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Images for Architecture; more images...

Images, eqnz.chch.2010

On a walk around the neighbourhood, December 3, 2013, Christchurch New Zealand. www.stuff.co.nz/the-press/christchurch-life/avenues/featu...

Images, eqnz.chch.2010

Knox Church earthquake repair/rebuild on a walk around Christchurch December 11, 2013 New Zealand. www.stuff.co.nz/the-press/news/christchurch-earthquake-20... All about our ear...

Images, eqnz.chch.2010

The Church of the Good Shepherd (Philips Street) is a fine example of High Victorian Gothic architecture and was designed by Benjamin Woolfield Mountfort in 1884. It has suffered some major damage during 6.3 quake that hit Christchurch 22 February 2011. From Psalm 23 (King James Version) The Lord is my shepherd; I shall not want. ...

Images, UC QuakeStudies

A photograph of a temporary installations titled GlowCity (left) and ING (right), which were created by students from Unitec. The installations were part of CityUps - a 'city of the future for one night only', and the main event of FESTA 2014.

Images, eqnz.chch.2010

Victoria Apartments demolition is under way on a walk around the city to find out what is happening in the city. Feb 17, 2014 Christchurch New Zealand. "soft-stripped", which means that any remaining belongings will be removed, as well as furnishings and internal walls.

Images, eqnz.chch.2010

A crane topples over on Victoria Street while taking glass up to some windows. No one was hurt and the glass never broke. Victoria Street was closed from 7:30am to later in the evening. This all happen on the Knox Plaza building site. Christchurch October 13, 2014 New Zealand.

Research papers, The University of Auckland Library

While societal messages can encourage an unhealthy strive for perfection, the notion of embracing individual flaws and openly displaying vulnerabilities can appear foreign and outlandish. However, when fallibility is acknowledged and imperfection embraced, intimate relationships built on foundations of acceptance, trust and understanding can be established. In an architectural context, similar deep-rooted connections can be formed between a people and a place through the retention of layers of historical identity. When a building is allowed to age with blemishes laid bare for all to see, an architectural work can exhibit a sense of 'humanising vulnerability' where the bruises and scars it bears are able to visually communicate its contextual narrative. This thesis explores the notion of designing to capitalise on past decay through revitalisation of the former Wood Brothers Flour Mill in Addington, Christchurch (1891). Known as one of the city's last great industrial buildings, the 130-year-old structure remains hugely impressive due to its sheer size and scale despite being abandoned and subject to vandalism for a number of years. Its condition of obsolescence ensured the retention of visible signs of wear and tear in addition to the extensive damage caused by the 2010-12 Canterbury earthquakes. In offering a challenge to renovation and reconstruction as a means of conservation, this thesis asks if 'doing less' has the potential to 'do more'. How can an understanding of architecture as an ongoing process inform a design approach to celebrate ageing and patina? While the complex is undergoing redevelopment at the time of writing, the design project embraces the condition of the historic buildings in the immediate aftermath of the earthquakes and builds upon the patina of the mill and adjacent flour and grain store in developing a design for their adaptation as a micro-distillery. Research into the traditional Japanese ideology of wabi-sabi and its practical applications form the basis for a regenerative design approach which finds value in imperfection, impermanence and incompleteness. The thesis combines a literature review, precedent review and site analysis together with a design proposal. This thesis shows that adaptive reuse projects can benefit from an active collaboration with the processes of decay. Instead of a mindset where an architectural work is considered the finished article upon completion of construction, an empathetic and sensitive design philosophy is employed in which careful thought is given to the continued preservation and evolution of a structure with the recognition that evidence of past wear, tear, patina and weathering can all contribute positively to a building's future. In this fashion, rather than simply remaining as relics of the past, buildings can allow the landscape of their urban context to shape and mould them to ensure that their architectural experience can continue to be enjoyed by generations to come.

Images, UC QuakeStudies

A photograph of a temporary installation titled CHCH2061, which was created by students from the University of Auckland, in partnership with DJ Lab. CHCH2161 was part of CityUps - a 'city of the future for one night only', and the main event of FESTA 2014.

Images, UC QuakeStudies

A photograph of a temporary, inflatable structure titled Upload, which was created by students from the University of Auckland, in partnership with Chirney Coffee. Upload was part of CityUps - a 'city of the future for one night only', and the main event of FESTA 2014.

Images, UC QuakeStudies

A photograph of a temporary installation titled Influx, which was created by students from Unitec, in partnership with RAD Bikes. Influx was part of CityUps - a 'city of the future for one night only', and the main event of FESTA 2014.

Images, UC QuakeStudies

A photograph of part of a temporary installation, titled Influx, which was created by students from Unitec, in partnership with RAD Bikes. Influx was part of CityUps - a 'city of the future for one night only', and the main event of FESTA 2014.

Images, UC QuakeStudies

A photograph of a temporary installation titled Antigravity, which was created by students from the University of Auckland, in partnership with Cakes by Anna. Antigravity was part of CityUps - a 'city of the future for one night only', and the main event of FESTA 2014.

Images, UC QuakeStudies

A photograph of a temporary installation titled Continuum, which was created by students from the University of Auckland, in partnership with Excuse My French Crepe Cart. Continuum was part of CityUps - a 'city of the future for one night only', and the main event of FESTA 2014.

Images, UC QuakeStudies

A photograph of a temporary structure titled Equilibrium, which was created by students from the University of Auckland, in partnership with White Elephant Trust. Equilibrium was part of CityUps - a 'city of the future for one night only', and the main event of FESTA 2014.

Images, UC QuakeStudies

A photograph of a temporary structure titled Equilibrium, which was created by students from the University of Auckland, in partnership with White Elephant Trust. Equilibrium was part of CityUps - a 'city of the future for one night only', and the main event of FESTA 2014.

Images, UC QuakeStudies

A photograph of a temporary installation titled Aurora, which was created by students from Unitec, in partnership with Black Betty cafe. Aurora was part of CityUps - a 'city of the future for one night only', and the main event of FESTA 2014.

Images, UC QuakeStudies

A photograph of a temporary installation titled GlowCity, which was created by students from Unitec, in partnership with Games Hall street games. GlowCity was part of CityUps - a 'city of the future for one night only', and the main event of FESTA 2014.

Images, UC QuakeStudies

A photograph of a temporary installation titled Influx, which was created by students from Unitec, in partnership with RAD Bikes. Influx was part of CityUps - a 'city of the future for one night only', and the main event of FESTA 2014.