Photograph captioned by Fairfax, "Four year old Kahu Guthrie, clutching his presents, waves goodbye to Santa (played by Peter Leitch, the Mad Butcher, as he leaves in the police helicopter from Motuihe Island where Kahu and 30 other disadvantaged earthquake victims from Christchurch spent the day courtesy of Westpac)".
An interior view of the Cranmer Court building's octagonal corner section, which housed Plato Creative from March 2008 to November 2009. Although designed to house a book depot, the room was used as the principal's office while Christchurch Normal School was operating from the building. The photograph showcases its high windows and intricate wooden ceiling.
A photograph showcasing the intricate wooden ceiling of the Cranmer Court building's octagonal corner section. Although designed to house a book depot, the room was used as the principal's office while Christchurch Normal School was operating from the building. This part of the building housed Plato Creative from March 2008 to November 2009.
An artist's impression of an installation that forms part of the '60 Lights Market' at the LUXCITY event. Coordinators: Daniele Abreu e Lima and Sam Stringlen; students: Chi Tran, Aria Jansen, Naomi Snelling, Rebecca Wyborn
A photograph showcasing the intricate wooden ceiling of the Cranmer Court building's octagonal corner section. Although designed to house a book depot, the room was used as the principal's office while Christchurch Normal School was operating from the building. This part of the building housed Plato Creative from March 2008 to November 2009.
An artist's impression of an installation that forms part of the '60 Lights Market' at the LUXCITY event. Coordinators: Daniele Abreu e Lima and Michael Smith; students: Alex Heperi, Gagan Saini, Shamal Nanji, Xavier Apelinga
Photograph captioned by Fairfax, "Four year old Kahu Guthrie, clutching his presents, waves goodbye to Santa (played by Peter Leitch, the Mad Butcher, as he leaves in the police helicopter from Motuihe Island where Kahu and 30 other disadvantaged earthquake victims from Christchurch spent the day courtesy of Westpac)".
An old advertising sign exposed by the demolition of an adjoining building. The photographer comments, "'Protect your investment. Paint your property regularly - and save money. Polson's decorators and sign writers.' The building that was adjacent to this one was demolished after the Christchurch earthquake and revealed this fabulous old wall sign.
An elaborate graffiti tag sprayed on a wall beside a demolition site on Tuam Street. A collection of abandoned objects lie on the site. The photographer comments, "Graffiti spotted in the Christchurch earthquake red zone. What I liked was the odd mixture of bits and bobs around it".
The farmer swore that his fence and hedge were in a straingt line, but mother nature had other ideas! Aftermath of the Saturday 4 September 2010 magnitude 7.1 earthquake at the previously unknown faultline along which the quake originated.
Caricature of Mayor Bob Parker dissolving into quakes; below the image is the name 'Christchurch' in very quavery letters. A second version shows Bob Parker without the shakes and without the name 'Christchurch'. Context - Opinion seems to be that Mayor Bob Parker has shown excellent leadership during the earthquakes and aftershocks in Christchurch. The earthquakes were on 4 September and 22 February. Two versions of this cartoon are available Quantity: 2 digital cartoon(s).
A video of journalist Charlie Gates introducing the 2014 World Buskers Festival. Gates visits former festival venues in the Christchurch central city and the new performance venues for the 2014 festival, to show how the city has changed since the 2010 and 2011 earthquakes.
A damaged house perched on the edge of the cliffs above Sumner. The photographer comments, "This house has slowly gone over the edge since the big earthquake in Christchurch in February 2011. Subsequent earthquakes has caused the rock face to crumble more and more".
The cartoon shows the word 'Christchurch' fractured by earthquake. Text above reads 'The new tear(s)'. A second version has the text in the singular 'The new tear'. Context: In spite of Christchurch's great hopes for a new year without earthquakes, there have been numerous quakes and aftershocks. A wordplay on 'new year' and 'new tear' - that is weeping with fear and dismay. Two versions of this cartoon are available Quantity: 2 digital cartoon(s).
A video of a presentation by Antony Gough, New Zealand property developer, during a panel at the 2016 Seismics in the City Conference. The panel has three themes:A City on the Move: Collaboration and Regeneration: "'Christchurch is now moving rapidly from the recovery phase into a regeneration stage with Central and Local Government working with the wider community, including the business community to ensure we get optimal outcomes for greater Christchurch' (CECC)."Looking Back: Remembering and Learning: "What are the milestones? What are the millstones? What have we learnt? What have we applied?"Looking Forward: Visioning and Building: "What do we aspire to? What are the roadblocks? What is the way forward?"
A video of an interview with Julia Morison, a Christchurch-based artist, about her sculptures in a vacant site on the Christchurch central city. The artwork, titled 'Tree Houses for Swamp Dwellers', took over a year to make and will act as a centrepiece for the Scape Public Art festival, which begins on 27 September 2013. The sculpture was designed to provide a playground for children and a shady spot for workers on their lunch breaks. Morison also talks about how the sculpture was designed to be relocated and reconfigured so that it can be moved to a new location when construction begins on the vacant site.
A video of an address by Scott Noyes, Energy Management Specialist for Schneider Electric NZ, at the 2014 Seismics and the City forum. This talk was part of the Building Connectivity section, and focused on collaborative and innovative initiatives relevant to the rebuild of Greater Christchurch.
A video of an address by Antony Gough, Managing Director of Hereford Holdings Ltd, at the 2014 Seismics and the City forum. This talk was part of the Building Opportunities section, and explored commercial development opportunities in Central Christchurch, the constraints, and what needs to be done.
A photograph of Doug Sexton holding a memento of his house at 378 Oxford Terrace. The memento was created by artist Sarah Brown for the Shared Lines Sendai/Christchurch Art Exchange. Brown used found objects from Doug Sexton's house to create this artwork in a tobacco tin.
The Church of the Good Shepherd (Philips Street) is a fine example of High Victorian Gothic architecture and was designed by Benjamin Woolfield Mountfort in 1884. It has suffered some major damage during 6.3 quake that hit Christchurch 22 February 2011. From Psalm 23 (King James Version) The Lord is my shepherd; I shall not want. ...
A laminated sign for the 2011 Festival of Flowers attached to a wooden planter. The plants in the planter are dry and dead. The photographer comments, "The theme for the 2011 Festival of Flowers was 'burst! of water'. The Christchurch February earthquake came and water and sand called liquefaction burst out of the ground all around the area. Ironically the plants for the festival were left unattended in the cordoned off red zone and they would have loved a little burst of water".
Father and daughter Peter and Cait O'Connor set up the Teaspoon of Light theatre company in Christchurch after the earthquakes, working with young children in the most quake-affected schools. Lynn Freeman speaks with Peter and Cait ahead of a trip to Mexico for similar work.
A video of a tour through the Christchurch central city Red Zone. The video includes footage of the Hotel Grand Chancellor, Victoria Square, the Forsyth Barr building, Colombo Street, Gloucester Street, Cathedral Square, the BNZ building, Cashel Mall, and the Kathmandu store on High Street.
A scanned copy of a black and white photograph of the DramaSoc production, 'Peer Gynt'. The play was performed at James Hay Theatre in the Christchurch Town Hall in 1973. The photograph was sourced from the DramaSoc archives held at Macmillan Brown Library.
A scanned copy of a black and white photograph of the DramaSoc production, 'Peer Gynt'. The play was performed at James Hay Theatre in the Christchurch Town Hall in 1973. The photograph was sourced from the DramaSoc archives held at Macmillan Brown Library.
A scanned copy of a black and white photograph of the DramaSoc production, 'Peer Gynt'. The play was performed at James Hay Theatre in the Christchurch Town Hall in 1973. The photograph was sourced from the DramaSoc archives held at Macmillan Brown Library.
A scanned copy of a black and white photograph of the DramaSoc production, 'Peer Gynt'. The play was performed at James Hay Theatre in the Christchurch Town Hall in 1973. The photograph was sourced from the DramaSoc archives held at Macmillan Brown Library.
A scanned copy of a black and white photograph of the DramaSoc production, 'Peer Gynt'. The play was performed at James Hay Theatre in the Christchurch Town Hall in 1973. The photograph was sourced from the DramaSoc archives held at Macmillan Brown Library.
A scanned copy of a black and white photograph of the DramaSoc production, 'Peer Gynt'. The play was performed at James Hay Theatre in the Christchurch Town Hall in 1973. The photograph was sourced from the DramaSoc archives held at Macmillan Brown Library.
A scanned copy of a black and white photograph of the DramaSoc production, 'Peer Gynt'. The play was performed at James Hay Theatre in the Christchurch Town Hall in 1973. The photograph was sourced from the DramaSoc archives held at Macmillan Brown Library.