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Research papers, University of Canterbury Library

Seismic isolation is an effective technology for significantly reducing damage to buildings and building contents. However, its application to light-frame wood buildings has so far been unable to overcome cost and technical barriers such as susceptibility of light-weight buildings to movement under high-wind loading. The 1994 Northridge Earthquake (6.7 MW) in the United States, 1995 Kobe Earthquake (6.9 MW) in Japan and 2011 Christchurch Earthquake (6.7 Mw) all highlighted significant loss to light-frame wood buildings with over half of earthquake recovery costs allocated to their repair and reconstruction. This poster presents a value case to highlight the benefits of seismically isolated residential buildings compared to the standard fixed-base dwellings for the Wellington region. Loss data generated by insurance claim information from the 2011 Christchurch Earthquake has been used to determine vulnerability functions for the current light-frame wood building stock. By using a simplified single degree of freedom (SDOF) building model, methods for determining vulnerability functions for seismic isolated buildings are developed. Vulnerability functions are then applied directly in a loss assessment to determine the Expected Annual Loss. Vulnerability was shown to dramatically reduce for isolated buildings compared to an equivalent fixed-base building resulting in significant monetary savings, justifying the value case. A state-of-the-art timber modelling software, Timber3D, is then used to model a typical residential building with and without seismic isolation to assess the performance of a proposed seismic isolation system which addresses the technical and cost issues.

Audio, Radio New Zealand

Some 10 years on from the devastating Canterbury quakes, the wait is still not over when it comes to law changes needed to improve the Earthquake Commission. The government will not get it done until 2021, if it's re-elected. Meanwhile cases of botched quake repairs needing a fix are still flooding into EQC, Greater Christchurch Regeneration Minister Megan Woods told Checkpoint.

Audio, Radio New Zealand

'Rekindle' is an initiative started since the earthquakes in Canterbury which provides purposeful work for young people by giving them the opportunity to design and fashion furniture from waste wood. Spectrum's Deborah Nation explores 'Rekindle'.

Images, UC QuakeStudies

A broken window at ground level has building rubble behind it, some of which has been pushed out through the broken glass. The photographer comments, "The alternate title is 'Under Pressure'. A bulldozer must have pushed earthquake debris up against the internal wall not realising there was a glass reinforced window at ground level".

Images, UC QuakeStudies

A pigeon perches in the beams of a damaged building. The photographer comments, "The building next door was demolished after the Christchurch earthquake, which exposed the side of this building with it's very old corrugated iron walls. Some of the sheeting was damaged and exposed parts of the interior. The pigeon was sitting on a bit of wood with the beam above it had a very serious crack. I think you would be nervous as well".

Audio, Radio New Zealand

Christchurch Regeneration Minister Megan Woods says it could take 18 months to decide who is liable for the repairs for 660 home-owners caught in legal limbo. They've bought homes where they thought all the earthquake damage had been repaired - and now find more problems have emerged. Ms Woods told us it's not clear who is liable for these repairs - and it could take as long as 18 months to resolve that basic liability issue. EQC's chief executive Sid Miller has already apologised. He tells Susie Ferguson it's an issue he's been aware of in the year he has been with EQC.

Research papers, The University of Auckland Library

In 2013 Becca Wood, Spatial Performance Practitioner, and Molly Mullen, Applied Theatre Practitioner, collaborated to create a short ambulatory performance with audio score for a group of drama educators attending a conference workshop on the possibilities of walking as performance. The performance was created remotely from the intended site: Rangi Ruru Girls’ School, in Christchurch, New Zealand. Following the destruction of the 2012 earthquake, this site was in a state of transformation and recovery. The performance walk attended to the histories, geographies and politics of this place, somatically, architecturally and socially. This paper engages with three critical questions: How might mediated listening and walking activate the coming together of bodies and place? What performative shifts occurred for the participants in the walk and workshop? How might we come to our senses? Through a performative practice of mediated site-based listening and walking, this paper is a reflection on the creative process and performance. We consider the potential for technologically mediated performance to offer new modes for learning and creative practice through interdisciplinary and evolving intermedial practices. http://www.tandfonline.com/toc/crde20/current AM - Accepted Manuscript

Audio, Radio New Zealand

Thousands of people are making insurance claims after heavy rain and flooding in the north of New Zealand, especially in Auckland. Insurance lawyer Peter Woods has worked on property claims for earthquake damage in Canterbury and Marlborough.. He has also been an Independent Specialist Adviser to the government. Peter talks to Lisa Owen.

Audio, Radio New Zealand

Te Pae, Christchurch's near $450 million convention centre, has been officially opened this afternoon with a pōwhiri and unveiling by Mayor Lianne Dalziel and Minister Megan Woods. Billed as a legacy for the city, it replaces the old centre which was demolished following the Canterbury earthquakes. Niva Chittock is at the ceremony and joins Lisa with the details.

Audio, Radio New Zealand

A review of the week's news including: Labour struggling to put a dent in the National Party's lead in the polls, questions over Israelis caught up in the Christchurch earthquake, the latest from the Pike River Mine inquiry, electricity price rises fuelling inflation, an Auckland school wanting all students to take an iPad to class and Steve Williams dropped as Tiger Wood's caddy.

Audio, Radio New Zealand

Street art has played a major role in bringing life back to Christchurch post-Earthquakes. A major player has been Watch This Space. They are a charitable trust established almost 10 years ago that organises and maintains public art projects in Christchurch, updates their interactive map helping people explore the city, and runs tours. Dr Reuben Woods is the creative director of Watch this Space.

Audio, Radio New Zealand

The government's looking overseas to get more hands on deck to help with the rebuild from Cyclone Gabrielle. A new short-term Recovery Visa will bring in specialist foreign workers through a similar pathway used after the Christchurch and Kaikoura earthquakes. The visas will be fast-tracked with officials aiming to get applications through within seven days. Corn Dann spoke with immigration minister Michael Wood.

Images, Alexander Turnbull Library

The cartoon shows a room full of dying electronic gadgets like television, sound systems, a digital phone, a computer etc. and a wood burning stove, a candle, an analogue phone and a barbecue that are old technology and so very useful after the Christchurch earthquake of 22 February 2011. The barbecue says 'How can we retire? These youngsters can't cut it!' Published in The Press Quantity: 1 digital cartoon(s).

Audio, Radio New Zealand

It's almost eight years to the day since the first Christchurch earthquake, and as anyone who lives in Christchurch knows, some insurance claims are still in dispute. Dodgy repairs are still being discovered and previously undiscovered damage is being found. Earthquake Commission minister Megan Woods says as problems emerge, people can come back and ask for re-repairs or have their home looked at. But just how much money is in the National Disaster Fund?