spaces throughout the block and encouraging the development of activity at the street level, through the interface between buildings and landscape.
Questions to Ministers 1. Hon DAVID PARKER to the Minister of Finance: What was the combined increase in the value of the Crown's equity in Meridian, Mighty River Power, Solid Energy, Genesis and Air New Zealand for each of the last five years? 2. SIMON BRIDGES to the Minister of Finance: How did Budget 2011 continue the Government's programme to build faster growth, higher incomes and more jobs? 3. Hon MARYAN STREET to the Minister of Foreign Affairs: Have all recent actions of New Zealand's diplomats been consistent with Government policy? 4. Hon TAU HENARE to the Minister of Health: What reports has he received about improved access to dialysis for patients in Auckland and Waitemata? 5. Dr RUSSEL NORMAN to the Minister of Finance: Will the Government have to borrow further to pay for the latest Christchurch earthquakes? 6. GRANT ROBERTSON to the Minister of Health: Does he agree with the statement of the Auditor-General, "Despite the encouraging improvements made in the last 10 years, we do not yet have a system for scheduled services that can demonstrate national consistency and equitable treatment for all"? 7. AMY ADAMS to the Minister for the Environment: What steps has the Government taken to facilitate resource consents for work required at the Lyttelton Port to ensure it is able to recover quickly from earthquake damage? 8. JACINDA ARDERN to the Prime Minister: Does he stand by the statement made on his behalf that "this Government is focused on improvements within the economy in order to create the platform on which business and New Zealanders can invest and grow jobs"? 9. TE URUROA FLAVELL to the Minister of Health: Does he agree that under section 118 of the Health Practitioners Competence Assurance Act 2003, the Medical Council has a responsibility to ensure the cultural competence of doctors, and what support has the Government provided to the health sector to ensure cultural competence is achieved across the health sector? 10. DAVID SHEARER to the Minister of Science and Innovation: Does he agree with Professor Sir Paul Callaghan's statement on science and innovation "it's clear that the Minister of Finance and the Prime Minister have not really seen this as a top priority"? 11. CHESTER BORROWS to the Minister of Justice: What progress is being made on preparations for the referendum on the electoral system to be held in conjunction with this year's general election? 12. Hon RICK BARKER to the Minister of Veterans' Affairs: When can veterans expect to have a full response from the Government in response to the Law Commission's report "A New Support Scheme for Veterans"?