
A photograph of architecture students working on part of the eLITE installation for LUXCITY.
A photograph of a street of temporary housing in Rawhiti Domain.
A photograph of a large-scale sculpture titled Altitude being set up for LUXCITY.
A photograph of architecture students working on part of the eLITE installation for LUXCITY.
A photograph of a singer on stage in the 'Sound Cone' space at LUXCITY.
A photograph of emergency tape cordoning off a wall on the edge of the site of the 'Words of Hope' event.
A photograph of the large-scale installation titled Altitude. The installation is part of LUXCITY.
A photograph of a guitarist on stage in the 'Sound Cone' space at LUXCITY.
A photograph of the LUXCITY installations Archrobatics (left) and Altitude. The installations are on Manchester Street.
A photograph of a guitarist on stage in the 'Sound Cone' space at LUXCITY.
A photograph of students installing In Your Face, which is part of LUXCITY.
A photograph of the LUXCITY 'Sound Cone' performance space on Gloucester Street.
A photograph of a butterfly on one of the chairs in the '185 Empty Chairs' memorial installation.
A photograph of students installing In Your Face, which is part of LUXCITY.
A photograph of a musician on stage in the 'Sound Cone' space at LUXCITY.
A photograph of an acrobat practicing a performance for 'Sound Cone' at LUXCITY.
Children play on street furniture on Gloucester Street, part of one of the Christchurch City Council's Transitional City projects. In the background is the facade of the Isaac Theatre Royal, protected by shipping containers.
A photograph of a performer at the 'Sound Cone' project at LUXCITY.
A photograph of architecture students working on part of the eLITE installation for LUXCITY.
A photograph of a band playing on stage in the 'Sound Cone' space at LUXCITY.
A photograph of a crowd around a large-scale sculpture titled Altitude at LUXCITY.
A photograph of students installing In Your Face, which is part of LUXCITY.
Children play on street furniture on Gloucester Street, part of one of the Christchurch City Council's Transitional City projects. In the background is the facade of the Isaac Theatre Royal, protected by shipping containers.
A photograph of a musician on stage in the 'Sound Cone' space at LUXCITY.
A photograph of visitors to the In Your Face installation at LUXCITY.
A photograph of the LUXCITY 'Sound Cone' performance space on Gloucester Street.
A photograph of furniture on the site of Christchurch: A Board Game.
A photograph of students installing In Your Face, which is part of LUXCITY.
Page 5 of Section A of the Christchurch Press, published on Saturday 26 October 2013.
Orientation: Large-scale events such as disasters, wars and pandemics disrupt the economy by diverging resource allocation, which could alter employment growth within the economy during recovery. Research purpose: The literature on the disaster–economic nexus predominantly considers the aggregate performance of the economy, including the stimulus injection. This research assesses the employment transition following a disaster by removing this stimulus injection and evaluating the economy’s performance during recovery. Motivation for the study: The underlying economy’s performance without the stimulus’ benefit remains primarily unanswered. A single disaster event is used to assess the employment transition to guide future stimulus response for disasters. Research approach/design and method: Canterbury, New Zealand, was affected by a series of earthquakes in 2010–2011 and is used as a single case study. Applying the historical construction–economic relationship, a counterfactual level of economic activity is quantified and compared with official results. Using an input–output model to remove the economy-wide impact from the elevated activity reveals the performance of the underlying economy and employment transition during recovery. Main findings: The results indicate a return to a demand-driven level of building activity 10 years after the disaster. Employment transition is characterised by two distinct periods. The first 5 years are stimulus-driven, while the 5 years that follow are demand-driven from the underlying economy. After the initial period of elevated building activity, construction repositioned to its long-term level near 5% of value add. Practical/managerial implications: The level of building activity could be used to confidently assess the performance of regional economies following a destructive disaster. The study results argue for an incentive to redevelop the affected area as quickly as possible to mitigate the negative effect of the destruction and provide a stimulus for the economy. Contribution/value-add: This study contributes to a growing stream of regional disaster economics research that assesses the economic effect using a single case study.