A story submitted by Lawrence Wootton to the QuakeStories website.
A story submitted by Michael Topp to the QuakeStories website.
A story submitted by Rosalee Jenkin to the QuakeStories website.
A story submitted by Godfrey Nosa to the QuakeStories website.
A story submitted by Tim Kerr to the QuakeStories website.
A story submitted by Lyndsay Fenwick to the QuakeStories website.
A story submitted by Jayne to the QuakeStories website.
A story submitted by blair to the QuakeStories website.
A story submitted by Barbara de Vries to the QuakeStories website.
This literature review uses research informed by disasters including the Christchurch Earthquakes, Hurricane Katrina, Red River floods, War in Israel and natural disasters in Indonesia to identify key aspects within teacher-student relationships which result in an increase in the emotional stability of our students. These aspects include prior knowledge of students and their development, psycho-social interventions and incorporation of the disaster into the curriculum. Teacher-student relationships are highlighted as vital to a child’s healing and resilience after experiencing disaster trauma.
A photograph of a section of a piece of street art on the wall of a building between Brighton Mall and Hawke Street. This section of the artwork depicts a child blowing bubbles.
Following the 2010–2011 Canterbury earthquakes, a renewed focus has been directed across New Zealand to the hazard posed by the country‘s earthquake-vulnerable buildings, namely unreinforced masonry (URM) and reinforced concrete (RC) buildings with potentially nonductile components that have historically performed poorly in large earthquakes. The research reported herein was pursued with the intention of addressing several recommendations made by the Canterbury Earthquakes Royal Commission of Inquiry which were classified into the following general categories: Identification and provisional vulnerability assessment of URM and RC buildings and building components; Testing, assessment, and retrofitting of URM walls loaded out-of-plane, with a particular focus on highly vulnerable URM cavity walls; Testing and assessment of RC frame components, especially those with presumably non-ductile reinforcement detailing; Portfolio management considering risks, regulations, and potential costs for a portfolio that includes several potentially earthquake-vulnerable buildings; and Ongoing investigations and proposed research needs. While the findings from the reported research have implications for seismic assessments of buildings across New Zealand and elsewhere, an emphasis was placed on Auckland given this research program‘s partnership with the Auckland Council, the Auckland region accounting for about a third each of the country‘s population and economic production, and the number and variety of buildings within the Auckland building stock. An additional evaluation of a historic building stock was carried out for select buildings located in Hawke‘s Bay, and additional experimental testing was carried out for select buildings located in Hawke‘s Bay and Christchurch.
A photograph of street art. The artwork is on the wall surrounding Waltham Pool, facing towards the children's playground at Waltham Park.
A photograph of a section of a piece of street art on a building outside Harrington's Beer Wine and Spirits in New Brighton. This section of the artwork depicts a scene from Doctor Who.
A photograph of street art on a shipping container behind the Embassy clothing store on Colombo Street. The photographer believes that the artwork was created by the artists 'Resto' and 'Paulie'.
A photograph of street art on a wall near the intersection of Colombo Street and Battersea Street. The artwork was created by Richard Van Den Berg in 1988, and exposed by the demolition of the neighbouring building.
A photograph of street art on a door in New Brighton. The photographer believes that the artwork was created by the artist 'Porta'.
A photograph of street art on the rear wall of Wicked Campers on Ferry Road, taken from Leeds Street. AMI stadium is visible in the background. The photographer believes that the artist may be '007'.
A photograph of street art on Dyers Pass Road at the Bromley wood and demolition yard, Silvan Salvage. The artwork depicts a tree on the left and tag writing on the right. The blue text says "Teaching old logs new tricks" and the white text says "The Silvan Salvage".
A photograph of street art on the wall of a building in Sydenham. The artwork is signed by 'Morpork'.
A photograph of street art on a shipping container behind the Embassy clothing store on Colombo Street. The photographer believes that the artwork was created by the artist 'Paulie'.
A photograph of street art on a shipping container behind the Embassy clothing store on Colombo Street. The photographer believes that the artwork was created by the artist 'Paulie'.
A photograph of street art on Dyers Pass Road at the Silvan Salvage wood and demolition yard. The artwork shows tag writing which says "Teaching old logs new tricks" in big blue capital letters.
A photograph of street art on Dyers Pass Road at the Bromley Silvan Salvage wood and demolition yard. The artwork shows a tree in front of blue waves. In the upper left corner are the words: "P.E.E.E.P Trust".
A photograph of street art on Dyers Pass Road at the Silvan Salvage wood and demolition yard. The artwork shows tag writing which says "The Silvan Salvage" in white letters and signed by Mesr.
A photograph of street art between New Brighton Mall and Hawke Street. The artwork is a mural of tag writing, a flower, and melting ice cream.
A photograph of street art by the DTR crew between Aldwins Road and Linwood Avenue. The artwork depicts an orange city behind purple tag art with DTR's mark on it. The wall with the artwork, is hidden behind a billboard for CPIT, and a bike rack.
A photograph of street art on Fitzgerald Avenue, near the On Fitz cafe. On the left is a painting of a waxeye bird. Next to it is written "South bound". On the right is a painting of a blue-skinned figure. Next to the man is written "Li'l Elliot.
A photograph of street art on Fitzgerald Avenue. The artwork depicts a waxeye bird.
A photograph of street art on Fitzgerald Avenue, near The Fitz cafe. The photographer attributes the work to Freak.